Rethinking Debussy

by Antokoletz, Elliott; Wheeldon, Marianne

• ISBN13: 9780199755646
• ISBN10: 0199755647
• Format: Paperback
• Copyright: 2011-04-15
• Publisher: Oxford University Press

Summary

Composer, pianist, and critic Claude Debussy's musical aesthetic represents the single most powerful influence on international musical developments during the long fin de siècle period. The development of Debussy's musical language and style was affected by the international political pressures of his time, beginning with the Franco-Prussian War of 1871 and the rise of the new Republic in France, and was also related to the contemporary philosophical conceptualization of what constituted art. The Debussy idiom exemplifies the ways in which various disciplines - musical, literary, artistic, philosophical, and psychological - can be incorporated into a single, highly-integrated artistic conception. Rethinking Debussy draws together separate areas of Debussy research into a lucid perspective that reveals the full significance of the composer's music and thought in relation to the broader cultural, intellectual, and artistic issues of the twentieth century. Ranging from new biographical information to detailed interpretations of Debussy's music, the volume offers significant multidisciplinary insight into Debussy's music and musical life, as well as the composer's influence on the artistic developments that followed. Chapters include: "Russian Imprints in Debussy's Piano Music"; "Music as Encoder of the Unconscious in Pelléas et Mélisande "; "An Artist High and Low, or Debussy and Money"; "Debussy's Ideal Pelléas and the Limits of Authorial Intent"; "Debussy in Daleville: Toward Early Modernist Hearing in the United States"; and more. Rethinking Debussy will appeal to students and scholars of French music, opera, and modernism, and literary and French studies scholars, particularly concerned with Symbolism and theatre. General readers will be drawn to the book as well, particularly to chapters focusing on Debussy's finances, dramatic works, and reception.

Author Biography

Elliott Antokoletz is Professor of Musicology at the University of Texas at Austin, and is the author of six books, including one on symbolism in Debussy's Pellas. He is also editor of several other books as well as the International Journal of Musicology. His theoretical contributions earned him the Bla Bartk Memorial Plaque and Diploma from the Hungarian Government in 1981. Marianne Wheeldon is Associate Professor of Music Theory at the University of Texas at Austin. Her articles on Debussy have appeared in several journals and collections of essays. She is the author of Debussy's Late Style (Indiana University Press, 2009).

Table of Contents

Contributors	p. ix
Introduction: Debussy's Music and Its Contexts	p. xiii
Early Encounters
Debussy's Rites of Spring	p. 3
Russian Imprints in Debussy's Piano Music	p. 31
New Perspectives on Pelléas et Mélisande
Mélisande's Charm and the Truth of Her Music	p. 55
"Aimer ainsi": Rekindling the Lamp in Pelléas	p. 76
Debussy's Ideal Pelléas and the Limits of Authorial Intent	p. 96
Music as Encoder of the Unconscious in Pelléas et Mélisande	p. 123
Career and Creativity
An Artist High and Low, or, Debussy and Money	p. 149
"Destiny Should Allow Me to Finish It": The Problems Involved in the Reconstruction and Orchestration of The Fall of the House of Usher (1908-1917)	p. 203
Reception Histories
Debussy in Daleville: Toward Early Modernist Hearing in the United States	p. 225
Tombeau de Claude Debussy: The Early Reception of the Late Works	p. 259
Index	p. 277
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