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9780321410184

Real World Print Production

by
  • ISBN13:

    9780321410184

  • ISBN10:

    0321410181

  • Format: Paperback
  • Copyright: 2007-01-01
  • Publisher: Peachpit Press
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Supplemental Materials

What is included with this book?

Summary

Everything designers need to know to create trouble-free print jobs in one industrial-strength reference!

Table of Contents

Preface xvii
Life Cycle of a Print Job
1(26)
The Olden Days
1(2)
Brave New World: Desktop Publishing
3(1)
Job Submission
4(1)
Scenic Tour of a Typical Printing Plant
4(23)
Sales
6(1)
Customer Service
6(1)
Planning, Estimating, and Scheduling
6(1)
Preflight
7(1)
Prepress
8(1)
Production
8(1)
Scanning
9(1)
Image Work
9(1)
Raster Image Processor (RIP)
9(2)
Trapping
11(1)
Imposition
11(1)
Proofing
11(1)
Corrections
12(1)
Creating Plates
12(1)
Pressroom
13(1)
Finishing
14(1)
Trimming
14(1)
Folding
14(1)
Stitching
14(1)
Die Cutting
15(1)
Binding
15(1)
Gluing
15(1)
Fulfillment and Shipping
16(1)
Glossary of Printing Terms
17(10)
Ink On Paper
27(24)
Fundamentals of Black-and-White Printing
27(3)
Fundamentals of Color Printing
30(6)
Limitations of CMYK
33(1)
Spot Colors
34(1)
Approximating Spot Colors with Process
35(1)
Press Issues
36(7)
Registration
36(1)
Trapping
37(1)
Large Ink Coverage Areas
38(1)
Rich Black
39(1)
Problem Inks
40(1)
Specialty Inks
41(1)
Custom Mixed Inks
41(1)
Coatings and Varnishes
42(1)
Digital Printing
43(4)
Digital Printing Advantages
43(1)
Short Runs
43(1)
Variable Data
44(1)
Digital Printing Issues
44(1)
Registration
45(1)
Spot Colors on Toner-Based Digital Presses
45(1)
Paper Requirements and Limitations
46(1)
Cracking and Flaking
46(1)
Resolution and Screen Ruling
46(1)
Your Monitor is Not Made of Paper
47(4)
A Quick Overview of Color Management
47(1)
Control Your Environment
48(1)
Realistic Expectations
49(1)
Contract Proofs
50(1)
Binding and Finishing
51(26)
One Size Does Not Fit All
51(5)
Rule Number One: Build to the Correct Trim Size
52(2)
Rule Number Two: Provide Bleed
54(1)
Rule Number Three: Stay Away From the Edge
55(1)
Rule Number Four: Follow the Print Specifications
55(1)
Folding: High-Speed Origami
56(2)
Imposition
58(7)
Basic Imposition
59(1)
Multipage Imposition
60(5)
Binding Methods
65(4)
Saddle Stitching
65(1)
Perfect Binding and Case Binding
65(2)
Comb Binding
67(1)
Coil Binding
68(1)
Other Binding Methods
68(1)
Moving Beyond Two Dimensions
69(8)
Die Cutting
71(2)
Embossing
73(2)
Foil Stamping
75(2)
Preparing Raster Images
77(20)
Ancient Times: B.P. (Before Pixels)
77(1)
Now: A.P. (All Pixels, All the Time)
78(2)
Scanners
78(1)
Digital Cameras
79(1)
Imaging Software
79(1)
Resolution and Image Fidelity
80(6)
Scaling Up
81(1)
Scaling Down
82(1)
Planning Ahead
82(2)
Digital Photographs
84(1)
Cropping and Transforming Images
84(1)
Cropping
84(1)
Rotating Images
85(1)
Where to Transform: Image Editor versus Page Layout Application
86(1)
Appropriate Image Formats for Print
86(11)
TIFF
87(1)
Photoshop EPS
87(1)
