The Self as Muse Narcissism and Creativity in the German Imagination 1750-1830

by Mathas, Alexander; Block, Richard; Breithaupt, Fritz; Gustafson, Susan; Hart, Gail K.; Klebes, Martin; Landgraf, Edgar; Mathäs, Alexander; Roberts, F Corey; Schmiesing, Ann

• ISBN13: 9781611480320
• ISBN10: 1611480329
• Format: Hardcover
• Copyright: 2011-04-22
• Publisher: Bucknell University Press

Summary

While there are countless philosophical and psychological studies that focus on sources of the self, narcissism has found relatively little attention in a pre-Freudian context. The Self as Muse fills this gap by examining various aspects of narcissism and their significance for the outpouring of creativity in late eighteenth and nineteenth-century German literature. In many Eighteenth-century works of the period narcissism refers to the creation of an idealized image of the self and the desire to merge with this image. It provided an impetus for poetic production as writers resorted to the Greek myth of Narcissus to express what they perceived as the inner workings of their soul. Yet they were also acutely aware of the vain, and therefore narcissistic, motivations for their explorations of the self. While those influenced by the Pietist tradition attempted to distinguish between an "unselfish" self-scrutiny and self-indulging vanity, others like Goethe took advantage of narcissism's creative potential and integrated it into their aesthetic endeavors. The abundance of confessional and autobiographical accounts, the burgeoning of poetry drawing on personal experience, the emergence of a type of drama that is based on empathy, and the concern with an individual's ability to control one's senses and emotions in general testify to an unprecedented interest in notions of the self in German literature. Mathäs explains the emergence of narcissism in the literature of the period as a sense-inspired concept that aims to bring about a better comprehension of both the self and other human beings, and how writers used narcissism to improve the moral behavior of their readers. It examines eighteenth-century representations of narcissism against the background of Freudian and post-Freudian notions of the concept, and explores narcissism as a creative process that engages both reader and writer in the production of meaning. By showing narcissism's pervasive allure for a broad array of literary productions, the vol

Table of Contents

Acknowledgments	p. vii
Narcissism and the Self: An Introduction	p. 1
Narcissism and the Senses
Narcissism and the Sublime	p. 19
Narcissism, the Self, and Empathy: The Paradox that Created Modern Literature	p. 39
Narcissism and Morality
Self-Reflection and Knowledge of Self in Hamann's Early Philosophical and Aesthetic Writings	p. 61
Narcissistic Investments and Transformations in Theodor Gottlieb von Hippel's Lebensläufe nach aufsteigender Linie and Über die Ehe	p. 85
ôSome Day My Prince Will Comeö: Fürstenspiegel and the Bourgeois Writer	p. 109
Over and Against Freud
Werthers Sentimental Narcissism: Consciousness, Communication, and the Origin of the Modern Psyche	p. 127
ôI suffered and I lovedö: Narcissism and Abject Desire in Goethe's ôConfessions of a Beautiful Soulö	p. 151
Reading and Writing Narcissism
Textual Narcissism in Kleist's ôÜber das Marionettentheaterö	p. 171
That Specter in My Name: Writing and Its Mirror Effects in Hoffmann and Poe	p. 195
Notes on Contributors	p. 217
Index	p. 219
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