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9781841695082

Musical Creativity: Multidisciplinary Research in Theory and Practice

by ;
  • ISBN13:

    9781841695082

  • ISBN10:

    1841695084

  • Edition: 1st
  • Format: Hardcover
  • Copyright: 2006-08-18
  • Publisher: Psychology Pres

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Summary

This collection initiates a resolutely interdisciplinary research dynamic specifically concerning musical creativity. Creativity is one of the most challenging issues currently facing scientific psychology and its study has been relatively rare in the cognitive sciences, especially in artificial intelligence. This book will address the need for a coherent and thorough exploration. Musical Creativity: Multidisciplinary Research in Theory and Practice comprises seven sections, each viewing musical creativity from a different scientific vantage point, from the philosophy of computer modeling, through music education, interpretation, neuroscience, and music therapy, to experimental psychology. Each section contains discussions by eminent international specialists of the issues raised, and the book concludes with a postlude discussing how we can understand creativity in the work of eminent composer, Jonathan Harvey. This unique volume presents an up-to-date snapshot of the scientific study of musicalcreativity, in conjunction with ESCOM (the European Society for the Cognitive Sciences of Music). Describing many of the different aspects of musical creativity and their study, it will form a useful springboard for further such study in future years, and will be of interest to academics and practitioners in music, psychology, cognitive science, artificial intelligence, neuroscience and other fields concerning the study of human cognition in this most human of behaviors.

Table of Contents

List of figures
viii
List of tables
xi
List of contributors
xii
Preface xv
Prelude: The spectrum of musical creativity
1(6)
Irene Deliege
Marc Richelle
PART I Creativity in musicology and philosophy of music
7(54)
Playing God: Creativity, analysis, and aesthetic inclusion
9(16)
Nicholas Cook
Layered constraints on the multiple creativities of music
25(17)
Bjorn H. Merker
Musical creativity between symbolic modelling and perceptual constraints: The role of adaptive behaviour and epistemic autonomy
42(19)
Mark M. Reybrouck
PART II Creativity in musical listening
61(34)
Analogy: Creative support to elaborate a model of music listening
63(15)
Irene Deliege
Hearing musical style: Cognitive and creative problems
78(17)
Mario Baroni
PART III Creativity in educational settings
95(64)
How different is good? How good is different? The assessment of children's creative musical thinking
97(14)
Maud Hickey
Scott D. Lipscomb
Understanding children's meaning-making as composers
111(23)
Pamela Burnard
Processes and teaching strategies in musical improvisation with children
134(25)
Johannella Tafuri
PART IV Creativity in musical performance
159(60)
Creativity, originality, and value in music performance
161(20)
Aaron Williamon
Sam Thompson
Tania Lisboa
Charles Wiffen
Exploring jazz and classical solo singing performance behaviours: A preliminary step towards understanding performer creativity
181(19)
Jane Davidson
Alice Coulam
Spontaneity and creativity in highly practised performance
200(19)
Roger Chaffin
Anthony F. Lemieux
Colleen Chen
PART V Creativity in music therapy
219(54)
Musical creativity in children with cognitive and social impairment
221(17)
Tony Wigram
Aesthetics of creativity in clinical improvisation
238(14)
Colin Lee
Hidden music: An exploration of silence in music and music therapy
252(21)
Julie P. Sutton
PART VI Neuroscientific approaches to musical creativity
273(72)
From music perception to creative performance: Mapping cerebral differences between professional and amateur musicians
275(15)
Martin Lotze
Gabriela Scheler
Niels Birbaumer
Musical creativity and the human brain
290(32)
Elvira Brattico
Mari Tervaniemi
Beyond global and local theories of musical creativity: Looking for specific indicators of mental activity during music processing
322(23)
Marta Olivetti Belardinelli
PART VII Computer models of creative behaviour
345(60)
Creativity studies and musical interaction
347(12)
Francois Pachet
Enhancing individual creativity with interactive musical reflexive systems
359(17)
Francois Pachet
Putting some (artificial) life into models of musical creativity
376(29)
Peter M. Todd
Eduardo R. Miranda
Postlude: How can we understand creativity in a composer's work?
A Conversation between Irene Deliege and Jonathan Harvey
397(8)
Author index 405(12)
Subject index 417

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

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