Preface | p. xiii |
Acknowledgments | p. xix |
Phonetic Equivalents | p. xxi |
Map: Europe and Eastern America, Ca. 1866 | p. 650 |
Revolution and Romanticism in Europe and America | p. 651 |
Time Line | p. 660 |
Confessions (French) | p. 664 |
from Part I | p. 664 |
Faust (German) | p. 681 |
Prologue in Heaven | p. 681 |
The First Part of the Tragedy | p. 683 |
From Songs of Innocence (English) | p. 782 |
Introduction | p. 782 |
The Lamb | p. 783 |
The Little Black Boy | p. 783 |
Holy Thursday | p. 784 |
The Chimney Sweeper | p. 785 |
From Songs of Experience (English) | p. 785 |
Introduction | p. 785 |
Earth's Answer | p. 786 |
The Tyger | p. 786 |
The Sick Rose | p. 787 |
London | p. 787 |
The Chimney Sweeper | p. 788 |
Mock On, Mock On, Voltaire, Rousseau | p. 788 |
And Did Those Feet | p. 789 |
[Poems] (English) | p. 792 |
Lines Composed a Few Miles Above Tintern Abbey | p. 792 |
Ode on Intimations of Immortality | p. 795 |
Composed upon Westminster Bridge, September 3, 1802 | p. 800 |
The World Is Too Much with Us | p. 800 |
From The Grasmere Journals (English) | p. 803 |
[Poems] (English) | p. 813 |
Kubla Khan | p. 813 |
Dejection: An Ode | p. 815 |
[Poems] (English) | p. 820 |
Stanzas Written in Dejection--December 1818, Near Naples | p. 820 |
England in 1819 | p. 821 |
Ode to the West Wind | p. 821 |
A Defence of Poetry | p. 823 |
[Conclusion] | p. 823 |
[Poems] (English) | p. 827 |
On First Looking into Chapman's Homer | p. 827 |
Bright Star | p. 827 |
La Belle Dame sans Merci | p. 828 |
Ode on a Grecian Urn | p. 829 |
Ode to a Nightingale | p. 831 |
Ode on Melancholy | p. 833 |
To Autumn | p. 834 |
Continental Romantic Lyrics: a Selection | p. 834 |
The Half of Life (German) | p. 836 |
Hyperion's Song of Fate (German) | p. 837 |
Brevity (German) | p. 837 |
To the Fates (German) | p. 837 |
Yearning for Death (German) | p. 838 |
From the Seashore (Russian) | p. 840 |
The Lake (French) | p. 842 |
[A pine is standing lonely] (German) | p. 844 |
[A young man loves a maiden] (German) | p. 845 |
[Ah, death is like the long cool night] (German) | p. 845 |
The Silesian Weavers (German) | p. 845 |
The Infinite (Italian) | p. 847 |
To Himself (Italian) | p. 847 |
To Sylvia (Italian) | p. 847 |
The Village Saturday (Italian) | p. 849 |
Et nox facta est (French) | p. 850 |
[I know a strange, gigantic hymn] (Spanish) | p. 856 |
[Nameless spirit] (Spanish) | p. 857 |
[As I composed this little book] (Spanish) | p. 859 |
[Mild was the air] (Spanish) | p. 859 |
[A glowworm scatters flashes through the moss] (Spanish) | p. 860 |
[The feet of Spring are on the stair] (Spanish) | p. 861 |
[Candescent lies the air] (Spanish) | p. 862 |
[The ailing woman felt her forces ebb] (Spanish) | p. 862 |
The Queen of Spades (Russian) | p. 865 |
[Poems] (English) | p. 885 |
Ulysses | p. 885 |
Tithonus | p. 887 |
From In Memoriam A. H. H. | p. 888 |
[Poems] (English) | p. 910 |
My Last Duchess | p. 910 |
The Bishop Orders His Tomb at Saint Praxed's Church | p. 911 |
"Childe Roland to the Dark Tower Came" | p. 914 |
Narrative of the Life of Frederick Douglass, An American Slave (English) | p. 923 |
[Poems] (English) | p. 982 |
From Song of Myself | p. 982 |
Out of the Cradle Endlessly Rocking | p. 987 |
Billy Budd, Sailor (English) | p. 994 |
