Acknowledgments | p. 7 |
Introduction: Toward a Gothic Criminology | p. 11 |
Bodies under Scandal: Civic Gothic as Genre | p. 44 |
"My, That's a Big One": Masculinity and Monstrosity in Dirty Harry | p. 65 |
Mother and Monster: The Rhetorical Structure of The Man Who Knew Too Much | p. 91 |
The Substance Abuse Film and the Gothic: Typology, Narrative, and Hallucination | p. 117 |
Making a Killing in the Marketplace: Incorporation as a Monstrous Process | p. 142 |
The Big City Rogue Cop as Monster: Images of NYPD and LAPD | p. 164 |
Gothic Criminology and Criminal Justice Policy | p. 199 |
The Compulsions of Real/Reel Serial Killers and Vampires: Toward a Gothic Criminology | p. 227 |
Profiling the Terrorist as a Mass Murderer | p. 256 |
Notes on Contributors | p. 289 |
Index | p. 292 |
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