Introduction | p. 7 |
Selecting and Using the Right Tool | p. 10 |
The Lens | p. 12 |
Vision and Money | p. 12 |
Brands/Manufacturers | p. 13 |
It Determines Your Style | p. 15 |
Rent First! | p. 16 |
Which Lens Is Really the Right One? | p. 18 |
Moose's Camera Bag | p. 21 |
Ultra-Wides: Fixed and Zooms | p. 22 |
Mid-Range Lenses | p. 25 |
Telephotos | p. 30 |
Super Telephotos | p. 33 |
Teleconverters | p. 35 |
Why Own Both the 400mm f/2.8 and 600mm f/4? | p. 37 |
Moose's "Specialty" Lenses | p. 39 |
Minimum Focusing Distance and Extension Tubes | p. 42 |
The Body | p. 43 |
The Digital Wildlife Photographer | p. 44 |
Five Benefits of Digital | p. 44 |
Five-Stop Range | p. 45 |
Virtually Unlimited Frames and Film | p. 45 |
Longer Lenses | p. 48 |
Faster Flash Sync Speed and Learning Curve | p. 49 |
The Megapixel Question | p. 51 |
The "Digital Factor" | p. 52 |
What's Up with Conventional Film? | p. 52 |
Four Advantages of Conventional over Digital | p. 53 |
Film Advance Speed | p. 54 |
Fast Film Rewind | p. 54 |
Viewfinder | p. 54 |
TTL Flash Plus Two More Advantages of Conventional | p. 55 |
Three Camera Body Features You Want in Digital or Conventional | p. 55 |
Autofocus | p. 55 |
Matrix or Evaluative Metering | p. 60 |
Flash | p. 61 |
More about TTL Flash | p. 62 |
Teddy Bear Exercise for Flash | p. 63 |
Using Flash for Color | p. 64 |
Flash Attachments and Accessories | p. 66 |
Supporting All of this Gear | p. 67 |
Proper Handholding | p. 67 |
Proper Long Lens Technique | p. 67 |
Tripods and Heads | p. 69 |
Panning Technique | p. 69 |
Filters for Thought | p. 71 |
The 81a | p. 71 |
The Technical Side | p. 72 |
The Psychological Side | p. 73 |
The Moose Filter (Warm Polarizer) | p. 75 |
The Split-graduated Neutral Density Filter | p. 76 |
Care for your Gear | p. 76 |
Making the Subject Pop | p. 80 |
Creating "Pop" | p. 80 |
Four Keys to Isolating the Subject | p. 82 |
Light | p. 82 |
Light and Exposure | p. 83 |
Light and Communication | p. 86 |
Light and Drama | p. 87 |
The Direction of Light | p. 90 |
Light Quality | p. 92 |
Frontlight | p. 94 |
Sidelight | p. 96 |
Backlight | p. 97 |
Overcast | p. 99 |
Psychology of Color | p. 101 |
Tools for Color Psychology | p. 104 |
Exposure is Not a Four-Letter Word | p. 105 |
Moose's Meter | p. 106 |
Moose's Metering Method | p. 107 |
18% Gray Conclusion | p. 108 |
Teddy Bear Exercise | p. 109 |
Backgrounds and More | p. 111 |
Depth of Field | p. 113 |
Testing for Depth of Field | p. 114 |
Six-Pack Test | p. 114 |
Depth of Field and Teleconverters | p. 117 |
Getting Close Physically | p. 118 |
Knowing Basic Biology | p. 120 |
Reading Sign | p. 123 |
No Photograph is Worth Risking the Welfare of any Subject! | p. 125 |
More Techniques | p. 129 |
Moving Closer by Stalking | p. 131 |
Having the Wildlife Come to You: Luring | p. 134 |
Natural Luring | p. 135 |
Ethics of Artificial Luring | p. 138 |
Artificial Luring Techniques | p. 140 |
Blinds | p. 144 |
Tent Blinds | p. 145 |
Portable Blinds | p. 146 |
Working Inside A Car | p. 147 |
Bird Tales: Combining it all in the Field | p. 150 |
Red-Faced Cormorant | p. 152 |
Northern Hawk Owl | p. 154 |
Greater Sandhill Crane | p. 156 |
Snowy Egret | p. 157 |
Red-Shouldered Hawk | p. 159 |
Great Blue Heron | p. 161 |
Horned Puffin | p. 162 |
Bald Eagle | p. 164 |
Short-Billed Dowitcher | p. 165 |
California Gnatcatcher | p. 167 |
Mammal Tales: Combining it all in the Field | p. 170 |
Grizzly Bear | p. 172 |
Moose Calf | p. 173 |
Santa Cruz Kangaroo Rat | p. 174 |
Rocky Mountain Bighorn Sheep | p. 177 |
Dall Sheep | p. 177 |
Bull Moose | p. 179 |
Musk Ox | p. 181 |
Arctic Ground Squirrel | p. 182 |
Northern Fur Seal | p. 184 |
San Joaquin Kit Fox | p. 186 |
A Last Word from the Moose | p. 188 |
Resources and Equipment | p. 190 |
Index | p. 192 |
Table of Contents provided by Ingram. All Rights Reserved. |
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