[Poems] (English) | p. 1051 |
216 [Safe in their Alabaster Chambers--] | p. 1051 |
258 [There's a certain Slant of light] | p. 1051 |
303 [The Soul selects her own Society--] | p. 1052 |
328 [A Bird came down the Walk--] | p. 1052 |
341 [After great pain, a formal feeling comes--] | p. 1053 |
435 [Much Madness is divinest Sense--] | p. 1053 |
449 [I died for Beauty--but was scarce] | p. 1053 |
465 [I heard a Fly buzz--when I died--] | p. 1054 |
519 ['Twas warm--at first--like Us--] | p. 1054 |
585 [I like to see it lap the Miles--] | p. 1055 |
632 [The Brain--is wider than the Sky--] | p. 1055 |
657 [I dwell in Possibility--] | p. 1055 |
712 [Because I could not stop for Death--] | p. 1056 |
754 [My Life had stood--a Loaded Gun--] | p. 1056 |
1084 [At Half past Three, a single Bird] | p. 1057 |
1129 [Tell all the Truth but tell it slant--] | p. 1057 |
1207 [He preached upon "Breadth" till it argued him narrow--] | p. 1058 |
1564 [Pass to thy Rendezvous of Light] | p. 1058 |
1593 [There came a Wind like a Bugle--] | p. 1058 |
Map: India, Ca. 1857 | p. 1060 |
Urdu Lyric Poetry in North India | p. 1061 |
Time Line | p. 1063 |
[Ghazals] (Urdu) | p. 1066 |
V [Waterbead ecstasy; dying in a stream] | p. 1066 |
VIII [Here in the splendid court the great verses flow] | p. 1066 |
X [Why didn't I shrink in the blaze of that face?] | p. 1066 |
XII [I'm neither the loosening of song nor the close-drawn tent of music] | p. 1067 |
XIII [No more those meetings, partings, tears!] | p. 1067 |
XIV [Wings are like dust, weightless; the wind may steal them] | p. 1067 |
XIX [With every step I took, my goal seemed farther away] | p. 1068 |
XXI [Dew on a flower--tears, or something] | p. 1068 |
Map: Europe, Ca. 1870 | p. 1070 |
Realism, Naturalism, and Symbolism in Europe | p. 1071 |
Time Line | p. 1082 |
Madame Bovary (French) | p. 1088 |
Notes from Underground (Russian) | p. 1307 |
From The Flowers of Evil (French) | p. 1384 |
To the Reader | p. 1384 |
Correspondences | p. 1385 |
Correspondances (original French) | p. 1385 |
Her Hair | p. 1386 |
A Carcass | p. 1386 |
Invitation to the Voyage | p. 1388 |
Song of Autumn I | p. 1389 |
Spleen LXXVIII | p. 1389 |
Spleen LXXIX | p. 1390 |
Spleen LXXXI | p. 1390 |
The Voyage | p. 1391 |
From Paris Spleen (French) | p. 1395 |
One o'Clock in the Morning | p. 1395 |
Crowds | p. 1396 |
Windows | p. 1397 |
Anywhere out of the World | p. 1397 |
[Poems] (French) | p. 1400 |
The Afternoon of a Faun | p. 1400 |
The Tomb of Edgar Poe | p. 1403 |
Saint | p. 1404 |
[The virginal, vibrant, and beautiful dawn] | p. 1404 |
[Poems] (French) | p. 1407 |
Autumn Song | p. 1407 |
Moonlight | p. 1408 |
[The white moonglow] | p. 1408 |
Wooden Horses | p. 1409 |
The Art of Poetry | p. 1409 |
[Poems] (French) | p. 1413 |
The Drunken Boat | p. 1413 |
From A Season in Hell | p. 1416 |
Night of Hell | p. 1416 |
From The Illuminations (French) | p. 1417 |
The Bridges | p. 1417 |
Barbarian | p. 1418 |
The Death of Ivan Ilyich (Russian) | p. 1422 |
Hedda Gabler (Norwegian) | p. 1464 |
The Lady with the Dog (Russian) | p. 1524 |
The Cherry Orchard (Russian) | p. 1536 |
A Note on Translation | p. A1 |
Permissions Acknowledgments | p. A13 |
Index | p. A15 |
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