More New and Used
from Private Sellers
Questions About This Book?
Why should I rent this book?
Renting is easy, fast, and cheap! Renting from eCampus.com can save you hundreds of dollars compared to the cost of new or used books each semester. At the end of the semester, simply ship the book back to us with a free UPS shipping label! No need to worry about selling it back.
How do rental returns work?
Returning books is as easy as possible. As your rental due date approaches, we will email you several courtesy reminders. When you are ready to return, you can print a free UPS shipping label from our website at any time. Then, just return the book to your UPS driver or any staffed UPS location. You can even use the same box we shipped it in!
What version or edition is this?
This is the edition with a publication date of 6/28/2013.
What is included with this book?
- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
- The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.
- The eBook copy of this book is not guaranteed to include any supplemental materials. Typically only the book itself is included.
It has long been commonplace to speak of hip-hop as a form of music deeply reliant on borrowing, especially when it comes to sampling. And yet, until now, almost no one has seriously investigated these critical elements, except to judge them on ethical and legal grounds. In Rhymin' and Stealin', Justin Williams presents the first book-length study to approach hip-hop intertextuality from a musicological perspective. Using examples from Nas, Jay-Z, A Tribe Called Quest, Eminem, and many others, Williams shows that the transformation of preexisting material is the fundamental element of hip-hop aesthetics, detailing how it works and situating it within the context of other music forms. Whether by taking a familiar dance move, quoting a famous speech, or sampling a rapper or 1970s funk song, by appropriating and reappropriating these elements, hip-hop artists transform something old into something new, something different, something quintessentially hip-hop. Although all music genres use and adapt preexisting material in different ways, hip-hop music celebrates and flaunts its "open source" culture through highly varied means. Indeed, within hip-hop culture there exists a constantly evolving web of reference both to the genre's own past and to other musical and cultural forms. This web of references, borrowed material, and digitally sampled sounds forms the basis of this book.