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Flannery Wilson argues that the cinema of Taiwan since the 1980s should be read emblematically - that is, as a representation of the greater paradox that exists in national and transnational cinema studies. She argues that these unlikely relationships create the need for a new way of thinking about 'transnationalism' altogether, making this an essential read for advanced students and scholars in both Film Studies and Asian Studies.
About the series: Traditions in World Cinema introduces diverse and fascinating movements in world cinema. Each volume concentrates on a set of films from a different national, regional or, in some cases, cross-cultural cinema which constitute a particular tradition.
Flannery Wilson is Associate Instructor at the University of California at Riverside