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Progressive Sight Singing,9780195386042
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Progressive Sight Singing

by
Edition:
2nd
ISBN13:

9780195386042

ISBN10:
0195386043
Format:
Spiral Bound
Pub. Date:
6/11/2010
Publisher(s):
Oxford University Press
List Price: $99.14

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Summary

Designed for the complete undergraduate course sequence in aural skills, Progressive Sight Singing, Second Edition, introduces students to the underlying grammar and syntax of musical structure and prepares them to perceive that structure with both the ear and the eye. Working from the premisethat students learn musical skills in much the same order as they do language skills, this book trains the ear first - through hearing and imitating patterns - teaching students to hear and perform before they read and write. Part I presents rhythmic exercises only, and Part II presents melodicexercises; the two sections are designed to be used concurrently at an adaptable pace. The popular in-text CD from the first edition has been expanded into an in-text DVD that includes more of the rhythm and tonal patterns introduced in the book, as well as over 100 graphs depicting the vocal pitchexercises. For the Second Edition, Part II (Melodic Reading) has been expanded and rebalanced to reinforce more advanced concepts, making this text ideal for the entire four-semester course sequence in aural skills. This edition integrates a rich variety of well-paced, graduated exercises, including newexercises for C clefs, secondary triads, improvisation, and duets, and has been thoroughly redesigned for improved readability. A new Companion Website at www.oup.com/us/krueger expands on the pedagogy underlying the book, offers solutions to the exercises, and provides additional exercises andteaching tips.

Author Biography

Carol Krueger received a DMA in Choral Conducting from the University of Miami and has taught in public schools as well as in higher education. An active clinician and guest conductor, Dr. Krueger is widely recognized for her work with music literacy and has presented interest sessions at the American Choral Directors National Convention in New York, the ACDA Southern Division Convention in Nashville, and at MENC and ACDA state conventions throughout the United States.

