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9781413022810

Portable Literature Reading, Reacting, Writing

by ;
  • ISBN13:

    9781413022810

  • ISBN10:

    1413022812

  • Edition: 6th
  • Format: Paperback
  • Copyright: 2006-03-30
  • Publisher: Wadsworth Publishing
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Supplemental Materials

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Summary

Designed for literature classes that only need the essentials, The PORTABLE LITERATURE: READING, REACTING, WRITING, Sixth Edition is the affordable, portable alternative to full length-or even compact-introduction to literature texts.

Table of Contents

Preface xxiv
PART 1 A GUIDE TO WRITING ABOUT LITERATURE 1(70)
1 READING AND WRITING ABOUT LITERATURE
3(34)
Reading Literature
3(4)
Previewing
3(1)
Highlighting
4(1)
Checklist: Using Highlighting Symbols
5(1)
Maya Angelou, My Arkansas
5(2)
Annotating
6(1)
Writing about Literature
7(30)
Planning an Essay
8(6)
Drafting an Essay
14(1)
Revising and Editing an Essay
15(7)
Checklist: Using Sources
20(1)
Checklist: Conventions of Writing about Literature
21(1)
Three Model Student Papers
22(15)
Student Paper: "The Secret Lion": Everything Changes
23(4)
Student Paper: Digging for Memories
27(4)
Student Paper: Desperate Measures: Acts of Defiance in Trifles
31(6)
2 WRITING LITERARY ARGUMENTS
37(16)
Planning a Literary Argument
37(3)
Choosing a Debatable Topic
37(1)
Developing an Argumentative Thesis
38(1)
Defining Your Terms
38(1)
Considering Your Audience
39(1)
Refuting Opposing Arguments
39(1)
Using Evidence Effectively
40(3)
Supporting Your Literary Argument
40(1)
Establishing Credibility
40(2)
Being Fair
42(1)
Using Visuals as Evidence
43(1)
Organizing a literary Argument
43(10)
Sample Student Paper: Writing a Literary Argument
44(9)
Student Paper: The Politics of "Everyday Use"
45(8)
3 DOCUMENTING SOURCES AND AVOIDING PLAGIARISM
53(18)
Avoiding Plagiarism
53(3)
Document All Material That Requires Documentation
54(1)
Enclose Borrowed Words in Quotation Marks
54(1)
Do Not Imitate a Source's Syntax and Phrasing
55(1)
Differentiate Your Words from Those of Your Source
55(1)
Checklist: Plagiarism and Internet Sources
56(1)
Documenting Sources
56(4)
Parenthetical References in the Text
56(17)
Checklist: Guidelines for Punctuating Parenthetical References
57(3)
The Works-Cited List
60(9)
Content Notes
69(2)
PART 2 FICTION 71(366)
4 UNDERSTANDING FICTION
73(12)
Origins of Modern Fiction
73(6)
The History of the Novel
74(4)
The History of the Short Story
78(1)
Defining the Short Story
79(5)
Ernest Hemingway, Hills Like White Elephants
79(5)
Recognizing Kinds of fiction
84(1)
5 FICTION SAMPLER: THE SHORT-SHORT
85(15)
Gary Gildner, Sleepy Time Gal
86(2)
Jonathan Safran Foer, A Primer for the Punctuation of Heart Disease
88(5)
Margaret Atwood, Happy Endings
93(3)
