Only a Promise of Happiness

by Nehamas, Alexander

• ISBN13: 9780691095219
• ISBN10: 0691095213
• Format: Hardcover
• Copyright: 2007-02-05
• Publisher: Princeton Univ Pr

Summary

Neither art nor philosophy was kind to beauty during the twentieth century. Much modern art disdains beauty, and many philosophers deeply suspect that beauty merely paints over or distracts us from horrors. Intellectuals consigned the passions of beauty to the margins, replacing them with the anemic and rarefied alternative, "aesthetic pleasure." InOnly a Promise of Happiness, Alexander Nehamas reclaims beauty from its critics. He seeks to restore its place in art, to reestablish the connections among art, beauty, and desire, and to show that the values of art, independently of their moral worth, are equally crucial to the rest of life. Nehamas makes his case with characteristic grace, sensitivity, and philosophical depth, supporting his arguments with searching studies of art and literature, high and low, from ThomasMann's Death in Veniceand Manet'sOlympiato television. Throughout, the discussion of artworks is generously illustrated. Beauty, Nehamas concludes, may depend on appearance, but this does not make it superficial. The perception of beauty manifests a hope that life would be better if the object of beauty were part of it. This hope can shape and direct our lives for better or worse. We may discover misery in pursuit of beauty, or find that beauty offers no more than a tantalizing promise of happiness. But if beauty is always dangerous, it is also a pressing human concern that we must seek to understand, and not suppress.

Author Biography

Alexander Nehamas is Edmund N. Carpenter II Class of 1943 Professor in the Humanities at Princeton University.

Table of Contents

Acknowledgments	p. xiii
Plato or Schopenhauer?	p. 1
A Feature of Appearance?	p. 13
Modernist Voices	p. 22
Modernist Appropriations	p. 30
Criticism and Value	p. 36
The Role of Reviewing	p. 44
Beauty, Love, Friendship	p. 53
Beauty, Attractiveness, Evolution	p. 63
Art, Beauty, Desire	p. 72
Beauty, Community, Universality	p. 78
Uniformity, Style, Distinction	p. 84
Aesthetics, Directness, Individuality	p. 91
Love and Death in Venice	p. 102
Manet's Olympia	p. 105
	p. 120
	p. 126
Beauty, Uncertainty, Happiness	p. 131
Notes	p. 139
Permissions	p. 169
Index	p. 179
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