Table of Contents

To the Instructor
To the Student
An Introduction to the Musical Literacy Process
Strategies For Successful Sight Singing
Building Musicianship and Independency
Rhythmic Reading
Simple Meter-Quarter Note = Beat Unit
Undivided Beat
Building Aural/Oral Skills
Beat, Tempo, Meter, Duple Meter, Triple Meter, Quadruple Meter, Rhythm
Symbolic Association
Score Notation, Whole Note/Rest, Half Note/Rest, Quarter Note/Rest, Meter Signature
Bar Lines, Double Bar Line
Rhythm Patterns
Exercises
Canon, Retrograde Canon, Anacrusis, Bracket
Simple Meter- Quarter Note = Beat Unit
Divided Beat
Building Aural/Oral Skills
Macro Beat, Micro Beat
Symbolic Association
Motive, Eighth Note/Rest, Flag, Beam
Rhythm Patterns
Exercises
Common Time
Simple Meter- Quarter Note = Beat Unit
Slur, Tie, and Extension Dot
Building Aural/Oral Skills
Tie, Extension Dot/Augmentation Dot, Slur, Legato, Phrase
Symbolic Association
Rhythm Patterns
Exercises
Terms and Symbols
Symbolic Association: Performance Markings
Interruptions in the Beat: Breath Mark, Fermata, Tenuto, Caesura, General Pause
Tempo Markings: Adagio, Andante, Moderato, Allegretto, Allegro, Metronome, M.M.
Changes in Tempo: Ritardando, Ritenuto, Accelerando, A Tempo, poco, poco ŕ  poco
Dynamic Markings: Pianissimo, Piano, Mezzo Piano, Mezzo Forte, Forte, Fortissimo
Changes in Tempo: Crescendo, Decrescendo, Diminuendo
Articulation: Staccato, Accent
Technical Terms: Repeat Sign, First and Second Endings
Exercises
Compound Meter-Dotted Quarter = Beat Unit
Divided Beat
Building Aural/Oral Skills
Simple Meter, Duple Simple, Triple Simple, Quadruple Simple, Compound Meter
Duple Compound, Triple Compound, Quadruple Compound
Symbolic Association
Rhythm Patterns
Exercises
Simple Meter- Quarter Note = Beat Unit
Borrowed Beat Division
Building Aural/Oral Skills
Borrowed Division, Triplet, Duplet, Cross-Rhythms
Symbolic Association
Rhythm Patterns
Exercises
Simple Meter- Quarter Note = Beat Unit
Syncopation
Building Aural/Oral Skills
Syncopation, Dynamic Accent, Agogic Accent
Symbolic Association
Rhythm Patterns
Exercises
Simple Meter- Quarter Note = Beat Unit
Subdivided Beat
Building Aural/Oral Skills
Beat Subdivision
Symbolic Association
Rhythm Patterns
Exercises
More Terms and Symbols
Symbolic Association: Performance Markings
Tempo Markings: Largo, Lento, Vivace, Presto
Changes in Tempo: Rallentando, Rubato, Con Moto, Meno Mosso
Character Terms: Cantabile, Dolce, Maestoso, Con Brio, Agitato
Dynamics: Sforzando, Sforzando-piano, Forte-piano
Articulation: Marcato
Other Terms: Subito, Piů, Molto
Technical Terms: Da Capo, Dal Segno, Sign, Fine, Coda
Exercises
Simple Meter- Quarter Note = Beat Unit
More Rhythms with
Borrowed Beat Division
Building Aural/Oral Skills
Symbolic Association
Rhythm Patterns
Exercises
Simple Meter- Quarter Note = Beat Unit
More Rhythms with Syncopations
Building Aural/Oral Skills
Symbolic Association
Rhythm Patterns
Exercises
Simple Meter- Quarter Note = Beat Unit
More Rhythms with Subdivided Beat
Building Aural/Oral Skills
Symbolic Association
Rhythm Patterns
Exercises
Simple Meter- Half Note = Beat Unit
Symbolic Association
Alla Breve, Cut Time, Double Whole Note/Rest
Rhythm Patterns
Exercises
Simple Meter- Eighth Note = Beat Unit
Symbolic Association
Rhythm Patterns
Exercises
Compound Meter-Dotted Quarter = Beat Unit
More Rhythms
Building Aural/Oral Skills
Symbolic Association
Rhythm Patterns
Exercises
Compound Meter-Dotted Half Note = Beat Unit
Symbolic Association
Rhythm Patterns
Exercises
Compound Meter-Dotted Eighth Note = Beat Unit
Symbolic Association
Rhythm Patterns
Exercises
Simple Meter-Irregular Division of Beat
Building Aural/Oral Skills
Symbolic Association
Triplets, Quintuplets, Sextuplets, Septuplets, Measured Tremolo