Jamaica Kincaid, Girl
96(1)
Amanda Holzer, Love and Other Catastrophes: A Mix Tape
97(1)
Monica Ware, Mislaid Plans
98(2)
6 PLOT
100(25)
Conflict
100(1)
Stages of Plot
101(1)
Order and Sequence
102(20)
Checklist: Writing about Plot
103(1)
Kate Chopin, The Story of an Hour
103(4)
Stephen Dobyns, Kansas
107(6)
William Faulkner, A Rose for Emily
113(9)
WRITING SUGGESTIONS: Plot
122(3)
7 CHARACTER
125(29)
Round and Flat Characters
125(1)
Dynamic and Static Characters
126(1)
Motivation
127(26)
Checklist: Writing about Character
127(1)
John Updike, A&P
128(6)
Katherine Mansfield, Miss Brill
134(5)
Charles Baxter, Gryphon
139(14)
WRITING SUGGESTIONS: Character
153(1)
8 SETTING
154(28)
Historical Setting
155(1)
Geographical Setting
155(1)
Physical Setting
156(25)
Checklist: Writing about Setting
157(1)
Kate Chopin, The Storm
158(5)
Sherman J. Alexie, This Is What It Means to Say Phoenix, Arizona
163(10)
Tillie Olsen, I Stand Here Ironing
173(8)
WRITING SUGGESTIONS: Setting
181(1)
9 POINT OF VIEW
182(43)
First-Person Narrators
182(3)
Unreliable Narrators
183(2)
Third-Person Narrators
185(2)
Omniscient Narrators
185(1)
Limited Omniscient Narrators
186(1)
Objective Narrators
187(1)
Selecting an Appropriate Point of View
187(37)
Checklist: Selecting an Appropriate Point of View: Review
190(1)
Checklist: Writing about Point of View
191(1)
Richard Wright, Big Black Good Man
191(12)
Edgar Allan Poe, The Cask of Amontillado
203(6)
William Faulkner, Barn Burning
209(15)
WRITING SUGGESTIONS: Point of View
224(1)
10 STYLE, TONE, AND LANGUAGE
225(1)
Style and Tone
225(1)
The Uses of Language
225(2)
Formal and Informal Diction
227(2)
Imagery
229(1)
Figures of Speech
230(36)
Checklist: Writing about Style, Tone, and Language
231(1)
James Joyce, Araby
231(7)
Flannery O'Connor, A Good Man Is Hard to Find
238(13)
Tim O'Brien, The Things They Carried
251(15)
WRITING SUGGESTIONS: Style, Tone, and Language
266(1)
11 SYMBOL, ALLEGORY, AND MYTH
267(1)
Symbol
267(2)
Literary Symbols
268(1)
Recognizing Symbols
269(1)
Allegory
269(2)
Myth
271(42)
Checklist: Writing about Symbol, Allegory, and Myth
273(1)
Shirley Jackson, The Lottery
273(8)
Alice Walker, Everyday Use
281(8)
Raymond Carver, Cathedral
289(13)
Nathaniel Hawthorne, Young Goodman Brown
302(11)
WRITING SUGGESTIONS: Symbol, Allegory, and Myth
313(1)
12 THEME
314(1)
Interpreting Themes
315(1)
Identifying Themes
316(36)
Checklist: Writing about Theme 318
Eudora Welty, A Worn Path
319(7)
David Michael Kaplan, Doe Season
326(13)
D.H. Lawrence, The Rocking-Horse Winner
339(13)
WRITING SUGGESTIONS: Theme
352(1)
13 FICTION FOR FURTHER READING
353(1)
Toni Cade Bambara, The Lesson
353(6)
T. Coraghessan Boyle, Greasy Lake
359(8)
Gabriel Garcia Márquez, A Very Old Man with Enormous Wings
367(5)
Charlotte Perkins Gilman, The Yellow Wallpaper
372(12)
Joyce Carol Oates, Where Are You Going, Where Have You Been?
