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9780199258369

Literary Theory and Criticism An Oxford Guide

by
  • ISBN13:

    9780199258369

  • ISBN10:

    0199258368

  • Format: Paperback
  • Copyright: 2006-03-16
  • Publisher: Oxford University Press

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Summary

This volume offers a comprehensive account of modern literary criticism, presenting the field as part of an ongoing historical and intellectual tradition. Featuring thirty-nine specially commissioned chapters from an international team of esteemed contributors, it fills a large gap in the market by combining the accessibility of single-authored selections with a wide range of critical perspectives. The volume is divided into four parts. Part One covers the key philosophical and aesthetic origins of literary theory, while Part Two discusses the foundational movements and thinkers in the first half of the twentieth century. Part Three offers introductory overviews of the most important movements and thinkers in modern literary theory, and Part Four looks at emergent trends and future directions.

Author Biography


Patricia Waugh has published extensively in the field of modern fiction and criticism. She is the author of The Harvest of the Sixties: English Literature and its Backgrounds (1995) and Revolutions of the Word: Intellectual Contexts for the Study of Modern Literature (1997). She has also edited a number of collections and anthologies of modern literary theory and postmodernism, most recently The Arts and Sciences of Criticism (with David Fuller).

Table of Contents

List of contributors
xix
Introduction: criticism, theory, and anti-theory 1(1)
Patricia Waugh
From the theory of literature to the theory revolution
1(2)
Fear and loathing in literary studies: the seductions of `theory'
3(6)
Literary theories and scientific theories
9(6)
A homeopathic art: `theory' as the resistance to theory
15(2)
The rise of theory
17(5)
Before `theory': early to mid-twentieth-century criticism
22(6)
The rise of the professional: criticism in the modern academy
28(2)
The future of theory and criticism
30(5)
Part I Concepts of criticism and aesthetic origins
35(48)
Mimesis: ancient Greek literary theory
37(11)
Andrea Nightingale
Mimesis
37(2)
Fiction and falsehood
39(2)
The audience
41(3)
Catharsis
44(2)
Further reading
46(2)
Expressivity: the Romantic theory of authorship
48(11)
Andrew Bennett
Expression
49(1)
Confession
50(1)
Composition
51(3)
Inspiration
54(1)
Imagination
55(2)
Further reading
57(2)
Interpretation: hermeneutics
59(11)
Timothy Clark
The defence of non-theoretical understanding
60(1)
Art and truth
61(2)
Do texts have `objective' meanings?
63(2)
Gadamer's defence of reading as freedom
65(2)
Further reading
67(3)
Value: criticism, canons, and evaluation
70(13)
Patricia Waugh
The origin of canons
70(3)
The test of time: reputation and value
73(2)
For and against literary value-judgements
75(2)
The containment of literature and the preservation of value
77(2)
Postmodernism and the retreat from value
79(1)
Further reading
80(3)
Part II Criticism and critical practices in the twentieth century
83(174)
Literature and the academy
85(11)
Chris Baldick
Criticism incorporated
85(2)
A brief prehistory
87(4)
Modernism and the purification of criticism
91(2)
Criticism decentred
93(2)
Further reading
95(1)
I. A. Richards
96(11)
Ann Banfield
Intellectual contexts: Cambridge philosophy
97(2)
The meaning of meaning
99(2)
Principles of literary criticism
101(1)
Practical criticism
102(1)
Critical legacies
102(3)
Further reading
105(2)
T. S. Eliot and the idea of tradition
107(12)
Gareth Reeves
`Tradition and the Individual Talent'---then and now
107(1)
F. H. Bradley---the historical sense
108(2)
Impersonality---the closet Romantic
110(2)
Literary and socio---political hierarchies
112(1)
Legacies: theory
113(2)
Legacies: poetry
115(2)
Further reading
117(2)
Anthropology and/as myth in modern criticism
119(11)
Michael Bell
`Myth' and `reason'
