What is included with this book?
Series Foreword | p. vii |
Acknowledgements | p. ix |
Introduction | p. 1 |
Changing identities | |
Music education as identity project in a world of electronic desires | p. 9 |
Perspectives from a new generation secondary school music teacher | p. 21 |
The gender factor: teaching composition in music technology lessons to boys and girls in Year 9 | p. 30 |
Finding flow through music technology | p. 41 |
The mobile phone and class music: a teacher's perspective | p. 52 |
Researching digital classrooms | |
The DJ factor: teaching performance and composition from back to front | p. 65 |
Composing with graphical technologies: representations, manipulations and affordances | p. 76 |
Networked improvisational musical environments: learning through on-line collaborative music making | p. 96 |
Music e-learning environments: young people, composing and the internet | p. 107 |
Current and future practices: embedding collaborative music technologies in secondary schools | p. 117 |
Strategies for change | |
Strategies for supporting music learning through on-line collaborative technologies | p. 131 |
Pedagogical strategies for change | p. 142 |
New forms of composition, and how to enable them | p. 156 |
Music education and training: ICT, innovation and curriculum reform | p. 169 |
Strategies for enabling curriculum reform: lessons from Australia, Singapore and Hong Kong | p. 181 |
Creativity and technology: critical agents of change in the work and lives of music teachers | p. 196 |
Contributors | p. 207 |
Glossary | p. 211 |
Index | p. 221 |
Table of Contents provided by Ingram. All Rights Reserved. |
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