384(13)
Flannery O'Connor, Everything That Rises Must Converge
397(12)
Edgar Allan Poe, The Tell-Tale Heart
409(3)
Alberto Alvaro Rios, The Secret Lion
412(4)
Amy Tan, Two Kinds
416(9)
Hisaye Yamamoto, Seventeen Syllables
425(12)
PART 3 POETRY 437(1)
14 UNDERSTANDING POETRY
439(270)
Marianne Moore, Poetry
439(1)
Nikki Giovanni, Poetry
440(1)
Origins of Modern Poetry
441(6)
Bob Holman, 6 Short Poems
446(1)
Defining Poetry
447(3)
William Shakespeare, That time of year thou mayst in me behold
448(1)
Louis Zukofsky, I walk in the old street
448(1)
E.E. Cummings, I(a
449(1)
Recognizing Kinds of Poetry
450(4)
Narrative Poetry
450(1)
Lyric Poetry
450(2)
15 POETRY SAMPLER: VISUAL POETRY
452(7)
George Herbert, Easter Wings
454(1)
May Swenson, Women
455(1)
Greg Williamson, Group Photo with Winter Trees
455(1)
Charles Bernstein, this poem intentionally left blank
456(1)
Ian Hamilton Finlay, Acrobats
456(1)
Reed Altemus and Jim Leftwich, Flake upper phase
457(1)
Bob Grumman, Mathemaku No. 10
458(1)
16 VOICE
459(1)
Emily Dickinson, I'm nobody! Who are you?
459(1)
The Speaker in the Poem
459(12)
Louise Glück, Gretel in Darkness
460(2)
Leonard Adamé, My Grandmother Would Rock Quietly and Hum
462(2)
Langston Hughes, Negro
464(1)
Robert Browning, My Last Duchess
465(2)
FURTHER READING: The Speaker in the Poem
467(1)
Leslie Marmon Silko, Where Mountain Lion Lay Down with Deer
467(1)
Janice Mirikitani, Suicide Note
468(2)
Pat Mora, Veiled
470(1)
The Tone of the Poem
471(8)
Robert Frost, Fire and Ice
471(1)
Thomas Hardy, The Man He Killed
472(1)
Amy Lowell, Patterns
473(3)
FURTHER READING: The Tone of the Poem
476(1)
Adam Zagajewski, Try to Praise the Mutilated World
476(1)
William Wordsworth, The World Is Too Much with Us
477(1)
Robert Herrick, To the Virgins, to Make Much of Time
478(1)
Irony
479(9)
Robert Browning, Porphyria's Lover
480(2)
Percy Bysshe Shelley, Ozymandias
482(1)
Ariel Dorfman, Hope
482(2)
FURTHER READING: Irony
484(1)
W.H. Auden, The Unknown Citizen
484(2)
Dudley Randall, Ballad of Birmingham
486(3)
Checklist: Writing about Voice
487(1)
WRITING SUGGESTIONS: Voice
488(1)
17 WORD CHOICE, WORD ORDER
489(1)
Sipho Sepamla, Words, Words, Words
489(1)
Word Choice
490(8)
Walt Whitman, When I Heard the Learn'd Astronomer
491(1)
William Stafford, For the Grave of Daniel Boone
492(2)
FURTHER READING: Word Choice
494(1)
Adrienne Rich, Living in Sin
494(2)
E.E. Cummings, in Just-
496(1)
Robert Pinsky, ABC
497(1)
Levels of Diction
498(7)
Margaret Atwood, The City Planners
498(2)
Jim Sagel, Baca Grande
500(2)
FURTHER READING: Levels of Diction
502(1)
Wanda Coleman, Sears Life
502(1)
Mark Halliday, The Value of Education
503(1)
Gwendolyn Brooks, We Real Cool
504(1)
Word Order
505(5)
Edmund Spenser, One day I wrote her name upon the strand
505(2)
E.E. Cummings, anyone lived in a pretty how town
507(1)
FURTHER READING: Word Order
508(1)
A.E. Housman, To an Athlete Dying Young
508(8)
Checklist: Writing about Word Choice and Word Order
509(1)
WRITING SUGGESTIONS: Word Choice, Word Order
510(1)
18 IMAGERY
511(1)
Jane Flanders, Cloud Painter
511(2)
William Carlos Williams, Red Wheelbarrow
513(1)
Ezra Pound, In a Station of the Metro
514(1)
Gary Snyder, Some Good Things to Be Said for the Iron Age
515(1)
Suzanne E. Berger, The Meal
515(1)
William Carlos Williams, The Great Figure
516(2)
FURTHER READING: Imagery
518(1)
Robert Frost, Nothing Gold Can Stay
518(1)
William Shakespeare, My mistress' eyes are nothing like the sun
519(1)
Checklist: Writing about Imagery
520(1)
WRITING SUGGESTIONS: Imagery
520(1)
19 FIGURES OF SPEECH
521(1)
William Shakespeare, Shall I compare thee to a summer's day?
