Acknowledgements | 9 | (2) | |
Introduction | 11 | (16) | |
"Actors and actresses always required for near-professional productions" (June 12, 1990) | 27 | (19) | |
"I think I'm more the carthorse to Ian's racing thoroughbred" (June 13, 1990) | 46 | (14) | |
"The tradition of acting is based on copying. It's passed on from one actor to another" (June 15, 1990) | 60 | (10) | |
"So I ran over and killed the rabbit" (June 18, 1990) | 70 | (15) | |
"I exaggerate every story. I diddle them around the edges, make them much more entertaining and funny" (June 20, 1990) | 85 | (6) | |
"It's a charmed bloody career that I've had" (June 28, 1990) | 91 | (10) | |
"It's like a compulsion. I have to do it" (July 2, 1990) | 101 | (7) | |
"Actors are show-offs, bigheaded bastards, egomaniacs. I can't think of any other reason they act" (July 3, 1990) | 108 | (10) | |
"You go over the top, don't you?" (July 5, 1990) | 118 | (4) | |
Interlude | 122 | (7) | |
"If I had been born again, I'd be a ballet dancer" (November 21, 2002) | 129 | (43) | |
"He made me do one scene 32 times - 32 takes. I didn't know what he was after and he wouldn't tell me...I thought maybe he thinks I find acting too easy, and he's going to make me find it difficult" (November 22, 2002) | 172 | (21) | |
"When you're acting in a drama on stage, there's a little man in your head talking to you all the time. He's saying, 'That went well. Now bring it up a bit. Now bring it down"' (August 14, 2003) | 193 | (11) | |
"I became an actor because I wanted to be behind the curtain. I wanted to be in the secret world of the curtain and the stage door and the backstage and the other world-and with the audience out there. I like to retain the mystery" (August 19, 2003) | 204 | (11) | |
Afterword | 215 | (2) | |
Conversations about Gambon | 217 | (8) | |
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Principal Roles | 225 | (2) | |
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Index | 227 |
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