Acknowledgments | vii | ||||
Introduction | ix | ||||
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1 | (16) | |||
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17 | (14) | |||
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31 | (8) | |||
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39 | (13) | |||
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52 | (8) | |||
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60 | (9) | |||
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69 | (18) | |||
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87 | (8) | |||
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95 | (11) | |||
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10 Text and Genre Context in Doris Dörrie's Money | 106 | (9) | |||
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11 Happy Birthday! or, Is a Private Eye a Type of Family Doctor? | 115 | (13) | |||
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12 A Carnival of Humans: Multicultural Spaces and Space Aliens in Doris Dörrie's Nobody Loves Me | 128 | (13) | |||
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13 Angst Takes a Holiday in Doris Dörrie's Am I Beautiful? | 141 | (19) | |||
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14 Removing the Mask: Doris Dörrie's Enlightenment Guaranteed | 160 | (10) | |||
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15 Naked: Is There a Fundamental Identity, Which We Adorn, or Is It All Tentative? | 170 | (7) | |||
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16 Reflecting Love at Quite Its Natural Size: Doris Dörrie as Writer | 177 | (11) | |||
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17 Doris Dörrie: The Filmmaker as Writer | 188 | (8) | |||
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18 What Children Know: The Child's Imagination in Doris Dörrie's Picture Books | 196 | (11) | |||
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Appendix: Original Script for Nobody Loves Me | 207 | (82) | |||
Filmography: Films Directed by Doris Dörrie | 289 | (6) | |||
Bibliography | 295 | (12) | |||
Index | 307 | (14) | |||
About the Editors and Contributors | 321 |
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