Merengue and Dominican Identity

by Sellers, Julie A.; Ropp, Stephen C.

• ISBN13: 9780786418152
• ISBN10: 078641815X
• Format: Paperback
• Copyright: 2004-10-01
• Publisher: McFarland Publishing

Summary

The merengue is internationally recognized as the Dominican Republic's national dance. It is an integral and unifying element of Dominican identity both within that nation and among emigrants abroad. Although Dominicans often make the claim that merengue has always been in their blood, the dance is relatively young, and its popularity among Dominicans of all social classes and ages is an even more recent occurrence. This book presents three convincing arguments about the merengue's longevity as a unifying symbol of Dominican identity: Dominican identity and the merengue have necessarily been extremely fluid in order to encompass the different cultural and ethnic groups present; historically, the merengue has become a stronger identity symbol when the nation is or is perceived to be threatened from outside; and the white, Catholic, Hispanic Dominican has long been held as the "true" Dominican identity, causing the dance to become progressively "whitened" in terms of performers and style to reflect this notion and gain wider appeal at home and abroad. A map of the Dominican Republic, related photographs of key figures of Dominican history and merengue artists across the decades, and a complete bibliography are included.

Author Biography

Julia Sellers teaches Spanish at the University of Wyoming.

Table of Contents

Acknowledgments	vi
Foreword
Stephen C. Ropp	xi
Introduction: "In Our Blood"	1	(185)
1. Colonial Legacy	15	(12)
2. Dominican Identity and the Haitian Other	27	(14)
3. Fragmentation, Personalism, Violence and Economic Ruin: The Period of the Great Caudillos	41	(19)
4. Merengue's First Steps: 1844-1916	60	(13)
5. U.S. Occupation and Dominican Nationalism	73	(8)
6. In Step: Merengue in the Era of Trujillo	81	(27)
7. Post-Trujillo Politics: Continuity and Change	108	(28)
8. Post-Trujillo Merengue: Tradition, Innovative Freedom and Ethnic Questioning	136	(22)
9. Merengue and Transnational Identities	158	(28)
10. Caribbean Comparisons	186	(19)
Conclusions: "¡Sólo se siente!"	205	(6)
Bibliography	211	(8)
Index	219