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Acknowledgments | ix | ||||
INTRODUCTION. Composing Oneself | 1 | (18) | |||
1. Modernist Abstraction and the Abstract Art: Four Saints and the Queer Composition of America's Sound | 19 | (45) | |||
2. Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America | 64 | (39) | |||
INTERMEZZO. My Dear Freddy: Identity Excesses and Evasions | |||||
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103 | (14) | |||
3. A French Connection: Modernist Codes in the Musical Closet | 117 | (35) | |||
4. Queerness, Eruption, Bursting: U.S. Musical Modernism at Midcentury | 152 | (23) | |||
CODA. Composing Oneself (Reprise) | 175 | (4) | |||
Notes | 179 | (70) | |||
Works Cited | 249 | (16) | |||
Discography | 265 | (2) | |||
Index | 267 |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.