Acknowledgments | p. vii |
Introduction: Return to Innocence | p. ix |
Fantastic Children: Overviews and Case Studies | |
Infant Joys: The Pleasures of Disempowerment in Fantasy and Science Fiction | p. 3 |
The Humpty Dumpty Effect, or Was the Old Egg Really All It Was Cracked Up to Be: Context and Coming of Age in Science Fiction and Fantasy | p. 20 |
Narrative Uses of Little Jewish Girls in Science Fiction and Fantasy Stories: Mediating Between Civilization and Its Own Savagery | p. 29 |
The Triumph of Teen-Prop: Terminator II and the End of History | p. 48 |
The Children of Science Fiction | |
The Forever Child: Ender's Game and the Mythic Universe of Science Fiction | p. 73 |
The Child as Alien | p. 91 |
Baby's Next Step: Uberkinder and the Burden of the Future | p. 100 |
E.T. as Fairy Tale | p. 111 |
The Children of Fantasy and Horror | |
Child Vision in the Fantasy of George MacDonald | p. 131 |
If Not Today, Then Tomorrow: Fact, Faith, and Fantasy in Isaac Bashevis Singer's Autobiographical Writings | p. 142 |
A Real-World Source for the "Little People": A Comparison of Fairies to Individuals with Williams Syndrome | p. 150 |
Coming of Age in Fantasyland: The Self-Parenting Child in Walt Disney Animated Films | p. 161 |
Nasty Boys, Feminine Longing, and Mourning the Mother in J. M. Barrie's Peter Pan and Anne Rice's The Witching Hour | p. 171 |
Unsealing Sense in The Turn of the Screw | p. 185 |
Getting Things in the Right Order: Stephen King's The Shining, The Stand, and It | p. 200 |
Contributors | p. 211 |
Index | p. 213 |
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