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9784770019622

Modern Japanese Swords and Swordsmiths From 1868 to the Present

by ; ; ;
  • ISBN13:

    9784770019622

  • ISBN10:

    4770019629

  • Format: Hardcover
  • Copyright: 2002-12-13
  • Publisher: Kodansha USA
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Summary

This illustrated guide to the development of the Japanese sword in the modernra concentrates on the techniques and output of the best smiths. It includes detailed look at the swords used during World War II and should be ofnterest to collectors and enthusiasts.

Author Biography


LEON KAPP is a cell and molecular biologist working in the San Francisco Bay area. He has spent a considerable amount of time studying Japanese swords with the swordsmith Yoshindo Yoshihara. HIROKO KAPP is a correspondent for the Tokyo-based Senken Shinbun news organization. The Kapps live in San Rafael, California.
YOSHINDO YOSHIHARA is a swordsmith who is ranked among the top sword craftsmen in Japan. His family has been making tools and swords for several generations, and his son is also a swordsmith who now works with him in Tokyo. The Kapps and Yoshindo are the authors of The Craft of the Japanese Sword, which describes how a Japanese sword is made and finished.
TOM KISHIDA is a professional photographer living and working in Tokyo. He worked with the authors on their last book, and he has been photographing swordsmiths and their work for more than twenty years. His acclaimed Japanese-language book, Yasukuni Tosho, is widely recognized as the definitive study of Yasukuni smiths.

Table of Contents

Foreword 7(1)
Introduction 8(7)
Part One TERMINOLOGY 15(20)
Historical Periods
16(1)
Main Sword Categories
16(1)
Koto and the Five Traditions (Gokaden)
17(1)
Types of Swords
18(1)
Parts of the Japanese Sword
19(1)
Measuring the Japanese Sword
20(1)
Sword Structures (Tsukurikomi)
21(1)
Types of Sori (Curvature)
22(1)
Types of Kissaki
23(1)
Types of Mune
24(1)
Types of Shinogi
24(1)
Types of Nakagojiri (Tang Ends) and Yasurime (File-Mark Patterns)
25(1)
Types of Grooves (Hi) and Carvings (Horimono)
26(2)
Jigane and Jihada
28(1)
Nie and Nioi
29(1)
Types of Hamon
30(2)
Hataraki (Activity)
32(2)
Types of Boshi
34(1)
Part Two HISTORY 35(62)
The First Half of the Twentieth Century
36(37)
The Meiji Era
37(4)
Revival of Gendaito
41(2)
Yasukuni Shrine and the Nihonto Tanren Kai
43(1)
Yasukuni Shrine
44(1)
Nihonto Tanren Kai
44(5)
The Nihonto Tanren Denshu Jo
49(10)
Seki and Showa-to
59(2)
Showa-to
61(2)
Showa-to Production in Seki
63(1)
Materials and Techniques Used in Seki
64(1)
Traditional Swords and Their Construction
65(1)
Showa-to Production Techniques
66(1)
Fujiwara Kanefusa
67(6)
The Latter Half of the Twentieth Century
73(16)
Kowa-Kinen-To
76(2)
NBTHK and the Annual New Sword Competition
78(3)
The Tatara
81(2)
Non-Japanese Contributors
83(1)
Colonel Victor Cadwell
83(2)
John Yumoto
85(1)
Albert Yamanaka
85(1)
Keith Austin
86(1)
Yasu Kizu
87(1)
Richard Fuller
88(1)
Swordsmiths in the Heisei period
89(8)
Becoming a Swordsmith
89(1)
Registration of Swords
90(1)
The Craft Today
90(2)
The Future of the Japanese Sword
92(1)
A Shin-Gendaito Era?
93(4)
Part Three INTERVIEWS 97(88)
Amata Akitsugu
98(4)
Osumi Toshihira
102(3)
Yoshihara Yoshindo
105(4)
Yoshihara Kuniie
109(4)
Gassan Sadatoshi
113(3)
Kanbayashi Tsunehira
116(3)
Yamaguchi Kiyofusa
119(3)
Kawachi Kunihira
122(5)
Ono Yoshimitsu
127(4)
So Tsutomu
131(5)
Mikami Sadanao
136(4)
Miyairi Norihiro
140(4)
Seto Yoshihiro
144(5)
Hiroki Hirokuni
149(5)
Miyairi Kozacmon Yukihira
154(3)
Okubo Kazuhira
157(5)
Yoshihara Yoshikazu
162(4)
Ogawa Kanekuni
166(5)
Horii Tanetsugu
171(5)
Sumitani Masamine
176(3)
Hokke Saburo Nobufusa
179(3)
Enju Nobutsugu
182(3)
Part Four PERSPECTIVES 185(15)
Comments from a Living National Treasure Swordsmith
186(2)
Gendaito: A Curator's Viewpoint
188(1)
Gendaito: A Metallurgist's Viewpoint
189(2)
Gendaito: A Polisher's Viewpoint
191(2)
Gendaito: A Martial Artist's Viewpoint
193(2)
Gendaito: A Swordsmith's Viewpoint
195(5)
Lineage Charts for Modern Swordsmith Schools 200(17)
Acknowledgements 217(2)
Bibliography 219(1)
Index 220

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