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Introduction: femininity through the looking-glass | |
'That that is, is': the bondage of stories in Jean Ingelow's Mopsa The Fairy (1869) | |
MacDonald's fallen angel in The Light Princess (1864) | |
Drawing 'muchnesses' in Lewis Carroll's Alice's Adventures in Wonderland (1865) | |
Taming the female body in Juliana Horatia Ewing's Amelia and the Dwarfs (1870) and Christina Rossetti's Speaking Likenesses (1874) | |
A journey through the Crystal Palace: Rhoda Broughton's politics of plate glass in Not Wisely But Too Well (1867) | |
Investigating books of beauties in Charles Dickens's Bleak House (1853) and M.E. Braddon's Lady Audley's Secret (1862) | |
Shaping the female consumer in Wilkie Collins's No Name (1862) | |
Rachel Leverson and the London beauty salon: female aestheticism and criminality in Wilkie Collins's Armadale (1864) | |
Wilkie Collins's modern Snow White: arsenic consumption and ghastly complexions in The Law and The Lady (1875) | |
Conclusion | |
Bibliography | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.