521(1)
Simile, Metaphor, and Personification
522(9)
Langston Hughes, Harlem
522(1)
Lawrence Ferlinghetti, Constantly Risking Absurdity
523(1)
Audre Lorde, Rooming houses are old women
524(2)
FURTHER READING: Simile, Metaphor, and Personification
526(1)
Robert Burns, Oh, my love is like a red, red rose
526(1)
N. Scott Momaday, Simile
526(1)
Sylvia Plath, Metaphors
527(1)
Randall Jarrell, The Death of the Ball Turret Gunner
528(1)
Marge Mercy, The Secretary Chant
529(1)
John Donne, A Valediction: Forbidding Mourning
530(1)
Hyperbole and Understatement
531(10)
Sylvia Plath, Daddy
532(3)
David Huddle, Holes Commence Falling
535(1)
FURTHER READING: Hyperbole and Understatement
536(1)
Anne Bradstreet, To My Dear and Loving Husband
536(1)
Andrew Marvell, To His Coy Mistress
537(2)
Robert Frost, "Out, Out—"
539(2)
Margaret Atwood, you fit into me
541(1)
Metonymy and Synecdoche
541(1)
Richard Lovelace, To Lucasta Going to the Wars
542(1)
Apostrophe
542(3)
Sonia Sanchez, On Passing thru Morgantown, Pa.
542(1)
FURTHER READING: Apostrophe
543(1)
Allen Ginsberg, A Supermarket in California
543(4)
Checklist: Writing about Figures of Speech
545(1)
WRITING SUGGESTIONS: Figures of Speech
545(2)
20 SOUND
547(1)
Walt Whitman, Had I the Choice
547(1)
Rhythm
547(2)
Gwendolyn Brooks, Sadie and Maud
548(1)
Meter
549(7)
Emily Dickinson, I like to see it lap the Miles—
552(3)
FURTHER READING: Rhythm and Meter
555(1)
Adrienne Rich, Aunt Jennifer's Tigers
555(1)
Alliteration and Assonance
556(2)
Alfred, Lord Tennyson, The Eagle
557(1)
Robert Herrick, Delight in Disorder
557(1)
Rhyme
558(10)
Ogden Nash, The Lama
559(1)
Richard Wilbur, A Sketch
559(2)
FURTHER READING: Alliteration, Assonance, and Rhyme
561(1)
Gerard Manley Hopkins, Pied Beauty
561(1)
W.H. Auden, As I Walked Out One Evening
562(2)
Galway Kinnell, Blackberry Eating
564(1)
Robert Francis, Pitcher
565(1)
Lewis Carroll, Jabberwocky
566(3)
Checklist: Writing about Sound
567(1)
WRITING SUGGESTIONS: Sound
568(1)
21 FORM
569(2)
John Keats, On the Sonnet
569(1)
Billy Collins, Sonnet
569(2)
Closed Form
571(16)
Blank Verse
572(1)
Stanza
572(1)
The Sonnet
573(1)
William Shakespeare, When, in disgrace with Fortune and men's eyes
574(1)
FURTHER READING: The Sonnet
575(1)
John Keats, On First Looking into Chapman's Homer
575(1)
Gwendolyn Brooks, First Fight. Then Fiddle
576(1)
Mona Van Duyn, Minimalist Sonnet: Summer Virus
577(1)
The Sestina
578(1)
Alberto Alvaro Rios, Nani
578(1)
FURTHER READING: The Sestina
579(1)
Elizabeth Bishop, Sestina
579(2)
The Villanelle
581(1)
Theodore Roethke, The Waking
581(1)
The Epigram
582(1)
FURTHER READING: The Epigram
582(1)
Samuel Taylor Coleridge, What Is an Epigram?
