Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
Purchase Benefits
What is included with this book?
Photoshop Essentials | |
Working Efficiently with Keyboard Shortcuts | p. 10 |
Palettes and Custom Workspaces | p. 13 |
Context-Sensitive Menus | p. 16 |
Quick Image Navigation | p. 17 |
Learning the Importance of Layers | p. 18 |
File Organization and Workflow Issues | p. 21 |
Before You Begin: A Word to the Wise | p. 29 |
Closing Thoughts | p. 29 |
Improving Tone and Contrast | |
Evaluating Image Tone and Previsualizing the Final Image | p. 34 |
The Importance of Adjustment Layers | p. 37 |
Mastering Tonality with Levels | p. 38 |
Improving Image Tone with Levels | p. 39 |
Curves and Contrast | p. 46 |
Working with Blending Modes | p. 49 |
Bringing Out Detail with Screen and Channel Mixer | p. 53 |
Tricks for Maximizing Adjustment Layers | p. 54 |
Combining Tonal Corrections | p. 56 |
Basing Tonal Corrections on Selections | p. 59 |
The Benefits of High-Bit Data | p. 63 |
Closing Thoughts | p. 66 |
Exposure Correction | |
Improving Dark Images | p. 68 |
Digital Flash Techniques | p. 74 |
Salvaging Overexposed Images | p. 80 |
Painting with Light | p. 88 |
Closing Thoughts | p. 89 |
Working with Color | |
Color Essentials | p. 92 |
Identifying a Color Cast | p. 94 |
Understanding Color Correction with Image Variations | p. 94 |
Mimicking the Color Darkroom with Color Balance | p. 98 |
Global Color Correction | p. 99 |
The Numbers Don't Lie | p. 112 |
Selective Color Correction | p. 121 |
Alleviating Extreme Color Problems | p. 124 |
Correcting Color Temperature Problems | p. 126 |
Interchannel Color Correction | p. 131 |
Closing Thoughts | p. 133 |
Dust, Mold, and Texture Removal | |
Dustbusting 101 | p. 138 |
Eradicating Mold, Mildew, and Fungus | p. 141 |
Reducing Print Texture and Moire Artifacts | p. 151 |
Maintaining Image Structure | p. 162 |
Closing Thoughts | p. 164 |
Damage Control and Repair | |
Eliminating Scratches | p. 166 |
Removing Unwanted Elements | p. 168 |
Repairing Tears, Rips, and Cracks | p. 171 |
Removing Stains and Discoloration | p. 174 |
Closing Thoughts | p. 182 |
Rebuilding, Rearranging, and Re-creating Portraits | |
Re-creating Backgrounds | p. 184 |
Finding Suitable Replacement Materials | p. 194 |
Building a Digital Background Collection | p. 196 |
Rebuilding a Portrait | p. 201 |
Bringing People Closer Together | p. 207 |
Reconstructing Color | p. 210 |
Alleviating Extreme Color Damage | p. 215 |
Closing Thoughts | p. 222 |
Refining and Polishing the Image | |
Converting Color to Black and White | p. 224 |
Combining Color and Black and White | p. 236 |
Toning Images with Color | p. 241 |
Hand-Coloring a Black-and-White Image | p. 245 |
Working with Soft and Selective Focus | p. 251 |
Creative and Vignette Edges | p. 256 |
Sharpening Filters | p. 259 |
Closing Thoughts | p. 269 |
Portrait Retouching | |
Levels of Retouching | p. 274 |
Developing a Portrait Retouch Strategy | p. 276 |
Removing Distractions | p. 278 |
Flattering the Contours | p. 279 |
Improving Skin Texture | p. 288 |
Accentuating Facial Features | p. 301 |
Improving Facial Features | p. 315 |
Working with Soft and Selective Focus | p. 320 |
Closing Thoughts | p. 324 |
Glamour and Fashion Retouching | |
Devising a Working Strategy | p. 326 |
The Subtle Digital Beautician | p. 328 |
Removing the Distractions | p. 328 |
Complexion, Hair, and Eye Refinement | p. 336 |
The Digital Diet | p. 343 |
Glamour Lighting | p. 348 |
Closing Thoughts | p. 351 |
Contributors | p. 353 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.