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The Lost History of Epinician | |
Early Epinician: Ibycus and Simonides | |
The lost Isthmian Odes of Pindar Giovan | |
Epinician sounds: Pindar and musical innovation | |
Pindar and his patrons | |
What happened later to the families of Pindaric patrons - and to Epinician poetry? | |
Contexts of Performance and Re-Performance | |
Performance, re-performance, and Pindar's audiences | |
Performance and re-performance: the Siphnian treasury evoked | |
Representations of cult in Epinician poetry | |
Epinician and the Symposion: a comparison with the Enkomia | |
Performance and genre: reading Pindar's ¿¿¿¿¿ | |
Pindar's 'difficulty' and the performance of Epinician poetry: some suggestions from ethnography | |
Critical Approaches to the Victory Ode: Rhetoric, Imagery, and Narrative | |
Poet and public: communicative strategies in Pindar and Bacchylides | |
Image and world in Epinician poetry | |
Metaphorical travel and ritual performance in Epinician poetry | |
Bacchylidean myths | |
Reading Pindar | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.