Preface | |
Acknowledgments | |
Introduction: Picturing Us | p. 3 |
When You Meet Estella Smart, You Been Met! | p. 29 |
A Sunday Portrait | p. 35 |
In Our Glory: Photography and Black Life | p. 43 |
In My Father's House There Were No Images | p. 55 |
Gazing Colored: A Family Album | p. 65 |
Grandmother's Face and the Legacy of Pomegranate Hall | p. 73 |
My Grandmother Died Last Night | p. 81 |
The Plaintiff Speaks | p. 89 |
Finding a Space for Myself in My Film about Color Consciousness | p. 105 |
Affirmative Action and the White Backlash: Notes from a Child of Apartheid | p. 113 |
The Erotic Image Is Naked and Dark | p. 129 |
Mug Shot: Suspicious Person | p. 137 |
The Continuing Drama of African American Images in American Cinema | p. 145 |
How Come Nobody Told Me about the Lynching? | p. 153 |
Hard Core Poverty | p. 159 |
Afro Images: Politics, Fashion, and Nostalgia | p. 171 |
Making Noise: Marcus Garvey Dada, August 1922 | p. 181 |
About the Contributors | p. 207 |
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