Rhythm Patterns and Exercises: Quarter Note = Beat Unit
Exercises: Other Simple Meters
Compound Meter-Irregular Division of Beat
Building Aural/Oral Skills
Symbolic Association
Duplets, Quadruplets, Quintuplets, Septuplets
Rhythm Patterns and Exercises: Dotted Quarter Note = Beat Unit
Exercises: Other Compound Meters
Hemiola and Cross Rhythms
Symbolic Association: Hemiola, 2:3, 3:2
Hemiola, Superduplet, Supertriplet
Exercises: Hemiola, 2:3, 3:2
Symbolic Association: 3:4, 4:3, 2:5
Superquadruplet
Exercises: 3:4, 4:3, 2:5
Asymmetrical Meters
Symbolic Association
Rhythm Patterns and Exercises: Beat Constant
Rhythm Patterns and Exercises: Beat Division Constant
Mixed Meters
Symbolic Association
Exercises
Melodic Reading
Tonic Pentachord in Major Mode
Simple Meters, Undivided Beat
Building Aural/Oral Skills: Diatonic Steps
Pentachord Scale, Intervals, Tonic Triad, Tertian, Root, Third, Fifth, Chord, Harmony, Arpeggio
Symbolic Association: Diatonic Steps
Score Notation, Staff, Line Note, Space Note, Second, Fourth
Tonal and Melodic Patterns: Diatonic Steps
Exercises: Diatonic Steps
Building Aural/Oral Skills: Tonic Triad
Symbolic Association: Tonic Triad
Tonal and Melodic Patterns: Diatonic Steps, Tonic Triad
Root, Third, Fifth, Chord, Arpeggio
Exercises: Diatonic Steps, Tonic Triad
Clef Signs, Treble Clef, Bass Clef, Musical Alphabet, Key Signature, Hocket
Diatonic Steps and Tonic Triad in the Major Scale
Simple Meters
Undivided Beat
Building Aural/Oral Skills: Diatonic Steps
Major Scale, Diatonic, Non-diatonic, Intervals from Tonic, Scale Degrees, Unison, Prime
Symbolic Association: Diatonic Steps
Supertonic, Mediant, Subdominant, Dominant, Submediant, Leading Tone
Tonal and Melodic Patterns: Diatonic Steps
Exercises: Diatonic Steps
Ledger Lines
Building Aural/Oral Skills: Diatonic Steps, Tonic Triad
Half Step, Semi-tone, Whole Step, Inverted Tonic Triads, Intervals of a Fourth
Symbolic Association: Diatonic Steps, Tonic Triad
Major Key Signature, Harmonic Triad, Melodic Triad
Tonal and Melodic Patterns: Diatonic Steps, Tonic Triad
Exercises: Diatonic Steps, Tonic Triad
Diatonic Steps and Tonic Triad in the Natural Minor Scale
Simple Meters
Undivided Beat
Building Aural/Oral Skills: Diatonic Steps, Tonic Triad
Natural Minor Scale, Tonic Triad, Intervals from Tonic
Symbolic Association: Diatonic Steps, Tonic Triad
Minor Key Signatures, Subtonic
Tonal and Melodic Patterns: Diatonic Steps, Tonic Triad
Exercises: Diatonic Steps, Tonic Triad
Diatonic Steps and Tonic Triad in the Major Scale
Simple Meters, Divided Beat
Integrating Rhythm and Tonal Skills: Major Mode
Quality and Quantity of Intervals From Tonic
Symbolic Association: Major Mode
Melodic Patterns: Major Mode
Exercises: Major Mode
Diatonic Steps and Tonic Triad in the Major Scale
Simple Meters
Dotted Quarter Notes
Integrating Rhythm and Tonal Skills: Major Mode
Major and Minor Thirds, Perfect and Augmented Fourths in the Major Scale
Triads Built on Each Scale Degree
Symbolic Association: Major Mode
Motive, Sequence, Phrase, Melodic Cadence, Progressive Cadence, Terminal Cadence
Through-Composed
Melodic Patterns: Major Mode
Exercises: Major Mode
Natural Minor Scale
Simple Meters, Eighth and Dotted Quarter Notes
Building Aural/Oral Skills: Natural Minor Scale
Intervals from Tonic
Major and Minor Thirds, Perfect and Augmented Fourths
Triads Built on Each Scale Degree
Major, Minor, and Diminished Triads
Symbolic Association: Natural Minor Scale
Tonal and Melodic Patterns: Natural Minor Scale
Exercises: Natural Minor Scale
Harmonic, and Melodic Minor Scales
Simple Meters, Eighth and
Dotted Quarter Notes
Building Aural/Oral Skills: Harmonic Minor Scale
Intervals from Tonic
Major and Minor Thirds, Perfect and Augmented Fourths
Triads Built on Each Scale Degree, Augmented Triad
