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9780764570629

Photoshop Elements 3 For Dummies

by ;
  • ISBN13:

    9780764570629

  • ISBN10:

    0764570625

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2004-11-19
  • Publisher: For Dummies
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Summary

Do you want to rearm Venus de Milo, shave Uncle Harry' s beard, or turn gray skies to blue? Have at it with Photoshop"Elements 3 For Dummies, your guide to enhancing the effect, fixing the flaws, or adding artistic effects to your photos. You' ll discover how to: Import and organize your photos Create, rearrange, blend and manipulate layers to create a composite image Save photos using the correct file format TIFF (Tagged Image File Format, PDF (Portable Document Format), or BMP (for PC users) Save for the Web with JPEG and GIF Take advantage of the terrific Help Great Help system, including a How To palette with step-by-step tutorials for image editing and features Create a slide show, a picture package, or a Web photo gallery "PhotoshopElements 3 For Dummies was written by Dele McClelland, award-winning author of more than 75 titles, including Photoshop "for Dummies and "Photoshop CS Bible, and Galen Fott, writer and reviewer for "Macworld and "PC Magazine. It includes16 pages of full-color examples that demonstrate capabilities and show you " before" and " after" photos. You' ll

Author Biography

Deke McClelland wrote the Photoshop Bible and Photoshop Bible, Professional Edition (both published by Wiley), bestselling guides on digital imaging. He has written 76 titles in 25 languages with 3 million copies in print, including Photoshop For Dummies (published by Wiley) and the tutorial-based Adobe Photoshop One-on-One (published by O’Reilly/Deke Press). In addition to his books, Deke hosts the video training series Total Training for Adobe Photoshop and Total Training Presents: Adobe Photoshop Elements (published by Total Training). One of the most award-winning writers in the business, Deke has received seven honors from the Computer Press Association. In 2002, he was inducted into the Photoshop Hall of Fame.

Galen Fott contributed to two editions of Deke’s Photoshop Bible and to Adobe InDesign CS One-on-One (O’Reilly/Deke Press). He has also written for Macworld and PC Magazine. Galen created and hosted Total Training for Mac OS X, co-hosted Total Training for Adobe Premiere 6, and presented more than two hours of Photoshop training for the Apple Web site (all published by Total Training). In his theoretical spare time, Galen is involved in a number of other pursuits. As an animator, he has worked for AT&T and Paramount. As a performer, he has played leading roles in musicals across the country. As a puppeteer, he has performed with the Jim Henson Company. Those with piqued interest can visit his Web site at www.grundoon.com.

