More New and Used
from Private Sellers
Questions About This Book?
Why should I rent this book?
Renting is easy, fast, and cheap! Renting from eCampus.com can save you hundreds of dollars compared to the cost of new or used books each semester. At the end of the semester, simply ship the book back to us with a free UPS shipping label! No need to worry about selling it back.
How do rental returns work?
Returning books is as easy as possible. As your rental due date approaches, we will email you several courtesy reminders. When you are ready to return, you can print a free UPS shipping label from our website at any time. Then, just return the book to your UPS driver or any staffed UPS location. You can even use the same box we shipped it in!
What version or edition is this?
This is the 00 edition with a publication date of 12/17/2007.
What is included with this book?
- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
- The Used copy of this book is not guaranteed to include any supplemental materials. Typically, only the book itself is included.
- The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.
Written with verve and insight by an award-winning teacher and scholar, Shakespeare and Film: A Norton Guide is the ideal introduction to film adaptations of Shakespeare's plays from the silent era tot the present.
Samuel Crowl, Trustee Professor of English at Ohio University
Table of Contents
|Introduction: Shakespeare on Film and Television||p. xi|
|A Brief Guide to Film Grammar and Rhetoric||p. xxiii|
|A Brief History of Shakespeare on Film|
|Establishing Shot: History||p. 3|
|Close-up: Major Directors I: Laurence Olivier, Orson Welles, and Kenneth Branagh||p. 21|
|Close-up: Major Directors II: Akira Kurosawa, Grigori Kozintsev, and Franco Zeffirelli||p. 41|
|Long Shot: Shakespeare and Television||p. 61|
|Wide Angle: The Films of the 1990s||p. 80|
|Analyzing Shakespeare on Film|
|Auteurs and Actors: Camera, Editing, Music, and Acting||p. 101|
|Deep Focus: Text and Context||p. 128|
|Depth of Field: Text and Image||p. 145|
|Montage: Beginnings and Signature Shots||p. 161|
|Soliloquies and Scenes: Adapting Stage Conventions to the Screen||p. 179|
|Glossary of Basic Film and Critical Terminology||p. 197|
|Selective Bibliography||p. 203|
|Selective Filmography||p. 209|
|Table of Contents provided by Ingram. All Rights Reserved.|