Photoshop Native (PSD)
88(1)
Photoshop PDF
88(1)
Moving to Native PSD and PDF
89(1)
Special Case: Screen Captures
90(2)
Converting Screen Captures to CMYK
92(2)
RGB versus CMYK
94(1)
Inappropriate Image Formats for print
95(2)
Vector Graphics
97(10)
Vector File Formats
97(4)
Encapsulated PostScript (EPS)
97(2)
Native File Formats
99(1)
PDF
100(1)
Vector Formats Not Appropriate for Print
100(1)
Microsoft Windows Metafile Format (WMF)
100(1)
Enhanced Metafile Format (EMF)
101(1)
Raster Formats
101(1)
Handling Text
101(2)
Embedding Fonts
101(1)
Outlining Text
102(1)
Incorporating Images into Vector Files
103(1)
Avoiding Unnecessary Complexity
104(3)
Simplify Your Paths
104(1)
Recommended Approaches to Document Construction
105(1)
One Piece Per Page
105(1)
It's a Drawing Program
106(1)
Creating Multiple Pages in Illustrator
106(1)
Creating Multiple Pages in FreeHand
106(1)
Fonts
107(12)
Font Flavors
107(6)
PostScript (Type 1) Fonts
107(1)
TrueType Fonts
108(1)
OpenType Fonts
109(2)
Macintosh OS X System Fonts
111(1)
Windows System Fonts
112(1)
Multiple Master Fonts
112(1)
Substituting One Font Species For Another
113(1)
Activating Fonts in the Operating System
113(1)
Apple Font Book
113(1)
Windows Control Panel
114(1)
Font Management Programs
114(2)
Automatic Font Activation
115(1)
Font Conflicts
115(1)
Font Licensing Issues
116(3)
End User License Agreements (EULAs)
116(1)
Embedding Fonts in PDFs
117(1)
Converting Text To Outlines
118(1)
Sending Fonts to the Print Service Provider
118(1)
Cross-Platform Issues
119(6)
Crossing The Great Divide
119(1)
File Naming
120(3)
Let's Have a Lot of Brevity
120(1)
Filenames Don't Need Punctuation. Period
121(1)
Watch Your Language
122(1)
Include File Extensions
122(1)
Fonts
123(1)
Graphics Formats
124(1)
Job Submission
125(18)
Preparations During the Design Process
125(1)
Talking with the Printer
126(2)
Planning for Print
128(4)
Checking Raster Images
129(1)
Checking Vector Artwork
130(1)
Checking Page Layout Files
131(1)
Sending Job Files
132(4)
Submitting PDF Files
133(1)
Submitting Application Files
133(2)
Platform Issues
135(1)
Sending Files
135(1)
Preparing for Proofing Cycles
136(4)
Checking Image Proofs
136(2)
Checking Page Proofs
138(1)
Checking Corrections
139(1)
Checking Imposed Bluelines
139(1)
Signing Off on Proofs
140(1)
Attending a Press Check
140(3)
Photoshop Production Tips
143(22)
Off to a Good Start
143(3)
Know the Fate of the Image
143(2)
Image Resolution
145(1)
Color Space
145(1)
Converting RGB to CMYK
146(1)
Working in Layers
146(3)
Don't Erase that Pixel!
147(1)
Color Corrections with a Safety Net
148(1)
Should You Flatten a Layered File?
148(1)
Transparency
149(1)
Silhouettes and Masking
150(6)
Creating a Path: Right and Wrong
151(1)
Path Flatness Settings
152(1)
Paths that Aren't Clipping Paths
153(1)
Alternative Silhouetting Methods
154(2)
Beyond CMYK
156(3)
Creating Duotones
156(2)
Adding Spot Color to a CMYK Image
158(1)
Beyond Pixels
159(4)
Vector Elements
159(2)
Saving as a Photoshop PDF
161(2)
Saving for Other Applications
163(2)
Illustrator Production Tips
165(24)
