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Table of Contents
|Introduction: imagining audiences|
|Feeling fear in Macbeth|
|Hearing Iago's withheld confession|
|Self-love, spirituality, and the senses in Twelfth Night|
|Playing with appetite in early modern comedy|
|Notes towards an analysis of early modern applause|
|Catharsis as 'purgation' in Shakespearean drama|
|Poetic 'making' and moving the soul|
|Afterword: senses of an ending|
|Table of Contents provided by Publisher. All Rights Reserved.|