Submissions | p. vii |
"Strange Discourse": The Controversial Subject of Sir Thomas More | p. 3 |
Staging the Moor: Turks, Moriscos, and Antichrists in lope de Vega's El Otomano famoso | p. 37 |
"The Voice That Will Drown All the City": Un-Gendering Noise in The Roaring Girl | p. 69 |
Bodily Narratives and the Politics of Virginity in The Changeling and the Essex Divorce | p. 97 |
"He would not goe naked like the Indians, but cloathed just as one of our selves": Disguise and "the Naked Indian" in Massinger's The City Madam | p. 129 |
The Tyranny of Tragedy: Catharsis in England and The Roman Actor | p. 163 |
Introduction to Giovan Battista Giraldi Cinthio's "Discourse or Letter on the Composition of Comedies and Tragedies" | p. 197 |
Discourse or Letter on the Composition of Comedies and Tragedies | p. 207 |
Notes on Contributors | p. 257 |
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