List of Figures | p. vii |
Acknowledgments | p. ix |
Introduction: Poe and the Twenty-First-Century Adaptation Renaissance | p. 1 |
Edgar Allan Poe and the Undeath of the Author | p. 13 |
Lusty Ape-men and Imperiled White Womanhood: Reading Race in a 1930s Poe Film Adaptation | p. 31 |
An "Ambrosial Breath of Faery": Jean Epstein's La Chaute de la Maison Usher and the Inverted Orphism of Poe's "Poetic Principle" | p. 45 |
Rethinking Fellini's Poe: Nonplaces, Media Industries, and the Manic Celebrity | p. 59 |
Evolutions in Torture: James Wan's Saw as Poe for the Twenty-First Century | p. 71 |
A Poe within a Poe: Inception's Arabesque Play with "Ligeia" | p. 81 |
Identity Crisis and Personality Disorders in Edgar Allan Poe's "William Wilson" (1839), David Fincher's Fight Club (1999), and James Mangold's Identity (2003) | p. 93 |
Horrific Obsessions: Poe's Legacy of the Unreliable and Self-Obsessed Narrator | p. 105 |
The Pleasure of Losing One's Way: Adapting Poe's "The Man of the Crowd" | p. 119 |
"The Telltale Head," "The Raven," and "Lisa's Rival": Poe Meets The Simpsons | p. 133 |
In the Best Possible Tastes: Rhetoric and Taste in AIP's Promotion of Roger Corman's Poe Cycle | p. 145 |
From the Earth to Poe to the Moon: The Science-Fiction Narrative as Precursor to Technological Reality | p. 165 |
The Perfect Drug: Edgar Allan Poe as Rock Star | p. 179 |
That Vexing Power of Perverseness: Approaching Heavy Metal Adaptations of Poe | p. 193 |
Picturing Poe: Contemporary Cultural Implications of Nevermore | p. 207 |
What Can "The Tell-Tale Heart" Tell about Gender? | p. 217 |
Comic Books and Graphic Novel Adaptations of the Works of Edgar Allan Poe: A Chronology | p. 231 |
The Purloning Critic: Adaptation, Criticism, and the Claim to Meaning | p. 249 |
Quid Pro Quo, or Destination Unknown: Johnson, Derrida, and Lacan Reading Poe | p. 261 |
Notes on Contributors | p. 275 |
Index | p. 281 |
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