Table of Contents

Introduction 1(2)
About This Book
3(1)
Conventions Used in This Book
4(1)
What You're Not to Read
4(1)
Foolish Assumptions
4(1)
How This Book Is Organized
5(1)
Part I: Element-ary School
5(1)
Part II: Be Prepared
5(1)
Part III: Realer Than Life
5(1)
Part IV: Unreality Programming
5(1)
Part V: The Part of Tens
6(1)
Icons Used in This Book
6(1)
Where to Go from Here
7(2)
Part I: Element-ary School
9(82)
Braving the Elements
11(12)
The Bland but Benevolent Dr. Jekyll
12(1)
The Dynamic but Dastardly Mr. Hyde
13(1)
The Two Elements of Photoshop Elements
13(4)
Painting without the mess
14(1)
Editing existing image detail
15(2)
Psychiatric Help: The Doctor Is Built In
17(6)
The Welcome screen
17(2)
Adobe Help
19(1)
The How To palette
20(3)
Dissecting Your Desktop
23(14)
Giving Elements the Electronic Breath of Life
23(3)
Working with Windows
26(1)
Switching between Elements and Macintosh Finder
27(1)
Maneuvering through Menus
28(2)
Talking Back to Dialog Boxes
30(2)
Playing Around with Palettes
32(2)
Opening Your Toolbox
34(2)
The Photo Bin
36(1)
``Open!'' Says Me
37(18)
Don't Just Sit There---Open Something!
37(6)
Opening with the File Browser
38(3)
Opening the ordinary way
41(2)
Creating an image
43(1)
Behold the Image Window
43(2)
The Screen Is Your Digital Oyster
45(7)
Using the hand tool
46(1)
Using keyboard shortcuts
47(1)
Zooming in and out on your work
47(3)
Navigating by palette
50(2)
Tools for the Terribly Precise
52(3)
Switching on the rulers
52(1)
Turning on the grid
53(1)
Information, please
53(2)
Pixels: It's Hip to Be Square
55(20)
Welcome to Pixeltown
55(1)
Screen Pixels versus Image Pixels
56(2)
Image Size, Resolution, and Other Tricky Pixel Stuff
58(8)
Resolving resolution
59(2)
Changing pixel dimensions
61(2)
Changing the physical dimensions of the image
63(1)
Keeping things proportionate
64(1)
Using the Image Size dialog box safely
64(2)
What Does This Canvas Size Command Do?
66(2)
Trimming Excess Gunk Off the Edges
68(5)
The sharp edges of the crop tool
68(3)
More good news about cropping
71(1)
The Divide Scanned Photos command
72(1)
Image Gymnastics
73(2)
Over (and Under) the Rainbow
75(16)
Looking at Color in a Whole New Light
76(2)
Managing Photoshop Elements Color
78(4)
Gimme good gamma
79(2)
Choosing your color settings
81(1)
Choosing Color the Mix-and-Match Way
82(6)
Juggling foreground and background colors
82(1)
Defining colors
83(5)
Going Grayscale
88(3)
The road to grayscale
89(1)
A few more tips in black and white
90(1)
Part II: Be Prepared
91(102)
Get Organized (Before It Gets You)
93(28)
Getting Photos into Organizer
95(5)
Importing existing photos
96(3)
Scanning photos
99(1)
Organizing your cell phone photos
99(1)
Getting photos from an online sharing service
100(1)
Organizing Photos
100(7)
Correcting the date
100(2)
Tags---you're it
102(3)
Collections
105(1)
Stacks and version sets
105(1)
Captions and notes
106(1)
Viewing and Finding Photos
107(8)
Reviewing and comparing photos
108(3)
Searching by date
111(2)
Searching by tags and collections
113(1)
Searching by caption or note
114(1)
Searching by filename
114(1)
Searching by history
114(1)
Searching by media type
115(1)
Searching by the rest
115(1)
Editing Your Photos
115(2)
Backing It All Up
117(2)
Backing up your catalog
118(1)
Making copies or moving files
118(1)
Printing Your Photos
119(2)
Saving with Grace
121(18)
Save an Image, Save a Life
121(4)
Saving for the very first time
122(2)
Joining the frequent-saver program
124(1)
The Elemental Guide to File Formats
125(4)
What is a file format, anyway?
125(1)
TIFF: The great communicator
125(2)
Photoshop PDF: The can-do kid
127(1)
BMP: The wallpaper glue for PC users
127(1)
What about Elements' native Photoshop format?
128(1)
What format to use when
128(1)
Saving for the Web
129(8)
Hey---what about PNG?
129(1)
The Save for Web command
130(1)
JPEG: The best choice for photos
131(2)
GIF: The choice of choosy Web designers
133(3)
The Preview menu
136(1)
File Association Manager
137(1)
Good Night, Image --- and Don't Let the Programming Bugs Bite
138(1)
It's Perfect. No, Wait! Okay, Print
139(14)
Time Traveling
140(4)
Exploring the Undo History palette in nine easy steps
140(2)
Travel restrictions
142(1)
The Undo History palette
142(2)
Abandoning Edits en Masse
144(1)
The Command Formerly (and Currently) Known as Print
144(1)
This May Be All You Need to Know about Printing
145(1)
Choosing a Printer in Windows
146(1)
Choosing a Printer on a Mac
147(1)
Getting Image and Paper in Sync
147(3)
Sending the Image to the Printer
150(3)
Making Selections on the Pixel Prairie
153(26)
Learning the Ropes of Selecting
154(14)
Throwing lassos
156(5)
Using the marquee tools
161(2)
Wielding the wand
163(3)
Greatness with a brush
166(1)
Selecting everything
167(1)
Deselecting everything
168(1)
Saving and Loading Selections
168(1)
Hiding the Ants
169(1)
Editing Selections
170(9)
Adding to and subtracting from a selection
170(1)
Intersecting a selection with a selection
171(2)
Avoiding keyboard collisions
173(1)
Automatic selection shifters
174(5)
Fifty Ways to Love Your Layer
179(14)
Pasting Images Together
180(3)
Filling a selection with a selection
181(1)
Resizing an image to match its new home
181(2)
Excuse Me, but What's a Layer?
183(5)
Finding your way around the Layers palette
184(2)
Moving and manipulating layers
186(1)
Flattening and merging layers
187(1)
Locking Layers
188(1)
Moving and Cloning Selections
