Art and Community | p. 9 |
The Centrality of Place | p. 11 |
Community as Context | p. 13 |
Acknowledgments | p. 15 |
The Essays | |
Living on Reservation X | p. 19 |
The Meaning of Life | p. 31 |
Let X = Audience | p. 41 |
Lost O'Keeffes/Modern Primitives: The Culture of Native American Art | p. 53 |
Mary Longman: strata and routes | |
There Is No Fixed Address for Reservation X | p. 67 |
Nora Naranjo-Morse: gia's song | |
On an Ordinary Day | p. 81 |
Marianne Nicolson: House of origin | |
Maintaining Identity in the Modern World | p. 95 |
Shelley Niro: Honey moccasin | |
Home Alone | p. 109 |
Jolene Rickard: Corn blue room | |
Unplugging the Hologram | p. 123 |
Mateo Romero: Painted caves | |
Conspiracy Theory | p. 135 |
C. Maxx Stevens: If these walls could talk | |
Environments That Tell Stories | p. 149 |
Selected References | p. 159 |
Contributors | p. 161 |
Index to illustrations | p. 163 |
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