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9780321290601

The Longwood Reader

by ;
  • ISBN13:

    9780321290601

  • ISBN10:

    0321290607

  • Edition: 6th
  • Format: Paperback
  • Copyright: 2005-06-27
  • Publisher: Pearson

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Summary

Organized by the common patterns of rhetorical development, this composition reader is particularly distinguished by its selection of readings, all of which have been class-tested and chosen for their ability to stimulate and interest today's college students. The text draws a strong connection between active, critical reading and careful, thoughtful writing. Two introductory units offer step-by-step suggestions for sound reading strategies and for writing as a process. Each unit begins with an extended introduction to a rhetorical pattern and provides an abundance of illustrative examples to help students understand the methods and purposes writers use in employing the pattern. Annotated student essays in each unit introduction illustrate students' thought processes in working with each rhetorical strategy. Extensive post-reading apparatus for each selection includes questions on meaning and purpose, strategy and structure, style and language, and writing tasks.

Table of Contents

Thematic Contents xvii
Pairs of Essays xxii
Preface to the Sixth Edition xxv
1 The Reading Process
1(24)
The Writer-Reader Contract
4(1)
Reading for Purpose
5(2)
Reading for Strategy
7(2)
Reading for Style
9(2)
Critical Reading Phases
11(7)
Writing In-Class Responses to Reading
18(2)
Reading Critically
20(5)
BARBARA EHRENREICH
In Defense of Talk Shows
21(4)
2 The Writing Process
25(62)
Rhetorical Patterns
26(2)
College Essays
28(1)
A Student Essay for Study
29(6)
LANE WILLIAMS
Who's Come a Long Way, Consumers?
30(5)
Find a Subject
35(3)
Use Prewriting Techniques
38(3)
Sort and Group Information
41(3)
Craft a Thesis Statement
44(4)
Draft a Plan with a Reader in Mind
48(3)
Write Parts of the Essay
51(10)
Edit and Revise Sentences
61(2)
Checklist for Revision
63(16)
Proofread and Prepare the Final Draft
79(2)
Peer Review
81(6)
3 Writing about Visual Images: Seeing beneath the Surface
87(14)
The Method
88(1)
Strategy
88(3)
Structuring an Essay about Visual Images
91(4)
JUDY CHAN
Studies in Tranquility
95(3)
Reviewing with a Writer's Eye
98(1)
Peer Review
99(1)
Writing Tasks
100(1)
4 Writing a Documented Essay: Investigating Current Issues
101(28)
The Method
102(6)
Strategy
108(4)
A Documented Argumentative Essay
112(8)
TANYA ROSE
Orange Coast College: 9.18.01
113(7)
Reviewing with a Writer's Eye
120(1)
Peer Review
121(1)
Writing Task
121(1)
A Brief Documentation Guide
122(1)
Parenthetical Citations
122(3)
The Works Cited Page
125(4)
5 Description: Capturing Sensory Details
129(68)
The Method
130(3)
Strategies
133(5)
Description in College Writing
138(4)
CLARITA TAN
Imaginatively Chaotic Art
139(3)
Reviewing with a Writer's Eye
142(1)
Peer Review
143(49)
MAXINE HONG KINGSTON
Photographs of My Parents
145(1)
"The school seal has been pressed over a photograph of my mother at the age of thirty-seven....She stares straight ahead as if she could see me and past me to her grandchildren and grandchildren's grandchildren."
JOANNA GREENFIELD
Hyena
151(1)
"This must be why the hyena has such a snake of a neck-so it can delve deep into a dying animal and eat the best parts before thieves chase it away"
MARCUS LAFFEY
Cop Diary
163(1)
"The handcuffs are a tool of the trade and an emblem of it, as are the gun and the nightstick."
GEORGE SIMPSON
The War Room at Bellevue
172(1)
"Bellevue. The name conjures up images of an indoor war zone: the wounded and bleeding lining the halls, screaming for help while harried doctors in blood-stained smocks rush from stretcher to stretcher, fighting a losing battle against exhaustion and the crushing number of injured."
GRETEL EHRLICH
Struck by Lightning
181(1)
"I don't know if I am alive, but if not, how do I know I am dead? My body is leaden, heavier than gravity. Gravity is done with me. No more sinking and rising or bobbing in currents."
Responding to Photographs
192(2)
Additional Writing Tasks
194(3)
6 Narration: Relating Events
