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Preface | p. xxi |
Introduction | p. xxxi |
Many Are Called | p. 3 |
Eight Elegies | p. 4 |
Reading Plato | p. 8 |
Prologue | p. 9 |
Unworn | p. 10 |
Psalm (Traherne) | p. 11 |
Afterword | p. 12 |
[Final poem for the gently sifting public begins on the streets...] | p. 14 |
[I like your handsome drugs. Your pleasant...] | p. 16 |
[The thirst of the crowd. We laid the surfer down...] | p. 16 |
[The canals. The liquor coming through...] | p. 17 |
Ode to the Air Traffic Controller | p. 17 |
Poem to Line My Casket With, Ramona | p. 19 |
Zombie Sunday (Had We But World Enough and Time) | p. 20 |
Meditation on The Consolation of Philosophy | p. 21 |
Sleeping with Artemis | p. 23 |
Democratic Vistas | p. 25 |
April 13, 1865 | p. 26 |
Community College in the Rain | p. 27 |
From His Bed in the Capital City | p. 27 |
I Love How Your Eyes Close Every Time You Kiss Me | p. 29 |
Like a Face | p. 30 |
Anne Boleyn | p. 31 |
Pavese Said Death Will Come Bearing Your Eyes | p. 32 |
Just Yesterday | p. 34 |
All but Lost | p. 35 |
Groupie | p. 36 |
Slutty | p. 37 |
The Northern Sun | p. 38 |
Apparition | p. 40 |
Chrysalis | p. 41 |
Elegant Endings | p. 45 |
We're Not Going to Malta | p. 46 |
Perfect City Code | p. 46 |
How It Begins How It Ends | p. 48 |
Aesthetics | p. 49 |
Divorce | p. 49 |
Hamartia Symbolized by the Stray | p. 49 |
"Kelly, Ringling Bros. Oldest Elephant, Goes On Rampage" | p. 50 |
The Spots | p. 51 |
The Only Yak in Batesville, Virginia | p. 53 |
The Girls | p. 54 |
The Term | p. 54 |
Room 40 | p. 55 |
Transporter | p. 57 |
Thrillsville | p. 59 |
The Power Plant | p. 60 |
In Squire Park with M., Esquire | p. 60 |
Phantoms of Utopia | p. 61 |
Slowly, Slowly, Horses | p. 62 |
Ocean State | p. 64 |
Persephone (Unplugged) | p. 65 |
Paysage Moralise | p. 66 |
Morningside Park | p. 67 |
My Ravine | p. 68 |
Vermont | p. 69 |
Song for a Play | p. 70 |
Stealing from Your Mother | p. 71 |
The Elephant | p. 72 |
Long Goodbye | p. 74 |
Shelburne Falls | p. 75 |
Arbor | p. 78 |
Sweet Reader, Flanneled and Tulled | p. 80 |
Thirty Years Rising | p. 82 |
All the Natural Movements of the Soul | p. 83 |
The Unbosoming | p. 85 |
If You Are Asked | p. 85 |
How to Look at Mexican Highways | p. 88 |
Driven by a Strange Desire | p. 89 |
Golfers in the Family | p. 90 |
Twenty-Seven Props for a Production of Eine Lebenszeit | p. 93 |
Three Panels Depending on the Heart | p. 95 |
The New Intelligence | p. 97 |
Birdsong from Inside the Egg | p. 98 |
The War Is Over | p. 100 |
Our Man | p. 101 |
Forensics | p. 102 |
Sticks | p. 104 |
Atomic Bride | p. 105 |
Slow Fade to Black | p. 108 |
Zapruder | p. 109 |
On Fire | p. 110 |
The Boxers | p. 112 |
Intermission | p. 113 |
Myths of the Disappearance | p. 115 |
Geburt des Monicakinds | p. 116 |
Stories from the Tower | p. 116 |
Childhood's House | p. 119 |
Miraculous Image | p. 120 |
Scold's Mask | p. 120 |
Subway | p. 121 |
Housefire | p. 123 |
Swarm | p. 125 |
Hive | p. 126 |
Emptying Town | p. 127 |
Cartoon Physics, part 1 | p. 127 |
Cartoon Physics, part 2 | p. 128 |
Flesh | p. 130 |
Nocturne | p. 131 |
The Hands of the Body Without the Body, and Nothing to Hold | p. 132 |
Colosseum | p. 133 |
Afterward, There Will Be a Hallway | p. 136 |
Berlin Series | p. 137 |
Nostalgia, Cheryl, Is the Best Heroin | p. 138 |
Saints | p. 139 |
Analogies | p. 140 |
The Last Living Castrato | p. 142 |
Not Body | p. 143 |
The Wolf | p. 144 |
Kiss of Judas | p. 144 |
Abandoned Conversation with the Senses | p. 146 |
Our Square of Lawn | p. 146 |
Ideas Go Only So Far | p. 147 |
Definition of Weather | p. 148 |
