Jon Bird is Professor of Art and Critical Theory at Middlesex University and a tutor in the Theory Department at the Jan van Eyck Acadamie, Maastricht.
Jo Anna Isaak is the author of The Ruin of Representation in Modern Art and Texts (1986) and Feminism & Contemporary Art: The Revolutionary Power of Women's Laughter (1996), as well as numerous articles on contemporary art, feminism and critical theory.Jo Anna Isaak in conversation with Nancy Spero | p. 6 |
Dancing to a Different Tune | p. 38 |
Explicit Material | p. 98 |
Gynesis: Configurations of Woman and Modernity (extract), 1985 | p. 112 |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (extract), 1963 | p. 114 |
Creation and Pro-creation, 1992 | p. 118 |
Statement about Painting, 1965 | p. 122 |
The War Series, 1993 | p. 124 |
Text for 'Rape' catalogue, 1985 | p. 126 |
On Feminism, 1971 | p. 127 |
The 'Art World' Has to Join Us, Women Artists, Not We Join It, 1976 | p. 128 |
Viewpoint, 1972 | p. 129 |
Images of Women, 1985 | p. 130 |
The Female Body, 1987 | p. 134 |
ICA Statement, 1987 | p. 135 |
The Great Goddess Debate, 1987 | p. 136 |
Book Reviews, 1989 | p. 138 |
Tracing Ana Mendieta, 1992 | p. 139 |
Sky Goddess - Egyptian Acrobat, 1988 | p. 140 |
Chronology | p. 144 |
Bibliography | p. 160 |
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