197(46)
The Method
198(1)
Strategies
199(7)
Narration in College Writing
206(4)
RICHARD McKNIGHT
The Last Ride
208(2)
Reviewing with a Writer's Eye
210(1)
Peer Review
211(28)
RENE DENFELD
The Lady of the Ring
212(1)
"Sparring with men, I feel liberated from generations of fear, self-doubt, finger-waving and genteel restrictions: Men aren't so tough..."
JEFF Z. KLEIN
Watching My Back
216(1)
"Loud, menacing and drunk, one ran up and shoved me, then missed with a liquor-slow karate kick. I shoved back. We squared off, staring."
MAY AKABOGU-COLLINS
Coming to Black America
221(1)
"Black History Month became my Armageddon. I was a walking laboratory-a field trip for African Studies students, something akin to an ornament."
RYAN BOUDINOT
The Littlest Hitler
227(1)
"By the time our parade made it to the middle school, I was thoroughly demoralized. I had grown so weary of being asked, 'What are you?' that I had taken to wearing the wig over my face and angrily answering, 'I'm lint! I'm lint!'
GABRIELLE HAMILTON
Killing Dinner
234(1)
"My dad was animated with disgust at his dropout daughter-so morose and unfeminine, with the tips of her braids dyed aquamarine, and unable even to kill a chicken properly."
Responding to Photographs
239(2)
Additional Writing Tasks
241(2)
7 Examples: Illustrating Ideas
243(52)
The Method
244(1)
Strategies
245(6)
Examples in College Writing
251(4)
DANIELA TAYLOR
We Are Not Alone
252(3)
Reviewing with a Writer's Eye
255(1)
Peer Review
256(35)
AMY TAN
Mother Tongue
257(1)
"I spend a great deal of my time thinking about the power of language-the way it can evoke an emotion, a visual image, a complex idea, or a simple truth. Language is the tool of my trade. And I use them all-all the Englishes I grew up with."
BRENT STAPLES
Black Men and Public Space
266(1)
"My first victim was a woman-white, well dressed, probably in her late twenties. I came upon her late one evening...."
CARYL RIVERS
The Issue Isn't Sex, It's Violence
272(1)
"After a grisly series of murders in California, possibly inspired by the lyrics of a rock song, we are hearing a familiar chorus: Don't blame rock and roll."
DAVID G. MEYERS
Do We Fear the Right Things?
278(1)
"Why do we intuitively fear the wrong things? Why do so many smokers (whose habit shortens their lives, on average, by about five years) fret before flying (which, averaged across people, shortens life by one day)?"
JOHN KIFNER
Good as a Gun: When Cameras Define a War
284(1)
"Last week began and ended with two startling images that seemed to portray the conflict in Iraq in very different ways and reflected the battle over what images will define this war."
Responding to Photographs
291(2)
Additional Writing Tasks
293(2)
8 Comparison and Contrast: Presenting Similarities and Differences
295(52)
The Method
296(1)
Strategies
297(5)
Comparison and Contrast in College Writing
302(4)
JIM CARTOZIAN
Two American Writers: Hemingway and Faulkner
304(2)
Reviewing with a Writer's Eye
306(1)
Peer Review
306(36)
RICHARD RODRIGUEZ
Los Otros, Mis Hermanos
308(1)
"I remained a child longer than most; I lingered too long, poised at the edge of language-often frightened by the sounds of los gringos, delighted by the sounds of Spanish at home."
BHARATI MUKHERJEE
Two Ways to Belong in America
315(1)
"This is a tale of two sisters from Calcutta, Mira and Bharati, who have lived in the United States for some 35 years, but who find themselves on different sides in the current debate over the status of immigrants."
DEBORAH TANNEN
Sex, Lies, and Conversation
321(1)
"How can women and men have such different impressions of communication in marriage?"
TERESA L. EBERT AND MAS'UD ZAVARZADEH
Our American Diet Divides Us
329(1)
"Like everything else in social life, diets are determined not by what people desire but by the conditions of their class. This is quite an un-American thing to say, but people eat class and not food...."
JASON STELLA
Astroturf. How Manufactured "Grassroots" Movements Are Subverting Democracy
333(1)
"The creation of illusory grassroots groups is a time-tested process, one which is not exclusive to wartime propaganda."
Responding to Photographs
342(2)
Additional Writing Tasks