Pity the Bathtub Its Forced Embrace of the Human Form | p. 149 |
Wind in a Box | p. 151 |
The Blue Terrance | p. 152 |
The Elegant Tongue | p. 153 |
A Postcard from Okemah | p. 154 |
Talk | p. 156 |
As Western Culture Declined Without Its Knowing | p. 158 |
Where Spring Is | p. 160 |
My Wrist Split Open | p. 161 |
Corrections | p. 163 |
My Pieta | p. 163 |
Zombie | p. 164 |
The Pyramid | p. 166 |
Skin | p. 167 |
Rooms | p. 167 |
Submarine | p. 168 |
Explanation | p. 170 |
Sampler City | p. 171 |
Hume's Suicide of the External World | p. 172 |
Comprehension Questions | p. 175 |
Blunts | p. 177 |
Euphoria | p. 178 |
Pest | p. 179 |
Don Pullen at the Zanzibar Blue Jazz Cafe | p. 180 |
Poem Beginning with a Line by Frank Lima | p. 182 |
The New Life | p. 183 |
Song of the Chinchilla | p. 184 |
The United States of America | p. 185 |
The Girl Who Couldn't Be Loved | p. 185 |
Beggar's Song | p. 187 |
Kind of Blue | p. 188 |
Public Radio Plays Eddie Harris | p. 190 |
Author's Prayer | p. 192 |
Dancing in Odessa | p. 193 |
Maestro | p. 194 |
Orphean Song | p. 195 |
Mechanics | p. 196 |
The Gallery | p. 200 |
Subtraction Song | p. 201 |
Occupation | p. 204 |
Monologue for an Onion | p. 205 |
On Sparrows | p. 206 |
Empty House | p. 210 |
Letters to a Vanishing Fiancee | p. 210 |
Salvation | p. 212 |
My Psychic | p. 213 |
And Having Lost Track | p. 216 |
Porch in Snow | p. 217 |
Mariana Trench | p. 218 |
Orpheus. Eurydice. Hermes | p. 218 |
Bad Aliens | p. 222 |
An Ordinary Evening | p. 224 |
Gypsy Summer | p. 226 |
Civilization Day | p. 227 |
I Am Like a Desert Owl, an Owl Among the Ruins | p. 229 |
Sympathy and Envy | p. 231 |
A Dream of Mimesis | p. 232 |
In Las Vegas | p. 233 |
Ars Poetica (the idea) | p. 235 |
Chill Core | p. 235 |
Glass Heart | p. 236 |
Cinema Verite | p. 237 |
First | p. 241 |
A Condensed History of Beauty | p. 242 |
On Death | p. 242 |
On God | p. 243 |
"[O boss of ashes boss of dust...]" | p. 244 |
Hello | p. 245 |
The Babies | p. 245 |
The Mustache | p. 246 |
Transylvania, 1919 | p. 247 |
The Experiments Lasted Through the Winter | p. 247 |
Portrait of a Child | p. 249 |
Three Bridges | p. 250 |
After the Shipwreck | p. 251 |
I Was Buried in Janzoor | p. 254 |
Growing Up With a Sears Catalog in Benghazi, Libya | p. 255 |
Echo & Elixir 1 | p. 257 |
Echo & Elixir 2 | p. 258 |
Logic in the House of Sawed-Off Telescopes | p. 260 |
Lineage | p. 261 |
Opposites Attack | p. 262 |
The Archipelago of Kisses | p. 263 |
Dear America | p. 264 |
Still Life W/Influences | p. 266 |
The Wind Domes | p. 267 |
Persuasion | p. 268 |
Look | p. 271 |
With This Change to Indoor Lighting | p. 272 |
Rendered Dog | p. 273 |
Marriage Proposal | p. 274 |
Hearing Music Through Dark Trees | p. 276 |
Capstone | p. 277 |
Where Were You | p. 278 |
Driving Past My Exit | p. 281 |
The Vandals | p. 282 |
The Vandals Dying | p. 283 |
Practicing Their Diffidence, The Vandals | p. 284 |
[when you touch down upon this earth.little reindeers] | p. 286 |
[sleek mechanical dart: the syringe noses into the blue vein marking the target of me] | p. 287 |
[tall and thin and young and lovely the michael with kaposi's sarcoma goes walking] | p. 288 |
[writing for a young man on the redline train: "to his boy mistress"] | p. 289 |
[coda & discography] | p. 290 |
For the Unfortunates | p. 291 |
The End of the City | p. 291 |
A Car Has Fallen from a Bridge | p. 292 |
The Rise of Rome | p. 293 |
On Finding a Swastika Carved on a Tree in the Hills Above Heidelberg | p. 294 |
Corruption | p. 296 |
Scarecrow Eclogue | p. 296 |
Second Circle | p. 297 |
Evening with Stars | p. 298 |
