Rescripting Shakespeare: The Text, the Director, and Modern Productions

by Alan C. Dessen

• ISBN13: 9780521007986
• ISBN10: 0521007984
• Format: Paperback
• Copyright: 2002-07-15
• Publisher: Cambridge University Press

Summary

Building on almost 300 productions from the last 25 years, Alan Dessen focuses on the playtexts used when directors stage Shakespeare's plays: the words spoken, the scenes omitted or transposed, and the many other adjustments that must be made. Directors rescript to streamline the playscript and save running time, to eliminate obscurity, conserve on personnel, and occasionally cancel out passages that might not fit their 'concept'. They rewright when they make more extensive changes, moving closer to the role of playwrights, as when the three parts of Henry VI are compressed into two plays. Dessen analyzes what such choices might exclude or preclude, and explains the exigencies faced by actors and directors in placing before today's audiences words targeted at players, playgoers, and playhouses that no longer exist. The results are of interest and importance as much to theatrical professionals as to theatre historians and students.

Author Biography

Alan C. Dessen is Peter G. Phialas Professor of English at the University of North Carolina, Chapel Hill.

Table of Contents

Acknowledgments	viii
Note on documentation	x
List of abbreviations	xi
``Let it be hid'': price tags, trade-offs, and economies	1	(37)
Rescripting Shakespeare's contemporaries	38	(26)
Adjustments and improvements	64	(30)
Inserting an intermission/interval	94	(15)
What's in an ending? Rescripting final scenes	109	(27)
Rescripting stage directions and actions	136	(30)
Compressing Henry VI	166	(19)
The tamings of the shrews: rescripting the First Folio	185	(24)
The editor as rescripter	209	(32)
Conclusion: what's not here	235	(6)
Appendix: productions cited	241	(12)
Notes	253	(11)
Index	264