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Preface | xiii | ||
Acknowledgments | xvii | ||
1. Introduction: Power. The Stage as Alembic (mid-1980's) | 1 | (5) | |
2. Children of the American Decades (1940-1960) | 6 | (16) | |
3. Roots (1961-2/62) | 22 | (19) | |
4. A Fine High Lonesome Madness (3/62-12/63) | 41 | (14) | |
5. Interlude: A Meeting of Minds (Company Meetings, 1984) | 55 | (7) | |
6. Something New (12/31/63-10/64) | 62 | (14) | |
7. The Warlocks (11/64-6/65) | 76 | (9) | |
8. A Very Loud Bar Band (6/10/65-11/12/65) | 85 | (17) | |
9. Interlude: Albert Hofmann's Discovery (the Psychedelic World) | 102 | (5) | |
10. The Bus Came By (11/13/65-2/5/66) | 107 | (22) | |
11. Hollywood and Home Again (2/6/66-5/1/66) | 129 | (15) | |
12. Psychedelic Indians (5/1/66-9/29/66) | 144 | (14) | |
13. The Hippest City Hall Ever (9/30/66-10/31/66) | 158 | (11) | |
14. The San Francisco Scene (11/1/66-1/29/67) | 169 | (12) | |
15. Before the Fall (1/30/67-5/31/6]) | 181 | (15) | |
16. The Prodigals (6/1/61-9/15161) | 196 | (17) | |
17. Interlude: The Crew | 213 | (6) | |
18. Dark Anthem (9/16/61-12/31/67) | 219 | (18) | |
19. Interlude: Purifying the Elements (Setting the Stage) | 237 | (4) | |
20. Independence and Its Price (1/1/68-6/30/68) | 241 | (20) | |
21. Interlude: The Promoters | 261 | ||
22. Forward into the Fog (7/68-2/15/69) | 213 | (78) | |
23. Interlude: The Circus Is in Town (the First Set Begins) | 291 | (8) | |
24. No Turn Left Unstoned (2/19/69-6/20/69) | 299 | (14) | |
25. Interlude: "When the Music Plays the Band" (the Dead Talk About Playing Music) | 313 | (3) | |
26. If My Words Were Gold (6/20/69-8/15/69) | 316 | (10) | |
27. Interlude: "Eastbound and Down" (End of Set One) | 326 | (6) | |
28. Bethel to Sears Point (8/16/69-12/4/69) | 332 | (11) | |
29. Trouble All Around (12/5/69-3/10) | 343 | (13) | |
30. Interlude/Intermission: "Waits Backstage While I Sing to You" (1980's) | 356 | (4) | |
31. Might as Well Work (370-1/70) | 360 | (14) | |
32. An American Beauty (8/4/70-12/31/70) | 374 | (11) | |
33. Interlude/Intermission II: Uncle John's Children | 385 | (6) | |
34. Dreams and All (1/71-7/71) | 391 | (12) | |
35. Dealing Solo Aces and the New Guy (7/71-3/72) | 403 | (15) | |
36. Interlude: The Home Front: Money and Management (1980's and Beyond) | 418 | (6) | |
37. Bozos Abroad (3/12-12/72) | 424 | (21) | |
38. Megadead (1973) | 445 | (16) | |
39. Interlude: Into the Zone (Second Set Begins) | 461 | (7) | |
40. The Wall (1/14-10/20/74) | 468 | (12) | |
41. The Hiatus (10/21/74-6/76) | 480 | (13) | |
42. The Monster Revives (6/16-8/18) | 493 | (15) | |
43. Dark Moon over Gizeh (9/18) | 508 | (9) | |
44. Interlude: The Rhythm Devils (Drum Break) | 517 | (4) | |
45. Shakedown (10/78-10/80) | 521 | (15) | |
46. Interlude: Beyond the Zone (End of Second Set) | 536 | (5) | |
47. After Heaven (11/80-1/86) | 541 | (17) | |
48. A Suitable Touch of Grey (8/86-12/89) | 558 | (19) | |
49. Interlude: "Noble but Lame" (the Grateful Dead on the G.D.) | 577 | (2) | |
50. A Deadicated Life (1/90-9/92) | 579 | (15) | |
51. Interlude: "Can't Stop for Nothin' " (Encore/New Year's Eve) | 594 | (3) | |
52. Interlude: Packed and Gone (Load-Out) | 597 | (3) | |
53. "I Guess It Doesn't Matter, Anyway" (10/92-4/96) | 600 | (17) | |
54. Finale: Metaphysics and Other Humorous Subjects | 617 | (4) | |
Notes | 621 | (18) | |
Bibliography | 639 | (22) | |
Interviews | 661 | (1) | |
Index | 661 | (22) | |
Permissions | 683 |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.
Excerpted from A Long Strange Trip: The Inside History of the Grateful Dead by Dennis McNally
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.