Symbolic Association: Harmonic Minor Scale
Tonal and Melodic Patterns: Harmonic Minor Scale
Exercises: Harmonic Minor Scale
Building Aural/Oral Skills: Melodic Minor Scale
Intervals from Tonic
Major and Minor Thirds, Perfect and Augmented Fourths
Symbolic Association: Melodic Minor Scale
Tonal and Melodic Patterns: Melodic Minor Scale
Exercises: Melodic Minor Scale
Exercises: Intervals in Tonic Triad (i) and Mediant Triad (III)/Relative Major
Major and Minor Modes
Compound Meters-Dotted Quarter = Beat Unit
Integrating Rhythm and Tonal Skills: Major Mode
Symbolic Association: Major Mode
Melodic Patterns: Major Mode
Exercises: Major Mode
Integrating Rhythm and Tonal Skills: Minor Mode
Symbolic Association: Minor Mode
Melodic Patterns: Minor Mode
Exercises: Minor Mode
Exercises: Intervals in Tonic Triad (i) and Major Triad (III)/Relative Major
I and V7 in Major Mode
Simple and Compound Meters
Building Aural/Oral Skills: Dominant Triad, Major Mode
Chromatic Scale, Ascending and Descending Intervals Moving Out From the Tonic in the
Major Scale, Dominant Triad, First Inversion Triads Built on Each Degree of the Major Scale
Symbolic Association: Dominant Triad, Major Mode
Chord Tone, Neighbor Tone, Passing Tone
Tonal Patterns: Dominant Triad, Major Mode
Exercises: Dominant Triad, Major Mode, Simple Meters
Building Aural/Oral Skills: Dominant Seventh Chord, Major Mode
Dominant Seventh Chord, Third Inversion, Second Inversion Triads Built on Each Degree
of the Major Scale
Symbolic Association: Dominant Seventh Chord, Major Mode
Tonal Patterns: Dominant Seventh Chord, Major Mode
Exercises: Dominant Seventh Chord, Major Mode, Simple Meters
Exercises: Dominant and Dominant Seventh, Major Mode, Compound Meters
i and V7 in Minor Mode
Simple and Compound Meters
Building Aural/Oral Skills: Dominant Triad, Minor Mode
Ascending and Descending Intervals Moving Out from the Tonic in the Natural Minor Scale
Dominant Triad in Minor, First Inversion Triads Built on Each Degree of the Minor Scales
Symbolic Association: Dominant Triad, Minor Mode
Tonal Patterns: Dominant Triad, Minor Mode
Exercises: Dominant Triad, Minor Mode, Simple Meters
Building Aural/Oral Skills: Dominant Seventh Chord, Minor Mode
Dominant Seventh Chord, Third Inversion, Second Inversion Triads Built on Each Degree of the Minor Scale
Symbolic Association: Dominant Seventh Chord, Minor Mode
Tonal Patterns: Dominant Seventh Chord, Minor Mode
Exercises: Dominant Seventh Chord, Minor Mode, Simple Meters
Exercises: Dominant and Dominant Seventh, Minor Mode, Compound Meters
I and V7 in Major Mode
Other Rhythms in Simple Meters
Integrating Rhythm and Tonal Skills: Major Mode
Chromatic Intervals
Symbolic Association
Melodic Patterns and Exercises: Triplets, Tonic Only
Melodic Patterns and Exercises: Syncopation, Tonic Only
Melodic Patterns and Exercises: Subdivided Beat, Tonic Only
Exercises: Combined Rhythms, Tonic Only
Exercises: Combined Rhythms, Tonic and Dominant
i and V7 in Minor Mode
Other Rhythms in Simple Meters
Integrating Rhythm and Tonal Skills: Minor Mode
Symbolic Association
Melodic Patterns and Exercises: Triplets, Tonic Only
Melodic Patterns and Exercises: Syncopation, Tonic Only
Melodic Patterns and Exercises: Subdivided Beat, Tonic Only
Exercises: Combined Rhythms, Tonic Only
Exercises: Combined Rhythms, Tonic and Dominant
I and V7 in Major and Minor Modes
Half Note = Beat Unit
Integrating Rhythm and Tonal Skills: Major and Minor Modes
Symbolic Association
Melodic Patterns and Exercises: Major Mode, Tonic Only
Exercises: Major Mode, Tonic and Dominant
Melodic Patterns and Exercises: Minor Mode, Tonic Only
Exercises: Minor Mode, Tonic and Dominant
I and V7 in Major and Minor Modes
Eighth Note = Beat Unit
