Passing for Spain

by Fuchs, Barbara

• ISBN13: 9780252027819
• ISBN10: 0252027817
• Format: Hardcover
• Copyright: 2003-01-01
• Publisher: Univ of Illinois Pr

Summary

Passing for Spain charts the intersections of identity, nation, and literary representation in early modern Spain. Barbara Fuchs analyzes the trope of passing in Don Quijote and other works by Cervantes, linking the use of disguise to the broader historical and social context of Counter-Reformation Spain and the religious and political dynamics of the Mediterranean Basin. In five lucid and engaging chapters, Fuchs examines what passes in Cervantes's fiction: gender and race in Don Quijote and "Las dos doncellas"; religion in "El amante liberal" and La gran sultana; national identity in the Persiles and "La espaola inglesa." She argues that Cervantes represents cross-cultural impersonation -- or characters who pass for another gender, nationality, or religion -- as challenges to the state's attempts to assign identities and categories to proper Spanish subjects. Fuchs demonstrates the larger implications of this challenge by bringing a wide range of literary and political texts to bear on Cervantes's representations. Impeccably researched, Passing for Spain examines how the fluidity of individual identity in early modern Spain undermined a national identity based on exclusion and difference. "Passing for Spain is a healthy sign that Renaissance scholars are finally looking to early modern Spain as a likely locus for the study of self-fashioning and the formation of the nation-state." -- Anne J. Cruz

Author Biography

Barbara Fuchs is an associate professor of Romance languages at the University of Pennsylvania.

Table of Contents

Preface: Serious Play	ix
Passing and the Fictions of Spanish Identity	1	(20)
Border Crossings: Transvestism and Passing in Don Quijote	21	(25)
Empire Unmanned: Gender Trouble and Genoese Gold in ``Las dos doncellas''	46	(17)
Passing Pleasures: Costume and Custom in ``El amante liberal'' and La gran sultana	63	(24)
``La disimulacion es provechosa'': The Critique of Transparency in the Persiles and ``La espanola inglesa''	87	(24)
Afterword: Passing and the Arts of Subjectification	111	(4)
Notes	115	(22)
Index	137