Why Versions Matter
165(5)
Saving For Earlier Versions
170(2)
Quirks in Save Dialogs
170(1)
Document Color Mode
171(1)
Simplifying Complex Artwork
172(2)
Using Filters and Effects
174(5)
Filter versus Effect: Vector Shapes
174(1)
Filter versus Effect: Generating Pixels
175(1)
Using Filter > Stylize > Drop Shadow
175(2)
Using Effect > Stylize > Drop Shadow
177(1)
Document Raster Effects Settings
178(1)
Creating 3D Artwork
179(1)
Transparency
180(1)
Flattening Transparency
181(3)
Linked and Embedded Images
184(1)
Blended Objects
185(1)
Changes in Pantone Recipes
186(1)
Saving for Other Applications
187(2)
FreeHand Production Tips
189(28)
Fonts and Graphics
189(6)
Keeping It All Together
190(1)
Font Handling
190(1)
Images: Link or Embed?
191(1)
Modifying Linked Images
192(1)
Importing Images
193(1)
Importing Multiple Images Simultaneously
193(1)
Suitable Image Formats
194(1)
Special Handling: DCS Images
194(1)
Scaling Imported Images
194(1)
Importing or Opening Adobe PDF Files
195(1)
Special Effects
195(11)
Live Vector Effects
196(1)
Live Raster Effects
196(2)
Lens Effects
198(1)
Special Fills and Strokes
199(1)
Gradient Fills
199(1)
Pattern Fills
199(1)
PostScript Fills
200(2)
Textured Fills
202(1)
Tiled Fills
202(2)
Custom Fills
204(1)
Custom Halftone Settings
204(1)
Extrude, Smudge, and Shadow
205(1)
Simplifying complex artwork
206(1)
Clean House
206(1)
Smooth and Simplify
206(1)
Trim Off the Fat
207(1)
Exporting Freehand Files
207(10)
Exporting Raster Formats
208(1)
Exporting Vector Formats
208(2)
Providing Correct Bleed for Export
210(1)
Exporting Documents Containing Multiple Pages
211(1)
Exporting PDF Files
212(1)
Exporting Directly to PDF
212(1)
Print to Adobe PDF
213(4)
InDesign Production Tips
217(46)
Graphics
217(10)
Placing Graphics
217(1)
There's Good Drag and Drop
218(1)
. . . and There's Bad Drag and Drop
219(2)
Copy and Paste
221(1)
Embedding and Unembedding Graphics
221(1)
Updating Missing or Modified Graphics
222(1)
Finding Missing Graphics
223(1)
Updating Modified Graphics
224(1)
Replacing Current Graphics
224(1)
Editing Graphics
224(1)
Transforming Graphics
225(2)
Using Native Files
227(4)
Photoshop Native Files (PSD)
227(1)
Drop That Shadow
227(2)
InDesign CS2: Object Layer Options
229(1)
Illustrator Native Files (AI)
230(1)
PDF Files as Artwork
231(1)
Swatches
231(7)
Stubborn Swatches
233(1)
What to Do About All Those Extra Swatches
233(2)
Ink Manager
235(2)
Colorizing Images
237(1)
Converting Legacy QuarkXPress and PageMaker Files
238(5)
Preparing for Conversion
238(1)
What to Expect
239(1)
PageMaker Conversion Issues
240(1)
QuarkXPress Conversion Issues
241(1)
Cleaning Up
242(1)
When Not to Convert Legacy Files
242(1)
General Document Issues
243(4)
IDLK Files
243(1)
Automatic Recovery
243(1)
Going Back in Time
244(1)
Reducing File Size
244(1)
Let It Bleed
244(2)
One Size Fits All: Layout Adjustment
246(1)
Checking Out of the Library
246(1)
Transparency
247(9)
Transparency Flattening
247(1)
Put Text on Top
248(1)
Choose the Appropriate Transparency Blend Space
248(1)
Choose the Appropriate Transparency Flattener Preset
