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List of illustrations | p. vii |
List of contributors | p. ix |
Series editorÆs preface | p. xii |
Acknowledgments and technical note | p. xiv |
Introduction | p. 1 |
Performing Japaneseness through heritage | p. 19 |
Making ôJapaneseö tea | p. 21 |
Before making heritage: internationalisation of geisha in the Meiji period | p. 31 |
Making art in the Japanese way: nihonga as process and symbolic action | p. 44 |
Institutionalising Japanese heritage | p. 57 |
Architecture, folklore studies, and cultural democracy: Nagakura Saburô and Hida Minzoku-mura | p. 59 |
Nô masks on stage and in museums: approaches to the contextualisation and conservation of the Pitt Rivers Museum nô mask collection | p. 78 |
Company culture or patinated past? The display of corporate heritage in Sumitomo | p. 92 |
Japanese local heritage and the wider world | p. 109 |
A heady heritage: the shifting biography of kashira (puppet heads) as cultural heritage objects in the Awaji tradition | p. 111 |
Cloth and identity in Yaeyama: a search for context | p. 124 |
Houses in motion: the revitalisation of KyotoÆs architectural heritage | p. 149 |
Automated alterities: movement and identity in the history of the Japanese Kobe ningy&ocire; | p. 171 |
Perpetuating Japanese heritage | p. 187 |
Maintaining a Zen tradition in Japan: the concrete problem of priest succession | p. 189 |
Debating the past to determine the future in Shinky&ocire;, a Japanese commune | p. 202 |
Index | p. 215 |
Table of Contents provided by Ingram. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.