Burial Practice | p. 299 |
Portofino | p. 301 |
Autumn Song | p. 301 |
The Clerk's Tale | p. 302 |
Strawberry | p. 305 |
Stupid | p. 306 |
What Was There to Bring Me to Delight But to Love and Be Loved? | p. 309 |
a crash of rhinos | p. 310 |
Childhood Stories | p. 312 |
from The World at Night | p. 313 |
My Government | p. 313 |
We Never Should Have Stopped at Pussy Island | p. 314 |
More Important Than the Design of Cities Will Be the Design of Their Decay | p. 316 |
Man-Torpedo-Boat | p. 317 |
Assembling My Shepherd | p. 318 |
Never Morocco | p. 319 |
Big Rig the Baroque Sky | p. 320 |
At Shedd Aquarium | p. 322 |
Chanel No. 5 | p. 323 |
Vampire Finch | p. 325 |
Woodpecker Finch | p. 328 |
House of Dior | p. 330 |
The Alphabetizer Speaks | p. 331 |
First Bookshelf | p. 332 |
What I Disliked About the Pleistocene Era | p. 333 |
Your Name on It | p. 335 |
Epithalament | p. 336 |
Postfeminism | p. 336 |
You Love, You Wonder | p. 337 |
Panopticon | p. 338 |
Boot Theory | p. 339 |
A Primer for the Small Weird Loves | p. 340 |
Saying Your Names | p. 342 |
Self-Portrait as the Letter Y | p. 346 |
History | p. 348 |
Duende | p. 355 |
localism or t/here | p. 358 |
December 1, 2002 | p. 359 |
December 4, 2002 | p. 361 |
January 28, 2003 | p. 363 |
One Thousand Bullfrogs Rejoice | p. 366 |
Meteor | p. 367 |
Holy Ghost | p. 368 |
Eohippus | p. 369 |
Elsewhere | p. 370 |
First person plural is a house | p. 371 |
Set for a Southern Gothic | p. 372 |
Detail From "Set for a Southern Gothic" | p. 374 |
Dead House Sonnet | p. 376 |
Trick Noir | p. 376 |
They Call You Moody | p. 379 |
Touch Me Not | p. 380 |
Modern Love | p. 381 |
Miscegenation | p. 383 |
Genus Narcissus | p. 384 |
Countess P-'s Advice for New Girls | p. 384 |
Native Guard | p. 385 |
Story for the Mother Tongue | p. 390 |
Next to Last Prayer | p. 391 |
Portraits at the Epicenter | p. 394 |
[Now I promise...] | p. 398 |
[If it be event...] | p. 398 |
The Case | p. 399 |
May | p. 399 |
Kiss Me Deadly | p. 400 |
The Miracles of St. Sebastian | p. 402 |
What Begins Bitterly Becomes Another Love Poem | p. 403 |
Hotel d'Avignon | p. 404 |
O Canada! | p. 405 |
As Hour and Year Collapsed | p. 407 |
Send New Beasts | p. 409 |
Narrative Poem | p. 410 |
Where I Stand with Regard to the Game | p. 410 |
Italics, Mine | p. 412 |
Nervous Systems | p. 414 |
Junkyard | p. 415 |
[Wind in bare vines...] | p. 418 |
Relict | p. 418 |
Coal Age | p. 419 |
The Fossil Garden | p. 420 |
Testimony | p. 421 |
Confession | p. 422 |
50 Years in the Career of an Aspiring Thug | p. 423 |
Advice | p. 423 |
Press Play | p. 425 |
Sybil | p. 426 |
Lamb, Willow: An Arch Dolefulness Has Taken Me This Far | p. 428 |
Amaryllis | p. 431 |
Voluntary Servitude | p. 432 |
Fourteen Things We're Allowed to Bring to the Underworld | p. 433 |
Predictions About a Black Car | p. 434 |
Naglfar | p. 435 |
Night Ferry to Naxos 1 | p. 436 |
Night Ferry to Naxos 2 | p. 436 |
Flatlanders | p. 437 |
Proximity | p. 440 |
Torn | p. 441 |
Infidelity | p. 442 |
Soundtrack | p. 444 |
The Rushes | p. 447 |
Negative | p. 449 |
Song of Smoke | p. 450 |
Errata | p. 451 |
Canada | p. 453 |
School Street | p. 454 |
Whoever You Are | p. 456 |
Credo | p. 458 |
Velocity Among the Ruins of Angel Republic | p. 460 |
Vertigo | p. 461 |
[from] Viatica | p. 462 |
Diary (Underworld) | p. 464 |
Not Knowing Nijinsky or Diaghilev | p. 465 |
In Your Version of Heaven I Am Younger | p. 466 |
Photo Credits | p. 469 |
Further Reading | p. 471 |
Acknowledgments | p. 477 |
Editors' Acknowledgments | p. 489 |
The Editors | p. 491 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.