582(1)
William Blake, Her Whole Life Is an Epigram
582(1)
Martin Espada, Why I Went to College
583(1)
Haiku
583(1)
FURTHER READING: Haiku
584(1)
Matsuo Basho, Four Haiku
584(1)
Carolyn Kizer, After Bashi
584(1)
José Juan Tablada, Haiku
585(1)
Jack Kerouac, American Haiku
585(2)
Open Form
587(8)
Carl Sandburg, Chicago
588(1)
E.E. Cummings, the sky was can dy
589(1)
FURTHER READING: Open Form
590(1)
Walt Whitman, from "Out of the Cradle Endlessly Rocking"
590(1)
William Carlos Williams, Spring and All
591(2)
Carolyn Forché The Colonel
593(4)
Checklist: Writing about Form
594(1)
WRITING SUGGESTIONS: Form
595(2)
22 SYMBOL, ALLEGORY, ALLUSION, MYTH
597(1)
William Blake, The Sick Rose
597(1)
Symbol
597(8)
Robert Frost, For Once, Then, Something
598(1)
Jim Simmerman, Child's Grave, Hale County, Alabama
599(2)
Emily Dickinson, Volcanoes be in Sicily
601(1)
FURTHER READING: Symbol
601(1)
Edgar Allan Poe, The Raven
601(4)
Allegory
605(4)
Christina Rossetti, Uphill
606(1)
FURTHER READING: Allegory
606(1)
Adrienne Rich, Diving into the Wreck
606(3)
Allusion
609(4)
Wole Soyinka, Future Plans
610(1)
William Meredith, Dreams of Suicide
611(1)
FURTHER READING: Allusion
612(1)
Maxine Kumin, Where Any of Us
612(1)
Myth
613(7)
Countee Cullen, Yet Do I Marvel
614(1)
FURTHER READING: Myth
615(1)
William Butler Yeats, Leda and the Swan
615(1)
W.H. Auden, Musee des Beaux Arts
616(1)
T.S. Eliot, Journey of the Magi
617(4)
Checklist: Writing about Symbol, Allegory, Allusion, Myth
619(1)
WRITING SUGGESTIONS: Symbol, Allegory, Allusion, Myth
620(1)
23 DISCOVERING THEMES IN POETRY
621(1)
Poems about Parents
621(7)
Theodore Roethke, My Papa's Waltz
622(1)
Robert Hayden, Those Winter Sundays
623(1)
Edna St. Vincent Millay, The courage that my mother had
623(1)
Seamus Heaney, Digging
624(1)
Raymond Carver, Photograph of my Father in His Twenty-Second Year
625(1)
Mitsuye Yamada, The Night Before Good-bye
625(1)
Wanda Coleman, Dear Mama
626(1)
Dylan Thomas, Do not go gentle into that good night
627(1)
Poems about Nature
628(6)
William Wordsworth, I wandered lonely as a cloud
628(1)
Christina Rossetti, Summer
629(1)
Gerard Manley Hopkins, The Windhover
630(1)
Robert Frost, Birches
631(1)
William Stafford, Traveling through the Dark
632(1)
Joy Harjo, Morning Song
633(1)
Richard Wilbur, In Trackless Woods
633(1)
Poems about Love
634(3)
Robert Browning, Meeting at Night
635(1)
Robert Browning, Parting at Morning
635(1)
Elizabeth Barrett Browning, How Do I Love Thee?