119(2)
Varieties of Modernist mythopoeia
121(2)
Literary anthropology
123(3)
Structuralism and the breakup of Modernist mythopoeia
126(1)
Myth and the marvellous
127(2)
Further reading
129(1)
F. R. Leavis: criticism and culture
130(10)
Gary Day
Leavis's cultural criticism
131(3)
Leavis and scientific management
134(1)
Leavis's literary criticism
135(3)
Further reading
138(2)
Marxist aesthetics
140(12)
Tony Davies
Marx before Marxism
140(1)
Art, authorship, ideology
141(2)
Base and superstructure
143(1)
Marxism, realism, typicality
144(2)
Art, antiquity, and modernity
146(3)
Marxism since Marx
149(1)
Further reading
150(2)
William Empson: from verbal analysis to cultural criticism
152(14)
David Fuller
Verbal analysis
152(3)
Cultural criticism
155(3)
Contra clerisies: moral criticism
158(3)
The example of Empson
161(2)
Further reading
163(3)
The New Criticism
166(11)
Stephen Matterson
Origins
168(2)
Methods and characteristics
170(2)
Influence and legacy
172(3)
Further reading
175(2)
The intentional fallacy
177(12)
Peter Lamarque
The anti-intentionalist case
178(5)
The intentionalist response
183(4)
Further reading
187(2)
Adorno and the Frankfurt School
189(10)
Andrew Bowie
Historical origins of Critical Theory
190(1)
Walter Benjamin
191(3)
T. W. Adorno
194(4)
Further reading
198(1)
Freud and psychoanalysis
199(13)
Celine Surprenant
The application of psychoanalysis to literary works
201(1)
From contents to texts
202(1)
`The Subtleties of a Faulty Action'
203(1)
Correspondences between literary and unconscious processes
204(2)
Language
206(2)
Freud's theories
208(1)
Further reading
209(3)
The Russian debate on narrative
212(11)
Gary Saul Morson
The Russian debate on culture
213(1)
The formalist `science' of literature
214(3)
Formalism and literary history
217(1)
Bakhtin and `the surplus'
218(1)
Bakhtin's theories of the novel
219(4)
Bakhtin and the dialogic principle
223(10)
Lynne Pearce
Polyphony
224(2)
Dialogism
226(3)
Heteroglossia
229(1)
Carnival
230(3)
Form, rhetoric, and intellectual history
233(12)
Faiza W. Shereen
Historical background
234(1)
A theoretical grounding
234(2)
Key concepts in Chicago criticism
236(2)
Trends in Chicago criticism
238(5)
Further reading
243(2)
Literature into culture: Cultural Studies after Leavis
245(12)
Glenn Jordan
Chris Weedon
The development of cultural Studies
245(4)
Interdisciplinarity/anti-disciplinarity
249(2)
The internationalization of Cultural Studies
251(3)
Further reading
254(3)
Part III Literary theory: movements and schools
257(216)
Structuralism and narrative poetics
259(21)
Susana Onega
Saussure and structuralism
259(1)
Ferdinand de Saussure
260(2)
After Saussure
262(3)
Barthes and structuralist poetics
265(2)
Roland Barthes
267(6)
Genette and narratology
273(1)
Gerard Genette
274(3)
Conclusion
277(1)
Further reading
278(2)
Psychoanalysis after Freud
280(18)
Josiane Paccaud-Huguet
Jacques Lacan: desire and discourse
281(6)
Jacques Lacan: jouissance and the letter
287(7)
Slavoj Zizek: or life after psychoanalysis
294(3)
Further reading
297(1)
Deconstruction
298(21)
Alex Thomson
What is deconstruction?
299(2)
Deconstruction and post-structuralism
301(2)
The deconstruction of metaphysics
303(1)
Deconstruction and writing
304(1)
Deconstruction, history, and politics
305(2)
Deconstruction, literature, and philosophy
307(2)
Romanticism and deconstruction
309(1)
Literature and truth
310(2)
Deconstruction and interpretation
312(1)
Deconstruction and literature
313(1)
Deconstruction and literary criticism
314(3)
Further reading
317(2)
Feminisms
319(21)
Fiona Tolan
Simone de Beauvoir and the second wave
319(3)
The essentialism debate
322(3)
Literary feminisms
325(7)
New French feminisms: Kristeva, Cixous, Irigaray
332(5)
Overview: from The Second Sex to Gender Trouble
337(1)
Further reading
338(2)
Postcolonialism
340(22)
Elleke Boehmer
The `post' in postcolonial
340(2)
Related political traditions
342(1)
Movements and theories against empire
343(2)
Frantz Fanon
345(2)
Postcolonial nationalism and nations
