Robot Ghosts and Wired Dreams

by Bolton, Christopher

• ISBN13: 9780816649747
• ISBN10: 081664974X
• Format: Paperback
• Copyright: 2007-11-15
• Publisher: Univ of Minnesota Pr

Summary

Since the end of the Second World War-and particularly over the last decade-Japanese science fiction has strongly influenced global popular culture. Unlike American and British science fiction, its most popular examples have been visual-from Gojira(Godzilla)and Astro Boyin the 1950s and 1960s to the anime masterpieces Akiraand Ghost in the Shellof the 1980s and 1990s-while little attention has been paid to a vibrant tradition of prose science fiction in Japan. Robot Ghosts and Wired Dreamsremedies this neglect with a rich exploration of the genre that connects prose science fiction to contemporary anime. Bringing together Western scholars and leading Japanese critics, this groundbreaking work traces the beginnings, evolution, and future direction of science fiction in Japan, its major schools and authors, cultural origins and relationship to its Western counterparts, the role of the genre in the formation of Japanrs"s national and political identity, and its unique fan culture. Covering a remarkable range of texts-from the 1930s fantastic detective fiction of Yumeno Kyucirc;saku to the cross-culturally produced and marketed film and video game franchise Final Fantasy-this book firmly establishes Japanese science fictionas a vital and exciting genre. Contributors: Hiroki Azuma; Hiroko Chiba, DePauw U; Naoki Chiba; William O. Gardner, Swarthmore College; Mari Kotani; Livia Monnet, U of Montreal; Miri Nakamura, Stanford U; Susan Napier, Tufts U; Sharalyn Orbaugh, U of British Columbia; Tamaki Saitocirc;; Thomas Schnellbauml;cher, Berlin Free U. Christopher Bolton is assistant professor of Japanese at Williams College. Istvan Csicsery-Ronay Jr. is professor of English at DePauw University. Takayuki Tatsumi is professor of English at Keio University.

Table of Contents

Introduction. Robot Ghosts and Wired Dreams: Japanese Science Fiction from Origins to Anime	p. vii
Prose Science Fiction
Horror and Machines in Prewar Japan: The Mechanical Uncanny in Yumeno Kyusaku's Doguro magura	p. 3
Has the Empire Sunk Yet?: The Pacific in Japanese Science Fiction	p. 27
Alien Spaces and Alien Bodies in Japanese Women's Science Fiction	p. 47
SF as Hamlet: Science Fiction and Philosophy	p. 75
Tsutsui Yasutaka and the Multimedia Performance of Authorship	p. 83
Science Fiction Animation
When the Machines Stop: Fantasy, Reality, and Terminal Identity in Neon Genesis Evangelion and Serial Experiments: Lain	p. 101
The Mecha's Blind Spot: Patlabor 2 and the Phenomenology of Anime	p. 123
Words of Alienation, Words of Flight: Loanwords in Science Fiction Anime	p. 148
Sex and the Single Cyborg: Japanese Popular Culture Experiments in Subjectivity	p. 172
Invasion of the Woman Snatchers: The Problem of A-Life and the Uncanny in Final Fantasy: The Spirits Within	p. 193
Otaku Sexuality	p. 222
Afterword. A Very Soft Time Machine: From Translation to Transfiguration	p. 250
Publication History	p. 261
Contributors	p. 263
Index	p. 265
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