188(2)
Transforming Layers and Selections
190(3)
Using the Image menu's commands
190(1)
Using the transform tool
191(1)
Ending your transformation
192(1)
Part III: Realer Than Life
193(64)
The Midas Retouch
195(18)
Introducing Filters
196(7)
Applying filters
197(1)
A few fast filter facts
198(1)
Dialog box filters
198(1)
Previewing the filter effects
199(2)
The Filter Gallery
201(2)
Experimenting with the Highly Ethical Clone Stamp Tool
203(5)
Stamping out splatters
203(2)
Performing more magic with the clone stamp tool
205(3)
Performing Miracles with the Healing Brushes
208(2)
The healing brush
208(2)
The spot healing brush
210(1)
Getting the Red Out
210(3)
Darkroom Deja Vu
213(18)
Getting a Quick Fix for Your Image
214(1)
Touching Base with Retouching Tools
215(2)
Smudging Away Imperfections
217(2)
Light on the smudge, please
217(1)
Smudge-specific controls
218(1)
Dodge? Burn? Those Are Opposites?
219(2)
Playing with the Color Knob
221(1)
Focusing from the Hip
222(1)
Sharpening Those Wishy-Washy Details
223(6)
The single-shot sharpeners
224(1)
Unsharp Mask: The filter with the weird name
225(2)
Some sharpening scenarios
227(2)
Blurring Adds Depth
229(2)
The Rainbow Correction
231(26)
Color-Correcting Quickly
232(5)
Auto Levels
232(2)
Further image enhancements
234(3)
Replacing Colors
237(3)
The Replace Color command
237(2)
The color replacement tool
239(1)
Fiddling with Adjustment Layers
240(4)
Using adjustment and fill layers
240(4)
The Photo Filters
244(1)
Color-Correcting Correctly
244(1)
Leveling the Contrast Field
245(6)
Making friends with the Levels dialog box
245(2)
The Histogram palette
247(1)
Brightness and contrast as they should be
247(4)
Variations on a Color Scheme
251(3)
Turning plain old color into Technicolor
251(2)
Casting away bad colors
253(1)
Color Correcting in the Raw
254(3)
Part IV: Unreality Programming
257(102)
Startling Style
259(18)
Using Layer Styles to Shine and Shadow
260(4)
Tending Your Many Splendid Blends
264(3)
Fooling with layer opacity
265(1)
Playing around with blending modes
266(1)
Those Funky Filters
267(6)
Creating motion and puzzle pieces
268(1)
Giving your images that gritty, streetwise look
269(1)
Stamping your image in metal
270(1)
Merging colors in flaky images
271(2)
Making Taffy with the Liquify Filter
273(4)
If a Picture Paints a Thousand Words... Then Shut Up and Paint
277(26)
Doodling with the Pencil and Brush
278(3)
Performing Special Painting-Tool Tricks
281(1)
Choosing Your Brush
282(6)
Switching the brush size
282(1)
Exploring the other brush sets
283(1)
Making your own brush
284(3)
Saving brushes
287(1)
Going nuts with the brushes palette
287(1)
Exploring More Painting Options
288(4)
Experimenting with painting modes
289(2)
``Painting'' with the impressionist brush
291(1)
The Powers of the Eraser
292(5)
Working with the regular of eraser tool
292(1)
Traying out the somewhat magic eraser
293(2)
Using the more magical background eraser
295(2)
Isn't Elements Just a Paint Program?
297(6)
The shape tools
297(3)
The shape selection tool
300(1)
The cookie cutter tool
300(3)
Painting with the Digital Stencil
303(16)
Painting within the Lines
303(2)
Dribbling Paint from a Bucket
305(1)
Applying Color to Selection Innards
306(1)
Doctoring the Fill
307(2)
Selecting your stuffing
307(1)
Mixing colors the wrong way
308(1)
Gradients: The Ever-Changing Color Sea
309(7)
Checking out the gradient tool
309(1)
Changing the way of the gradient
310(3)
Becoming a gradient wizard
313(3)
Taking on Borders with the Stroke Dialog Box
316(3)
How the border rides the track
317(1)
Mix your stroke after you press Enter (or Return)
318(1)
Type Righter
319(12)
Working with the Type Tools
319(2)
Putting Your Words On-Screen
321(4)
Typing what must be typed
321(1)
Changing how the type looks
322(2)
Warping type into strange and unusual shapes
324(1)
Editing the Text Layer
325(1)
Simplifying a Text Layer
326(1)
Declaring Open Season on Type Selection Outlines
327(4)
Can Photoshop Elements Do That?
331(28)
Taking on the Effects
332(2)
Processing Multiple Files
334(2)
Converting a Multipage PDF File
336(1)
Creating an Animated GIF
337(2)
Creating Panoramic Pictures with Photomerge
339(4)
Attaching a File to E-Mail
343(2)
Projecting a Slide Show
345(4)
Creating a PDF slide show
345(2)
Creating a custom slide show in Windows
347(2)
Creating and Printing a Contact Sheet
349(3)
Creating and Printing a Picture Package
352(3)
Creating a Web Photo Gallery
355(4)
Part V: The Part of Tens
359(18)
Ten Shortcuts to Commit to Long-Term Memory
361(6)
Hiding Selection Outlines
362(1)
Displaying and Hiding the Palette Bin
362(1)
Changing an Option Box Value
362(1)
Scrolling and Zooming
362(1)
Changing the Brush Size
363(1)
Creating Straight Lines
363(1)
Adding to, Subtracting from, and Reselecting Selection Outlines
364(1)
Moving, Nudging, and Cloning
365(1)
Filling a Selection
366(1)
Stepping through the Undo History Palette
366(1)
Ten Reasons Why You Might Want to Upgrade to Photoshop Someday
367(10)
The Layer Comps Palette
368(1)
The Channels Palette
368(1)
CMYK Color Mode
369(1)
The Brushes Palette
370(1)
Following the Paths
370(1)
Eyeing Those Curves
371(1)
Lights ... Camera ... Actions
372(1)
Being an Art Historian
373(1)
Photoshop Speaks!
374(1)
A Little Help to Get Your ImageReady
375(2)
Index 377

Supplemental Materials

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

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