344(3)
9 Cause and Effect: Identifying Reasons and Results
347(48)
The Method
348(1)
Strategies
349(7)
Cause and Effect in College Writing
356(4)
TOM KIM
Cheating: A Growing Campus Problem
358(2)
Reviewing with a Writer's Eye
360(1)
Peer Review
361(28)
STEPHEN KING
Why We Crave Horror Movies
362(1)
"The mythic horror movie, like the sick joke, has a dirty job to do. It deliberately appeals to all that is worst in us. It is morbidity unchained, our most base instincts let free, our nastiest fantasies realized...and it all happens, fittingly enough, in the dark."
NEAL GABLER
How Urban Myths Reveal Society's Fears
367(1)
"In these stories, anything can happen, not because the world's a magical place rich with wonder-as in folktales of yore-but because our world is so utterly terrifying."
GINA GREENLEE
No Tears for Frankie
373(1)
"I was in the fifth grade when Frankie died....My whole class planned to attend the funeral, since we knew him. My father thought going might give me nightmares, but I insisted. I had never seen a dead person before. Most of all, I wanted to be sure that the little creep would never touch me again."
MICHAEL MOORE
Why Doesn't GM Sell Crack?
378(1)
"If we wouldn't let GM sell crack because it destroys our communities, then why do we let them close factories? That, too, destroys our communities."
MARSHALL BRAIN
Relax, Wage Slaves-Robots Promise You an Endless Vacation
384(1)
"For many millenniums, Earth has been the home of a single intelligent species. Humans are now engineering the second one."
Responding to Photographs
389(2)
Additional Writing Tasks
391(4)
10 Process Analysis: Explaining Step by Step 395(36)
The Method
396(1)
Strategies
396(6)
Process Analysis in College Writing
402(3)
JOHN BARTON
Friendly Smile, Clenched Fist
403(2)
Reviewing with a Writer's Eye
405(1)
Peer Review
405(22)
GARRY TRUDEAU
Anatomy of a Joke
406(1)
"The polish man, usually a woman, is the joke's editor, charged with burnishing the joke until it gleams."
FRANK GANNON
Rat Patrol: A Saga
412(1)
"He has been showing...an unhealthy interest in explosives, detonation, carnage, destruction, and other allegedly unhealthy aspects of life."
DONALD M. MURRAY
The Maker's Eye: Revising Your Own Manuscripts
420(1)
"Rewriting isn't virtuous. It isn't something that ought to be done. It is simply something that most writers find they have to do to discover what they have to say and how to say it. It is a condition of the writer's life."
Responding to Photographs
427(2)
Additional Writing Tasks
429(2)
11 Classification and Division: Establishing Categories 431(40)
The Method
432(2)
Strategies
434(3)
Classification and Division in College Writing
437(3)
MARK FREEMAN
In Search of the Comic
439(1)
Reviewing with a Writer's Eye
440(1)
Peer Review
440(27)
WILLIAM LUTZ
Doublespeak
442(1)
"Sometimes gobbledygook may sound impressive, but when the quote is later examined in print it doesn't even make sense."
PAUL SHEEHAN
My Habit
450(1)
"As I have wandered around rough neighborhoods, talking to addicts and cops and scholars, the underground world of crack has revealed some of itself to me."
JIM SPRING
Exercising the Brain
459(1)
"Norma Puzzle invited Charlie to a concert a month away, and Charlie said he 'really wanted to go.' Norma considered it a date. But when she showed up to take him, Charlie wasn't home."
Responding to Photographs
467(2)
Additional Writing Tasks
469(2)
12 Definition: Limiting Meaning 471(40)
The Method
472(1)
Strategies
472(5)
Definition in College Writing
477(4)
CHRIS SCHNEIDER
Myth Redefined
479(2)
Reviewing with a Writer's Eye
481(1)
Peer Review
481(26)
MARIE WINN
TV Addiction
482(1)
"When we think about addiction to drugs or alcohol we frequently focus on negative aspects, ignoring the pleasures that accompany drinking or drug-taking."
FRANCINE PROSE
Gossip
487(1)
"Gossip must be nearly as old as language itself. It was, I imagine, the earliest recreational use of the spoken word."
GLORIA NAYLOR
A Word's Meaning Can Often Depend on Who Says It
492(1)
"The spoken word, like the written word, amounts to a nonsensical arrangement of sounds or letters without a consensus that assigns 'meaning.'...Words themselves are innocuous; it is the consensus that gives them true power."
