9780199765775

Keeping Time Readings in Jazz History

by
  • ISBN13:

    9780199765775

  • ISBN10:

    0199765774

  • Edition: 2nd
  • Format: Paperback
  • Copyright: 3/27/2014
  • Publisher: Oxford University Press

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Purchase Benefits

  • Free Shipping On Orders Over $59!
    Your order must be $59 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • Get Rewarded for Ordering Your Textbooks! Enroll Now
  • We Buy This Book Back!
    In-Store Credit: $10.50
    Check/Direct Deposit: $10.00
List Price: $63.95 Save up to $25.58
  • Rent Book $38.37
    Add to Cart Free Shipping

    TERM
    PRICE
    DUE

Supplemental Materials

What is included with this book?

  • The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
  • The Rental copy of this book is not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Summary

Featuring more than seventy thought-provoking selections drawn from contemporary journalism, reviews, program notes, memoirs, interviews, and other sources, Keeping Time: Readings in Jazz History, Second Edition, brings to life the controversies and critical issues that have accompanied more than 100 years of jazz history. This unique volume gives voice to a wide range of perspectives which stress different reactions to and uses of jazz, both within and across communities, enabling readers to see that jazz is not just about names, dates, and chords, but rather about issues and ideas, cultural activities, and experiences that have affected people deeply in a great variety of ways. Selections include contributions from well-known figures such as Jelly Roll Morton, Billie Holiday, Charles Mingus, Louis Armstrong, Dizzy Gillespie, and Miles Davis; from renowned writers including Langston Hughes, Norman Mailer, and Ralph Ellison; and from critics and historians ranging from Gunther Schuller and Christopher Small to Sherrie Tucker and George Lipsitz. Filled with insightful writing, Keeping Time aims to increase historical awareness, to provoke critical thinking, and to encourage lively classroom discussion as students relive the intriguing story of jazz.

Author Biography


Edited by Robert Walser, Professor of Music, Case Western Reserve University

Table of Contents


First Accounts
1. Sidney Bechet's Musical Philosophy
2. "Whence Comes Jass?" Walter Kingsley
3. The Location of "Jass," New Orleans Times-Picayune
4. A "Serious" Musician Takes Jazz Seriously, Ernest Ansermet
5. "A Negro Explains 'Jazz,'" James Reese Europe
6. "Jazzing Away Prejudice," Chicago Defender
7. Mister Jelly Roll, Jelly Roll Morton
The Twenties
8. Jazzing Around the Globe, Burnet Hershey
9. "Does Jazz Put the Sin in Syncopation?" Anne Shaw Faulkner
10. Jazz and African Music, Nicholas G.J. Ballanta-Taylor
11. Sexual Politics of Women's Blues, Hazel B. Carby
12. The Man Who Made a Lady Out of Jazz (Paul Whiteman), Hugh C. Ernst
13. "The Jazz Problem," The Etude
14. "The Negro Artist and the Racial Mountain," Langston Hughes
15. A Black Journalist Criticizes Jazz, Dave Peyton
16. "The Caucasian Storms Harlem," Rudolph Fisher
17. The Appeal of Jazz Explained, R.W.S. Mendl
The Thirties
18. What Is Swing? Louis Armstrong
19. Looking Back at "The Jazz Age," Alain Locke
20. Defining "Hot Jazz," Robert Goffin
21. Black Music in Our Culture, John Hammond
22. Lady Sings the Blues, Billie Holiday and William F. Dufty
23. Jazz at Carnegie Hall, James Dugan and John Hammond
24. Duke Ellington Explains Swing
25. Jazz and Gender During the War Years, Down Beat
The Forties
26. "Red Music," Josef Skvorecky
27. "From Somewhere in France," Charles Delaunay
28. "Upside Your Head!" Johnny Otis
29. Jazz: A People's Music, Sidney Finkelstein
30. "Bop is Nowhere," D. Leon Wolff and Louis Armstrong
31. To Be or Not to Bop, Dizzy Gillespie
32. The Golden Age, Times Past, Ralph Ellison
33. The Professional Dance Musician and His Audience, Howard S. Becker
The Fifties
34. Perspectives in Jazz, Marshall Stearns
35. Jazz: Its Evolution and Essence, Andre Hodeir
36. Musings: The Musical Worlds of Gunther Schuller
37. "Beneath the Underdog," Charles Mingus
38. Psychoanalyzing Jazz, Miles D. Miller
39. Vatican is Asked to Rule on Jazz, Paul Hofmann
40. US Has Secret Weapon - Jazz, Felix Belair, Jr.
41. "The White Negro," Norman Mailer
42. Louis Armstrong on Music and Politics
The Sixties
43. "Free Jazz," Ornet Coleman
44. "Jazz and the White Critic," LeRoi Jones
45. The Playboy Panel: Jazz, Today and Tomorrow
The Seventies
46 . Jamey Aebersold, "The Scale Syllabus"
47. What Jazz Means to Me, Max Roach
48. Stomping the Blues, Albert Murray
49. Notes (8 Pieces), Wadada Leo Smith
50. Jazz Pop - A "Failed Art Music" Makes Good, Robert Palmer
The Eighties
51. Jazz: "America's Classical Music," William "Billy" Taylor
52. "A Rare National Treasure," U.S. Congress
53. Interview with Wynton Marsalis and Herbie Hancock
54. Music of the Common Tongue: Survival and Celebration in Afro-American Music, Christopher Small
The Ninties
55. Who Listens to Jazz?
56. "Free Jazz" Revisited, Ornet Coleman
57. Ring Shout! Samuel A. Floyd Jr.
58. Ferociously Harmonizing with Reality, Keith Jarrett
59. Constructing the Jazz Tradition, Scott DeVeaux
60. "Local Jazz," James Lincoln Collier
61. "Out of Notes": Signification, Interpretation, and the Problem of Miles Davis, Robert Walser
62. "What Makes 'Jazz' the Revolutionary Music of the 20th Century, and Will It Be Revolutionary for the
63. Improvised Music After 1950: Afrological and Eurological Perspectives, George E. Lewis
Today
64. "Resistance Is Futile!" Sarah Rodman
65. "Music and Language," Brad Mehldau
66. "It Don't Mean a Thing If It Ain't in the History Books," Sherrie Tucker
67. Three Polemics on the State of Jazz, Stanley Crouch
68. The Jazz Left, Herman S. Gray
69. Songs of the Unsung: The Darby Hicks History of Jazz, George Lipsitz
70. Exploding the Narrative in Jazz Improvisation, Vijay Iyer
71. Celebrating the Global: The Nordic Tone in Jazz, Stuart Nicholson
72. "Who Listens to Jazz Now?" National Endowment for the Arts

Rewards Program

Write a Review