347(3)
Leading twentieth-century postcolonial thinkers
350(7)
Theory in practice: postcolonial readings
357(3)
Further reading
360(2)
Race, Nation, and ethnicity
362(24)
Kathleen Kerr
The theory of modernity
365(1)
The Enlightenment context
366(5)
Race and nation: nineteenth-century imperialism
371(2)
Turn-of-the-century black consciousness in America
373(1)
Du Bois and Booker T. Washington
374(1)
Later twentieth-century cultural trends
375(2)
Hybridity: Modernist
377(2)
Hybridity: Postmodern
379(2)
Multiculturalism and politics
381(3)
Further reading
384(2)
Reconstructing historicism
386(19)
Paul Hamilton
A crisis for historicism
386(2)
The `end of history' thesis
388(2)
Reception theory and historicism
390(4)
The aesthetic/historic nexus
394(1)
Kojeve's snobbery
395(4)
Allegories and collections
399(2)
Historicism and Bergsonism
401(2)
Further reading
403(2)
Postmodernism
405(22)
Chris Snipp-Walmsley
The evolution of postmodernism
405(4)
Modernity, Modernism, postmodernity, and postmodernism
409(2)
Postmodernism, post-structuralism, and neo-pragmatism
411(2)
1968 and all that---the seeds of postmodernism
413(2)
The `postmodern' Osbournes
415(1)
Raising the roof---postmodern rhetoric and theory
416(2)
The end of reason, or where reason ends---resistance to postmodernism
418(2)
Postmodernism and the authority of time
420(1)
Rushdie's ethical postmodernism---Haroun as a cautionary fable
421(3)
Monty Python's life of postmodernism
424(1)
Further reading
425(2)
Sexualities
427(24)
Tony Purvis
Problems of sexual identity
427(3)
The sexualization of everyday life
430(6)
Sexual `natures' and sexual `identities'
436(2)
`Queer' theories?: epistemology, rhetoric, performativity
438(5)
Sexuality and beyond
443(5)
Further reading
448(3)
Science and criticism: beyond the culture wars
451(22)
Christopher Norris
Early stages: the `science and poetry' debate
451(2)
Some versions of structuralism
453(3)
From the `two cultures' to the Sokal affair
456(4)
Science, literature, and `possible worlds'
460(3)
Fiction, philosophy, and the quantum multiverse
463(4)
Beyond the `two cultures'
467(2)
Further reading
469(4)
Part IV Futures and retrospects
473(96)
Performing literary interpretation
475(11)
K. M. Newton
Introduction
475(2)
`Construing' as an interpretive method
477(4)
Literary interpretation as performance
481(2)
The ethics of performing interpretation
483(1)
Further reading
484(2)
The responsibilities of the writer
486(11)
Sean Burke
Responsibility and unintended outcomes
488(2)
The risk of writing
490(1)
The origins of authorial agency
491(1)
Creativity versus containment: the aesthetic defence
492(3)
Further reading
495(2)
Mixing memory and desire: psychoanalysis, psychology, and trauma theory
497(11)
Roger Luckhurst
Defining trauma
498(3)
Yale School trauma theory
501(2)
Why trauma?
503(3)
Further reading
506(2)
Theories of the gaze
508(11)
Jeremy Hawthorn
Origins
509(1)
Laura Mulvey: `Visual Pleasure and Narrative Cinema'
510(1)
Michel Foucault and Jeremy Bentham's `Panopticon'
511(1)
The gaze in interpersonal psychology
512(1)
Extensions
513(1)
Readings
514(3)
Further reading
517(2)
Anti-canon theory
519(11)
David Punter
Foreign body
519(2)
The post-colonial
521(2)
The body
523(2)
The ghostly
525(2)
The Uncanny
527(1)
Further reading
528(2)
Environmentalism and ecocriticism
530(14)
Richard Kerridge
Environmentalism
532(3)
Ecology
535(2)
Anthropocentrism and ecocentrism
537(1)
Ecofeminism
537(1)
Nature
538(2)
Pastoral
540(1)
Romanticism
540(1)
Further reading
541(3)
Cognitive literary criticism
544(13)
Alan Richardson
Introduction
544(1)
Cognitive rhetoric
545(2)
Cognitive poetics
547(2)
Cognitive narratology
549(1)
Cognitive aesthetics of reception
550(1)
Cognitive materialism
551(2)
Evolutionary literary theory
553(1)
Further reading
554(3)
Writing excess: the poetic principle of post-literary culture
557(12)
Scott Wilson
Equivalence
557(3)
Axiomatic
560(3)
Econopoiesis
563(6)
Index 569

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