Introduction | |
Splitting the Screen: Rewriting Television Conventions | |
24 and Twenty-First Century Quality Television | |
24 and New Directions in Televisuality | |
Multi-Panelled Narrative in 24 | |
Reasons to Split Up | |
Interesting Times: The Demands 24's Real-Time Format Makes on its Audience | |
America under Siege: Terrorism, Globalisation and the Politics of (American) Morality | |
"So what are you saying An oil consortium's behind the nuke?"24, Programme Sponsorship, SUVs, and the "War on Terror" | |
Days and Hours of the Apocalypse: 24 and the Nuclear Narrative | |
24 after 9/11: The American State of Exception | |
Just-in-time Security: Permanent Exceptions and Neoliberal Orders | |
"Tell me where the bomb is or I will kill your son": Situational Morality on 24 | |
"You're going to tell me everything you know": Torture and Morality in Fox's 24 | |
Unmasking Identities: Sexuality, Difference, Culture | |
Damsels in Distress: Female Narrative Authority and Knowledge in 24 | |
Gender and Genre in the Action-Soap 24 | |
Techno-Soap: 24, Masculinity and Hybrid Forms | |
"She May Be a Little Weird": Chloe O'Brian | |
24 and Postnational American Identities | |
Afterword | |
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