635(1)
Edna St. Vincent Millay, What Lips My Lips Have Kissed
636(1)
Dorothy Parker, General Review of the Sex Situation
636(1)
Poems about War
637(7)
Rupert Brooke, The Soldier
638(1)
Wilfred Owen, Dulce et Decorum Est
638(1)
Robert Lowell, For the Union Dead
639(2)
Denise Levertov, What Were They Like?
641(1)
Yusef Komunyakaa, Facing It
642(1)
Wislawa Szymborska, The End and the Beginning
643(1)
WRITING SUGGESTIONS: Discovering Themes in Poetry
644(1)
24 POETRY FOR FURTHER READING
645(66)
Sherman J. Alexie, Defending Walt Whitman
645(2)
Maya Angelou, Africa
647(1)
Anonymous, Bonny Barbara Allan
647(2)
Anonymous, Go Down Moses
649(1)
Anonymous, Western Wind
650(1)
Matthew Arnold, Dover Beach
650(1)
Elizabeth Bishop, The Fish
651(2)
William Blake, The Lamb
653(1)
William Blake, To see a World in a Grain of Sand
653(1)
William Blake, The Tyger
653(1)
Anne Bradstreet, The Author to Her Book
654(1)
Gwendolyn Brooks, Medgar Evers
655(1)
George Gordon, Lord Byron, She Walks in Beauty
655(1)
Thomas Campion, There is a garden in her face
656(1)
Samuel Taylor Coleridge, Kubla Khan
657(1)
Billy Collins, Introduction to Poetry
658(1)
Hart Crane, To Brooklyn Bridge
659(1)
E.E. Cummings, Buffalo Bill's
660(1)
E.E. Cummings, next to of course god america i
660(1)
Emily Dickinson, Because I could not stop for Death—
661(1)
Emily Dickinson, "Faith" is a fine invention
662(1)
Emily Dickinson, I heard a Fly buzz—when I died—
662(1)
John Donne, Batter My Heart, Three-Personed God
662(1)
John Donne, Death Be Not Proud
663(1)
John Donne, The Flea
663(1)
Rita Dove, Fox Trot Fridays
664(1)
Paul Laurence Dunbar, We Wear the Mask
665(1)
T.S. Eliot, The Love Song of J. Alfred Prufrock
665(4)
Louise Erdrich, Indian Boarding School: The Runaways
669(1)
Robert Frost, Mending Wall
670(1)
Robert Frost, The Road Not Taken
671(1)
Robert Frost, Stopping by Woods on a Snowy Evening
672(1)
H.D. (Hilda Doolittle), Helen
672(1)
Thomas Hardy, The Convergence of the Twain
673(1)
Seamus Heaney, Mid-Term Break
674(1)
Edward Hirsch, Fast Break
675(1)
Gerard Manley Hopkins, God's Grandeur
676(1)
Langston Hughes, Theme for English B
677(1)
Langston Hughes, The Negro Speaks of Rivers
678(1)
John Keats, La Belle Dame sans Merci: A Ballad
679(1)
John Keats, Ode on a Grecian Urn
680(2)
John Keats, When I Have Fears
682(1)
Aron Keesbury, On the Robbery across the Street
682(1)
Yusef Komunyakaa, Ignis Fatuus
683(1)
Ted Kooser, Selecting a Reader
684(1)
Archibald MacLeish, Ars Poetica
685(1)
Christopher Marlowe, The Passionate Shepherd to His Love
685(1)
Claude McKay, If We Must Die
686(1)
James Merrill, Page from the Koran
687(1)
Pablo Neruda, The United Fruit Co.