ROSE DEL CASTILLO GUILBAULT
Americanization Is Tough on "Macho"
498(1)
"What is macho? That depends which side of the border you come from....Take the newspaper descriptions of alleged mass murderer Ramon Salcido. That an insensitive, insanely jealous, hard-drinking, violent Latin male is referred to as macho makes Hispanics cringe."
S.I. HAYAKAWA
What It Means to Be Creative
503(1)
"The creative person...is able to entertain and play with ideas that the average person may regard as silly, mistaken, or downright dangerous."
Responding to Photographs
507(2)
Additional Writing Tasks
509(2)
13 Persuasion and Argument: Convincing a Reader 511(72)
The Method
512(3)
Strategies
515(11)
Logical Fallacies in Writing
526(4)
Persuasion and Argument in College Writing
530(4)
ROLANDA BURRIS
Here's Looking at Reality, Kid
532(2)
Reviewing with a Writer's Eye
534(1)
Peer Review
535(43)
TOM REGAN
Animal Rights, Human Wrongs
536(1)
"It would be grotesque to suggest that the whale, the rabbit, the gibbon, the bobbie calf, the millions of animals brought so much pain and death at the hands of humans are not harmed, for harm is not restricted to human beings."
STEPHEN ROSE
Proud to Be a Speciesist
544(1)
"Many human diseases and disorders are found in other mammals-which is why we can learn how to treat them by research on animals."
KATHA POLLITT
Adam and Steve-Together at Last
550(1)
"As a matter of law, however, marriage is not about Adam and Eve verses Adam and Steve. It's not about what God blesses, its about what the government permits."
MICHAEL EDWARDS
A Case Against Gay Marriage
555(1)
"From earliest times there seems to have been the universal recognition...that the complementary union of opposites, the yin yang principle applied to individual people, was the most stabilizing force that society could have."
GERARD JONES
Violent Media Is Good for Kids
564(1)
"My parents, not trusting the violent world of the late 1960's, built a wall between me and the crudest elements of American pop culture...Then the Incredible Hulk smashed through it."
GREGG EASTERBROOK
Watch and Learn
570(1)
"Defenders of bloodshed in film, television, and writing often argue that depictions of killing don't incite real violence because no one is really affected by what they see or read: it's all just water off a duck's back."
Responding to Photographs
578(2)
Additional Writing Tasks
580(3)
14 The Reflective Essay: Combining the Modes to Explore Personal Experience 583(54)
Meaning and Purpose
584(1)
Strategy
585(1)
Style
585(35)
GEORGE ORWELL
A Hanging
587(1)
"The hangman climbed down and stood ready, holding the lever. Minutes seemed to pass. The steady, muffled crying from the prisoner went on and on...never faltering for an instant."
E.B. WHITE
Once More to the Lake
593(1)
"You remember one thing, and that suddenly reminds you of another thing. I guess I remembered clearest of all the early mornings, when the lake was cool and motionless..."
LEWIS THOMAS
On Natural Death
601(1)
"...when it is end game, and no way back, pain is likely to be turned off, and the mechanisms for this are wonderfully precise and quick."
RICHARD SELZER
The Mashed Marvel's Last Toehold
605(1)
"One after the other, a pair of wrestlers enter the ring. The two men join, twist, jerk, tug, bend, yank, and throw. Then they leave and are replaced by another pair. At last it is the main event. 'The Angel vs. The Masked Marvel.'"
PHYLLIS ROSE
Tools of Torture
611(1)
"The secret of torture, like the secret of French cuisine, is that nothing is unthinkable."
MARY McNAMARA
A Gentle Man and His Love of Guns
617(1)
"My father has always wanted me to have a gun....[H]e offered to buy me a handgun. A small one, ladylike, to keep in my nightstand. I told him I did not have a nightstand, and he offered to buy me one of those as well."
Writing Task: The Reflective Essay
620(1)
Five Weeks of Notebook Entries
621(9)
Writing a Reflective Essay
630(7)
LARRY SWANSON
Allie, Allie Oxen Free
632(5)
Glossary 637(28)
Text Credits 665(6)
Photo Credits 671

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

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