The Prospects of A Painter | |
The Quiddity | |
's Hertogenbosch, 1629 | p. 3 |
Leiden, 1629 | p. 7 |
's Hertogenbosch, 1629 | p. 9 |
Leiden, 1629 | p. 12 |
New York, 1998 | p. 24 |
The Hague, Winter 1631-32 | p. 27 |
The Paragon | |
Jan and Maria | |
Iniquities, March 1571 | p. 41 |
Atonement | p. 62 |
Pietro Paolo | |
Painting in the Ruins | p. 72 |
In Giulio's Shadow? | p. 88 |
Gift Horses | p. 102 |
Brotherhoods | p. 114 |
Apelles in Antwerp | |
Honeysuckle | p. 135 |
Tulips | p. 144 |
The Burden of Faith | p. 150 |
The Gentleman Completed | p. 165 |
Rubens for Export | p. 184 |
The Prodigy | |
RHL | |
O Leyda Gratiosa | p. 195 |
Priming | p. 208 |
History Lessons | p. 220 |
The Competition | |
Summer Candlelight, 1627 | p. 242 |
The Partnership (Limited) | p. 254 |
By Faith Alone | p. 270 |
Dogging the Nonpareil | p. 283 |
Making Faces | p. 295 |
The Prodigal | |
Amsterdam Anatomized | |
The City in Five Senses | p. 311 |
Movers, Not Shakers | p. 322 |
Autopsy | p. 342 |
Body Language | |
Pairing Off and Dressing Up | p. 354 |
Violations | p. 383 |
Furies | p. 401 |
The Moving Finger | p. 416 |
Samson's Eyes | p. 419 |
Wrestling with Rubens | p. 430 |
Crossing the Threshold | |
Painting the Sun with Charcoal, May 1640 | p. 448 |
Crossing the Threshold | p. 458 |
Propulsion | p. 480 |
Fallen Birds, June 1642 | p. 501 |
The Prophet | |
Exposures | |
The Real Thing? | p. 511 |
The Mutable Line | p. 527 |
Exposure | p. 542 |
The Price of Painting | |
The Pulled Glove | p. 562 |
Apelles Contemplating the Bust of Homer? | p. 582 |
Sacrifices | p. 595 |
The Sufficiency of Grace | |
Rough Treatment | p. 616 |
Mixed Company | p. 639 |
Quietus | p. 659 |
Non-finito, Summer 1667 | p. 669 |
After Ward | |
Rembrandt's Ghost | |
Huygens's Eyes | p. 689 |
Gerard's Eyes | p. 691 |
Rembrandt's Eyes | p. 700 |
Author's Note | p. 703 |
Notes | p. 705 |
Select Bibliography | p. 725 |
Acknowledgements | p. 729 |
Index | p. 731 |
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