687(1)
Sharon Olds, The One Girl at the Boys' Party
688(1)
Marge Piercy, Barbie Doll
689(1)
Robert Pinsky, Shirt
690(1)
Sylvia Plath, Mirror
691(1)
Ezra Pound, The River-Merchant's Wife: A Letter
692(1)
Sir Walter Raleigh, The Nymph's Reply to the Shepherd
693(1)
Henry Reed, Naming of Parts
694(1)
Edwin Arlington Robinson, Richard Cory
695(1)
Sonia Sanchez, right on: white america
695(1)
Carl Sandburg, Fog
696(1)
William Shakespeare, Let me not to the marriage of true minds
696(1)
William Shakespeare, Not marble, nor the gilded monuments
697(1)
Percy Bysshe Shelley, Ode to the West Wind
697(3)
Wallace Stevens, Anecdote of the Jar
700(1)
Wallace Stevens, The Emperor of Ice-Cream
700(1)
Alfred, Lord Tennyson, Ulysses
701(2)
Phillis Wheatley, On Being Brought from Africa to America
703(1)
Walt Whitman, A Noiseless Patient Spider
703(1)
Walt Whitman, from "Song of Myself"
703(2)
William Wordsworth, London, 1802
705(1)
William Wordsworth, My heart leaps up when I behold
705(1)
William Butler Yeats, Crazy Jane Talks with the Bishop
706(1)
William Butler Yeats, The Lake Isle of Innisfree
706(1)
William Butler Yeats, Sailing to Byzantium
707(1)
William Butler Yeats, The Second Coming
708(1)
PART 4 DRAMA 709(1)
25 UNDERSTANDING DRAMA
711
Origins of Modern Drama
711(9)
The Ancient Greek Theater
711(2)
The Elizabethan Theater
713(3)
The Modern Theater
716(4)
A Note on Translations
720(2)
Reading Drama
722(1)
Anton Chekhov, The Brute
723(12)
26 DRAMA SAMPLER: TEN-MINUTE PLAYS
735(1)
Jane Martin, Beauty
736(5)
José Rivera, Tape
741(4)
Arlene Hutton, I Dream Before I Take the Stand
745(15)
Warren Leight, Nine Ten
760(6)
27 PLOT
766(1)
Plot Structure
766(2)
Plot and Subplot
767(1)
Plot Development
768(72)
Flashbacks
769(1)
Foreshadowing
769(1)
Checklist: Writing about Plot
769(1)
Susan Glaspell, Trifles
770(13)
Henrik Ibsen, A Doll House
783(57)
WRITING SUGGESTIONS: Plot
840(1)
28 CHARACTER
841(1)
Characters' Words
842(5)
Formal and Informal Language
844(1)
Plain and Elaborate Language
844(2)
Tone
846(1)
Irony
846(1)
Characters' Actions
847(1)
Stage Directions
848(2)
Actors' Interpretations
850(191)
Checklist: Writing about Character
851(1)
August Strindberg, The Stronger
852(6)
Arthur Miller, Death of a Salesman
858(76)
William Shakespeare, Hamlet
934(107)
WRITING SUGGESTIONS: Character
1041(1)
29 STAGING
1042(1)
Stage Directions
1042(2)
The Uses of Staging
1044(2)
Costumes
1044(1)
Props and Furnishings
1044(1)
Scenery and Lighting
1045(1)
Music and Sound Effects
1046(1)
A Final Note
1046(44)
Checklist: Writing about Staging
1047(1)
Sophocles, Oedipus the King
1047(43)
WRITING SUGGESTIONS: Staging
1090(1)
30 THEME
1091(1)
Titles
1091(1)
Conflicts
1092(1)
Dialogue
1093(1)
Characters
1093(1)
Staging
1094(1)
A Final Note
1095(109)
Checklist: Writing about Theme
1095(1)
August Wilson, Fences
1096(55)
Tennessee Williams, The Glass Menagerie
1151(53)
WRITING SUGGESTIONS: Theme
1204
Credits C1
Index of First Lines of Poetry I1
Index of Authors and Titles I4
Index of Literary Terms I11

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