Series Preface | p. ix |
Introduction: Rough Guide to a Lonely Planet, from Nemo to Neo | p. 1 |
Things To Come | |
The Anamorphic Estrangements of Science Fiction | p. 29 |
Art as 'The Basic Technique of Life': Utopian Art and Art in Utopia in The Dispossessed and Blue Mars | p. 47 |
Marxism, Cinema and some Dialectics of Science Fiction and Film Noir | p. 66 |
Spectacle, Technology and Colonialism in SF Cinema: The Case of Wim Wenders' Until the End of the World | p. 83 |
When Worlds Collide | |
The Singularity is Here | p. 103 |
Species and Species-Being: Alienated Subjectivity and the Commondification of Animals | p. 118 |
Ken MacLeod's Permanent Revolution: Utopian Possible Worlds, History and the Augenblick in the Fall Revolution Quartet | p. 137 |
Back to the Future | |
'Madonna in moon rocket with breeches': Weimar SF Film Criticism during the Stabilisation Period | p. 159 |
The Urban Question in New Wave SF | p. 178 |
Towards a Revolutionary Science Fiction: Althusser's Critique of Historicity | p. 196 |
Utopia and Science Fiction Revisited | p. 213 |
Afterword Cognition as Ideology: A Dialectic of SF Theory | p. 231 |
Appendices | p. 249 |
About the Contributors | p. 280 |
Index | p. 283 |
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