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The Plainsong and Mediaeval Music Society, 1888-1988 | p. 1 |
Liturgy and Liturgical Music in the Eleventh Century | |
Unica in the Cotton Caligula Troper | p. 11 |
Remarks on the Alleluia and Responsory Series in the Winchester Troper | p. 47 |
Winchester Polyphony: The Early Theory and Practice of Organum | p. 59 |
Stylistic Layers in Eleventh-Century Polyphony: How can the Continental Sources contribute to our Understanding of the Winchester Organa? | p. 101 |
Liturgical Uses and Genres in Medieval England | |
Post-Pentecost Alleluias in Medieval British Liturgies | p. 145 |
Marian Antiphons at Cluny and Lewes | p. 175 |
An English Noted Breviary of circa 1200 | p. 205 |
British Rhymed Offices: A Catalogue and Commentary | p. 239 |
Relations between Liturgical and Vernacular Music in Medieval England | p. 285 |
Liturgical Polyphony in Later Medieval England | |
Plainsong into Polyphony: Repertories and Structures circa 1270-circa 1420 | p. 303 |
The Manuscript London, British Library Harley 1709 | p. 355 |
Indexes | |
Sources | p. 381 |
Incipits and Titles | p. 386 |
Names | p. 404 |
Table of Contents provided by Syndetics. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.