Preface | |
Introduction | p. 1 |
Florence from Barzelletta to Madrigal | p. 7 |
Lorenzo de Medici, A Lost Isaac Manuscript, and the Venetian Ambassador | p. 19 |
The Sacred Academy of the Medici and Florentine Musical Life of the Early Cinquecento | p. 45 |
Minima fiorentina: Sonetti a mente, canzoni a ballo e cantimpanca nel Quattrocento | p. 79 |
Music at the Duomo in Pistoia: Three New Documents from the Cinquecento | p. 99 |
Insegniar la zolfa ai gittatelli: Music and Teaching at Santa Maria della Scala, Siena, during the Late Sixteenth and Early Seventeenth Centuries | p. 119 |
Filippo Nicoletti (ca. 1555-1634) compositore ferrarese: profilo biografico alla luce di nuovi documenti | p. 139 |
"Madonna io son un vechio taliano" and Other Texts in an Early Madrigal Source | p. 153 |
Facciamo pure noi carnevale: Non-Florentine Carnival Songs of the Late Fifteenth and Early Sixteenth Centuries | p. 173 |
Giochi musicle e veglie "alla senese" nelle citta non toscane dell'Italia rinascimentale | p. 213 |
Dances from the "Four Corners of the Earth": Exoticism in Seventeenth-Century Venetian Opera | p. 233 |
The Teatro della Pergola in Florence: Its Administration, its Building, and its Audiences | p. 259 |
Rossini e Bellini a paragone | p. 283 |
A Tactus Primer | p. 299 |
Foreign and Domestic in Italian Instrumental Music of the Fifteenth Century | p. 323 |
The Emergence of Violin Playing into the Sphere of Art Music in Italy: Compagnie di Suonatori in Brescia during the Sixteenth Century | p. 333 |
Doubly Tainted, Doubly Talented: The Jewish Poet Sara Copio (d. 1641) as a Heroic Singer | p. 367 |
Un elenco di composizioni musicali della seconda meta del Quattrocento | p. 425 |
Les tablatures francaises de luth des manuscrits 76B et 76C de la Bibliotheque Universitaire d'Uppsala | p. 489 |
New Motets by Hans Leo Hassler: Indications of Second Thoughts | p. 511 |
Mary Queen of Scots at the French Court 1548-1561 | p. 543 |
Morando's La Rosalinda of 1650: Visual, Dramatic, Literary, and Musical Progeny | p. 567 |
Genius in the Arena of Charlatanry: The First Movement of Beethoven's "Tempest" Sonata in Cultural Context | p. 585 |
Writings by Frank A. D'Accone | p. 631 |
Index of Names, Places, and Genres | p. 639 |
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