The Musical Language of Pierre Boulez: Writings and Compositions

by Jonathan Goldman

• ISBN13: 9780521514903
• ISBN10: 0521514908
• Format: Hardcover
• Copyright: 2011-03-28
• Publisher: Cambridge University Press

Summary

Pierre Boulez is arguably the most influential composer of the second half of the twentieth century. Here, Jonathan Goldman provides a fresh appraisal of the composer's music, demonstrating how understanding the evolution of Boulez's ideas on musical form is an important step towards evaluating his musical thought generally. The theme of form arising from a grammar of oppositions - the legacy of structuralism - serves as a common thread in Boulez's output, and testifies to the constancy of Boulez's thought over and above his several notable aesthetic and stylistic changes. This book lends a voice to the musical works by using the writings - particularly the mostly untranslated collected Coll+ge de France lectures (1976-1995) - to comment on them. It also uses five musical works from the post-1975 period to exemplify concepts developed in Boulez's writings, presenting a vivid portrait of Boulez's extremely varied production.

Table of Contents

Introduction

Form as Opposition in the Writings of Pierre Boulez

Writings from the first period: serialist doctrine, the open work, and strategies of rhetorical displacement

A portrait of Webern, a self-portrait of Boulez

Form, thematicism and perceptual categories in the writings from the 1970s to the present

Form as Opposition in Selected Works by Pierre Boulez

Introduction to Part II: analysis by, of, in and according to Boulez

Rituel and the architecture of antiphony

Dérive 1 and harmonic control

Mémoriale and polar mechanics

Anthèmes and virtual thematics

Incises and the play of recognition and surprise

Boulezian form in theory and practice; Writings by Boulez; Chronological list of works and bibliography of writings classified by work; Selected recordings of works studied

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