Integrating Rhythm and Tonal Skills: Major and Minor Modes
Ascending and Descending Chromatic Intervals Moving Out From Tonic
Symbolic Association
Melodic Patterns and Exercises: Major Mode, Tonic Only
Exercises: Major Mode, Tonic and Dominant
Melodic Patterns and Exercises: Minor Mode, Tonic Only
Exercises: Minor Mode, Tonic and Dominant
I and V7 in Major and Minor
Compound Meters-More Rhythms
Integrating Rhythm and Tonal Skills: Major and Minor Modes
Major, Minor, Augmented and Diminished Triads
Symbolic Association
Melodic Patterns and Exercises: Major Mode, Tonic Only
Exercises: Major Mode, Tonic and Dominant
Melodic Patterns and Exercises: Minor Mode, Tonic Only
Exercises: Minor Mode, Tonic and Dominant
The Moveable C Clefs
Symbolic Association
Exercises: Major and Minor Modes, Tonic and Dominant
I, IV and V7 in Major Mode
Simple and Compound Meters
Building Aural/Oral Skills: Sub-Dominant Triad, Major Mode
Subdominant Triad in Major
Symbolic Association
Tonal Patterns: Subdominant Triad, Major Mode
Exercises: I, IV, V7, Major Mode, Simple Meters
Exercises: I, IV, V7, Major Mode, Compound Meters
i, iv and V7 in Minor Mode
Simple and Compound Meters
Building Aural/Oral Skills: Subdominant Triad, Minor Mode
Subdominant Triad in Minor
Symbolic Association
Tonal Patterns: Subdominant Triad, Minor Mode
Exercises: i, iv, IV, and V7, Minor Mode, Simple Meters
Exercises: i, iv, IV and V7, Minor Mode, Compound Meters
Other Diatonic Triads and Seventh Chords in Major and Minor Modes
Building Aural/Oral Skills: Diatonic Seventh Chords in Major Mode
Seventh Chords
Symbolic Association
Tonal Patterns: ii, iii, vi, vii°, Major Mode
Exercises: ii, iii, vi, vii°, Major Mode
Building Aural/Oral Skills: Diatonic Seventh Chords in Minor Mode
Symbolic Association
Tonal Patterns: ii°, III, VI, VII, Minor Mode
Exercises: ii°, III, VI, VII, Minor Mode
Chromaticism: Nonharmonic Tones
Building Aural/Oral Skills
Chromaticism, Nonharmonic Tones
Symbolic Association
Tonal Patterns
Major Mode: 4, ”7, 1, 2, ”3
Minor Mode: 4, 3
Exercises
Chromaticism: Secondary Dominants
Building Aural/Oral Skills
Tonicization, Secondary Dominants
Symbolic Association
Tonal Patterns and Exercises: Raised Fourth Scale Degree, Major Mode
Tonal Patterns and Exercises: Raised Fourth Scale Degree, Minor Mode
Tonal Patterns and Exercises: Lowered Seventh Scale Degree, Major Mode
Tonal Patterns and Exercises: Raised Tonic, Major Mode
Tonal Patterns and Exercises: Raised Second Scale Degree, Major Mode
Tonal Patterns and Exercises: Raised Third Scale Degree, Minor Mode
Exercises: Secondary Dominants and Nonharmonic Tones
Chromaticism: Modulation
Symbolic Association
Modulation, Closely Related Keys, Distantly Related Keys, Neapolitan Triad
Exercises: Modulation to the Dominant
Exercises: Modulation to Closely Related Keys
Exercises: Remote Modulation
Chromaticism: Modulation
Building Aural/Oral Skills
Modal Mixture, Parallel Scales, Neapolitan Triad
Symbolic Association
Patterns: Modal Mixture
Exercises: Modal Mixture
Exercises: Neapolitan Triad
Modes
Symbolic Association: Diatonic Seven-Tone Scales
Medieval Modes, Church Modes, Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian
Exercises
Appendix
Rhythm Reading Systems
Overview of Systems
Gordon Syllables
Takademi Syllables
McHose and Tibbs Syllables
Kodály Syllables
Rhythm Syllable Charts
Gordon Syllables
Takademi Syllables
McHose and Tibbs Syllables
Kodály Based Syllables
Tonal Reading Systems
Solmization
Moveable Do
Fixed Do
Numbers
Letter Names
Hand Signs
Tonal Ladder
Dictation System
Rhythm
Simple Meter
Compound Meter
Tonal
Melodic
Conducting Patterns
Glossary of Musical Terms
Index
Table of Contents provided by Publisher. All Rights Reserved.


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