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9781581126679

A New History of Violin Playing: The Vibrato and Lambert Massart's Revolutionary Discovery

by
  • ISBN13:

    9781581126679

  • ISBN10:

    1581126670

  • Format: Paperback
  • Copyright: 2001-08-01
  • Publisher: Lightning Source Inc

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Table of Contents

Forewordp. xii
The Beginnings
General considerationsp. 15
The originsp. 17
Grotesques (Verlaine, verses in French)p. 18
Grotesques (translation into English)p. 20
Main characteristicsp. 23
From the beginnings to the king of instrumentsp. 26
The king of instrumentsp. 30
The violin erasp. 30
1) The Ancient Era
General considerations: jugglers versus musicalsp. 32
Non-existence and rejection of the vibratop. 33
The Ancient violinistsp. 33
1632 Lullyp. 33
1644 Biberp. 37
1650 Waltherp. 38
1653 Corellip. 39
1658 Torellip. 42
1678 Vivaldip. 44
1684 Manfredinip. 47
1685 Handel, Bach and Domenico Scarlattip. 47
1685 Handelp. 47
1685 Bachp. 47
1686 Somisp. 48
1687 Geminiani and Pisendel
1687 Geminianip. 50
1687 Pisendelp. 57
1690 Veracinip. 58
1692 Tartinip. 60
1695 Locatellip. 65
1697 Leclairp. 65
1697 Quantzp. 70
The German School
1709 Benda, founder of the German schoolp. 70
The Benda school or the German schoolp. 71
1731 Cannabich, Christianp. 72
1739 Dittersdorf, Carl Ditters vonp. 72
1751 Haack, Karlp. 72
1767 Eck, Friederich J.p. 72
1771 Cannabich, Carlp. 72
1774 Eck, Franzp. 73
1774 Moser, Karlp. 73
1789 Maurer, Ludwigp. 73
1801 Kalliwoda, Johann Wenzelp. 73
The Ancient Era: Continuation
1714 Gluckp. 74
1716 Bini and Giardini
1716 Binip. 76
1716 Giardinip. 77
1717 Stamitzp. 81
1719 Mozart, Leopoldp. 82
1722 Nardinip. 83
1725 Lollip. 84
1727 L'Abbe le Filsp. 85
1728 Gaviniesp. 87
1731 Pugnanip. 93
1751 Campagnolip. 94
1755 Viottip. 94
Compilation and conclusions of the ancient erap. 95
Graph of the ancient erap. 97
The Romantic Era
General considerationsp. 98
The creation of the modern conservatoriesp. 99
Importance and international role of the Conservatoire de Parisp. 101
The Romantic violinists
1755 Viottip. 103
1766 Kreutzerp. 108
1771 Baillotp. 109
1774 Rodep. 112
1782 Paganini. Introductionp. 114
Paganini composerp. 126
The international careerp. 126
The declinep. 129
The Romantic Era (Continuation)
1784 Spohrp. 132
1790 Lipinskip. 133
1795 Boehmp. 134
1800 Hellmesberger Srp. 135
1802 Beriotp. 135
1810 Bull and David
1810 Bullp. 138
1810 Davidp. 140
The Rise of the Modern Era. The Great Revolution of the Vibratop. 142
The need to obtain a louder sound from the violinp. 142
Main characteristicsp. 143
The coexistence of, and the struggle between, the Romantics and the Modernsp. 144
Lambert Massart founder of the modern schoolp. 146
The logical argumentsp. 146
The Liszt's letterp. 146
The teachings of the Biblep. 146
The original designation of the vibratop. 147
The documented evidencep. 148
The manuscript letters to Massartp. 148
Kreisler 1st letter (to tell of my successes that I only owe to you)p. 150
Kreisler 2nd letter (That I consider you the founder of my talent)p. 154
Massart as pedagoguep. 157
1811 Massartp. 158
His efforts to become a professor at the Conservatoirep. 163
Massart 1st letterp. 167
Massart 2nd letterp. 171
Massart's long list of first prize laureatesp. 172
Continuation of Massart's studyp. 175
Decorations and honoursp. 177
His succession at the Conservatoirep. 178
The endp. 179
The Overlapping of Romantics and Modernsp. 181
1814 Ernst (Romantic)p. 182
1815 Alard (Romantic)p. 184
1820 Vieuxtemps (Romantic)p. 185
1828 Hellmesberger Jr. (Romantic)p. 187
1831 Joachim (Romantic)p. 187
1835 Wieniawski (Modern)p. 192
1836 Monasterio (Romantic)p. 193
1844 Sarasate (Romantic)p. 197
Sarasate and Pamplonap. 199
The endp. 200
Decorations and honoursp. 202
1845 Auer (Romantic)p. 203
1848 Marsick (Modern)p. 207
1858 Hubay and Ysaye
1858 Hubay (50/50 Romantic, Modern)p. 208
1858 Ysaye (Modern)p. 209
Recapitulation of the Romantic erap. 212
Graph of the Romantic erap. 213
The Gramophone and the Globalisation of the Vibrato Erap. 214
1873 Fleschp. 215
1875 Kreislerp. 217
Kreisler 3rd letter (The successes I had so far are but dwarfs compared with my future ones)p. 220
Kreisler 4th letter (You know well my laziness, my idleness)p. 225
1880 Thibaudp. 230
1881 Enescup. 231
1887 Persingerp. 232
1890 Zimbalistp. 233
1891 Dushkin and Elman
1891 Dushkinp. 234
1891 Elmanp. 235
1892 Szigetip. 236
The 20th Centuryp. 238
The main entrance gatesp. 238
1900 Heifetzp. 239
1902 Francescattip. 241
Decorations and honoursp. 242
1903 Galamianp. 242
1904 Milsteinp. 245
1908 Oistrakhp. 246
1916 Menuhinp. 247
1918 Riccip. 249
1919 Neveup. 251
1920 Sternp. 253
1921 Grumiauxp. 254
1923 Hassidp. 256
1929 Sukp. 258
1941 Accardop. 258
1945 Perlman and Kantorow
1945 Perlmanp. 260
1945 Kantorowp. 262
1947 Kremerp. 262
1948 Chung and Zukerman
1948 Chungp. 263
1948 Zukermanp. 265
1960 Linp. 266
1963 Mutterp. 267
1974 Vengerovp. 269
Graph of the modern schoolp. 271
Acknowledgementsp. 272
Sources Consultedp. 274
Cassettes' Contentsp. 278
Index to Cassettesp. 287
Date of Birth Indexp. 302
Index to Violinists with Their Date of Birthp. 305
Encyclopaediap. 308
Indexp. 398
Table of Contents provided by Syndetics. All Rights Reserved.

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