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List of Illustrations | p. xi |
Foreword: A Modernist in the Mountains | p. xiii |
Introduction | p. 1 |
A Note on the Translations | p. 59 |
Poems | |
From Spring & Asura (First Collection) | |
Proem | p. 63 |
Refractive Index | p. 65 |
The Snow on Saddle Mountain | p. 66 |
Thief | p. 66 |
The Thief | p. 67 |
Love & Fever | p. 67 |
Spring & Asura | p. 68 |
Daybreak | p. 70 |
Sunlight and Withered Grass | p. 70 |
Cloud Semaphore | p. 71 |
A Break | p. 71 |
Rest | p. 72 |
Annelid Dancer (Annelida Tanzerin) | p. 73 |
Report | p. 75 |
The Landscape Inspector | p. 76 |
Haratai Sword-Dancing Troupe | p. 77 |
A Mountain Patrolman | p. 79 |
Traveler | p. 79 |
Bamboo & Oak | p. 80 |
Masaniello | p. 80 |
The Morning of the Last Farewell | p. 82 |
Pine Needles | p. 84 |
Pine Needles | p. 86 |
Voiceless Grief | p. 87 |
White Birds | p. 88 |
Okhotsk Elegy | p. 90 |
Volcano Bay: A Nocturne | p. 95 |
Commandment on No Greed | p. 97 |
Love in Religious Mode | p. 98 |
Past Desire | p. 100 |
Single-Tree Field | p. 101 |
Ice Fog in Iihatov | p. 102 |
Winter & Galaxy Station | p. 103 |
From Spring & Asura (Second Collection) | |
The Moon on the Water and the Wound | p. 105 |
Trying to drink from the spring | p. 106 |
Smallpox | p. 107 |
Rest | p. 107 |
The Weather Bureau | p. 108 |
The Crow | p. 109 |
The Sea-Eroded Tableland | p. 110 |
Mountain Fire | p. 110 |
From under a poplar | p. 111 |
Reservoir Note | p. 112 |
Spring | p. 114 |
The railroad and the national highway | p. 115 |
The Tsugaru Strait | p. 117 |
The Horse | p. 118 |
Cow | p. 118 |
The Bull | p. 119 |
Transition of a Bird | p. 120 |
Mr. Pamirs the Scholar Takes a Walk | p. 121 |
If I pass through this forest | p. 123 |
Spring | p. 125 |
Spring: Variation | p. 125 |
Wind & Cedar | p. 126 |
Cloud | p. 127 |
When the wind comes | p. 128 |
Harvesting the Earless Millet | p. 128 |
Wet in soggy cold rain | p. 130 |
Night dew and wind mingle desolately | p. 131 |
Good Devil Praying for Absolution | p. 131 |
Excursion Permit | p. 133 |
Zen Dialogue | p. 134 |
Fantasy during a Journey | p. 136 |
Wind & Resentments | p. 137 |
Shadow from the Future | p. 137 |
Love-Hate for Poetry | p. 138 |
Some Views Concerning the Proposed Site of a National Park | p. 139 |
An Opinion Concerning a Proposed National Park Site | p. 141 |
Drought & Zazen | p. 144 |
The Iwate Light Railway: July (Jazz) | p. 145 |
Residence | p. 147 |
A Valediction | p. 148 |
The National Highway | p. 150 |
From Spring & Asura (Third Collection) | |
Spring | p. 151 |
Somehow I walk up | p. 151 |
The Snake Dance | p. 152 |
Field | p. 153 |
The corn baking in the blue smoke | p. 154 |
Banquet | p. 154 |
Distant Labor | p. 155 |
Distant Work | p. 156 |
Cabbage Patch | p. 157 |
Hospital | p. 158 |
Flowers & Birds: November | p. 158 |
Crows in a Hundred Postures | p. 159 |
The buckets climb | p. 160 |
Cultivation | p. 161 |
Sapporo City | p. 162 |
Ambiguous Argument about a Spring Cloud | p. 162 |
Pig | p. 163 |
Malice | p. 164 |
Now burnt-out eyes ache | p. 164 |
In Doshin-cho toward daybreak | p. 165 |
The Unruly Horse | p. 166 |
The Politicians | p. 167 |
Politicians | p. 168 |
Devil's Words:4 | p. 169 |
We lived together | p. 169 |
The Prefectural Engineer's Statement Regarding Clouds | p. 170 |
At the very end of the blue sky | p. 173 |
Raving | p. 173 |
Colleagues | p. 174 |
A Rice-Growing Episode | p. 174 |
Flood | p. 177 |
The Master of the Field | p. 178 |
The Breeze Comes Filling the Valley | p. 180 |
What a coward I am | p. 183 |
No matter what he does, it's too late | p. 184 |
Impressions of an Exhibition of Floating-World Paintings | p. 185 |
In the leaden moonlight | p. 189 |
The Third Art | p. 190 |
The Landowner | p. 191 |
Hateful Kuma Eats His Lunch | p. 193 |
Since the doctor is still young | p. 194 |
Night | p. 195 |
A few more times | p. 195 |
A horse | p. 198 |
A Young Land Cultivation Department Technician's Recitative on Irises | p. 199 |
The man I parted from, below | p. 200 |
from During Illness & Other Poems | |
Koreans Pass, Drumming | p. 203 |
Pneumonia | p. 203 |
Ah that | p. 204 |
Talking with Your Eyes | p. 205 |
Past noon it's three o'clock | p. 206 |
When that terrifying black cloud | p. 206 |
Thump thump thump thump thump | p. 207 |
Desperately trying to sleep to sleep | p. 208 |
Wind is calling me out in front | p. 209 |
My chest now | p. 209 |
When I open my eyes an April wind | p. 210 |
Night | p. 210 |
While Ill | p. 211 |
And it must be that I will die soon | p. 212 |
(February 1929) | p. 213 |
October 20th | p. 214 |
(October) 28 | p. 216 |
Untitled | p. 217 |
November 3rd | p. 128 |
Two Tanka | p. 221 |
On Miyazawa Kenji | |
Four Images | p. 225 |
We Are All Excellent Musical Instruments | p. 229 |
Miyazawa Kenji | p. 235 |
Glossary of Japanese Names and Terms | p. 237 |
Selected Bibliography | p. 243 |
Acknowledgments | p. 247 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.