249(3)
Invoking Transparency Flattener Presets
252(1)
Special Case: Spot Color Content
252(2)
Spot Colors and Transparency: Overprinting at the Print Service Provider
254(1)
Drop Shadows: The Sun Never Moves
255(1)
Finding & Fixing Problems
256(4)
Forensic Tools
256(2)
Info Palette
258(1)
Preflight and Package
259(1)
PDF Creation Methods
260(1)
PDF Creation Settings
261(2)
QuarkXPress Production Tips
263(24)
Versions
263(4)
Saving QuarkXPress 6.5 Files to Earlier Versions
264(1)
Synchronized Text
264(1)
Projects: Convert to Individual Documents
264(1)
Font Issues
265(1)
Photoshop Native Files
265(1)
QuarkVista™ Picture Effects
266(1)
General QuarkXPress Cautions
267(14)
Beware the BIOS
267(2)
Graphics
269(1)
No Pasting from the Clipboard
269(1)
Clipping Paths
270(2)
Portable Document Format Files (PDFs) as Artwork
272(1)
Specifying Colors
273(1)
Creating PDF Files
274(2)
Export to PDF: QuarkXPress 5.0
276(1)
Export to PDF: QuarkXPress 6.0 Through 6.5
277(1)
Print to Distiller/PDF Printer (QuarkXPress 5.0 and Above)
278(1)
Print to PostScript, Distill Manually
279(1)
Save as PDF
279(1)
Collect for Output
280(1)
QuarkXPress 7.0
281(4)
New Features
281(2)
Improved Support for Photoshop Native Images
283(1)
Exporting PDF Files from QuarkXPress 7.0
284(1)
Troubleshooting
285(2)
What a Drag
285(1)
Divide and Conquer
286(1)
Acrobat Production Tips
287(32)
Acrobat Product Line
288(1)
Where Do PDFs Come From?
289(1)
Creating PDF Files
289(10)
Determining Which Type of PDF You Should Create
289(1)
PDF Settings and Some Important Standards
290(3)
Acrobat Distiller
293(3)
Handling Image Content
296(1)
Resolution Settings
297(1)
Compression Settings
298(1)
Font Embedding
299(1)
Editing PDF Files
299(5)
Editing Text
300(1)
Editing Graphics
301(3)
Print Production Toolbar
304(12)
Forensic Tools: What's Wrong with this PDF?
305(1)
Output Preview
305(3)
Preflight
308(3)
PDF Optimizer
311(1)
Repair Tools
311(1)
Convert Colors
311(1)
Ink Manager
312(1)
Add Printer Marks
312(1)
Crop Pages
313(1)
Fix Hairlines
314(1)
Transparency Flattening
315(1)
PDF Optimizer
315(1)
Trap Presets
316(1)
JDF
316(1)
Using External PDF Editors
316(3)
Appendix: Print Production Resources
319(16)
Organizations
319(5)
User Groups
320(1)
Online Communities and Forums
320(2)
Printing Industry Organizations
322(1)
Packaging Organizations
322(1)
Technical Education Organizations
323(1)
Conferences and Trade Shows
324(2)
Printing Industry Events
324(1)
Design Conferences
325(1)
Acrobat/PDF Conferences
326(1)
Design and Printing Books
326(3)
Desktop Publishing
326(1)
General Design
327(1)
General Printing
327(2)
Typography
329(1)
Software-Specific Books
329(3)
Acrobat
329(1)
Adobe Creative Suite
330(1)
Freehand
330(1)
Illustrator
330(1)
InDesign
330(1)
Photoshop
330(1)
Photoshop Specialty Topics
331(1)
QuarkXPress
331(1)
Publications
332(1)
Desktop Publishing
332(1)
Design
332(1)
Printing Technology
333(1)
Tutorials
333(1)
Destinations
333(2)
Index 335

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

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