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Chapter 1: Introduction Tools & Materials Oil & Acrylic Techniques Color TheoryChapter 2: Landscapes with Anita Hampton, Michael Obermeyer, Kevin Short, and Tom Swimm Painting a Panorama Determining a Format Painting Still Water Introducing Perspective Depicting Depth Creating Drama with Light & Shadow Land and SeaChapter 3: Clouds & Skyscapes with Alan Sonneman Clouds Techniques & Palette Field Observation Clouds in Motion Illuminated Clouds Midst the Storm Dutch Sky Twilight in the Wilderness Clouds at SunsetChapter 4: Sunsets with Tom Swimm Basic Techniques Sunset Techniques California Coast African River Moody Pier New Mexico Mountain Sunset Cloudy Beach African GrasslandChapter 5: Oceans & Seascapes with Martin Clarke Tips Techniques Ellenbrook Shore Eruption Island Shore Foaming Waters An Unridden Wave The Reef About the Artists
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There are many different ways to approach a blank support. Some artists begin by toning (or covering) it with a thin wash of color. This “underpainting” provides a base for building colors, and sometimes it peeks through in the final painting. This process prevents your final artwork from ending up with unpainted areas. The underpainting is generally a neutral color; warm colors work well for earth-toned subjects, and cool hues suit most other subjects.