What is included with this book?
Acknowledgments | p. xi |
Introduction: "Memories of Underdevelopment" | p. 1 |
Theory and Representation | |
Introduction | p. 15 |
Teaching Film Auteurs | p. 19 |
Teaching Film Theory | p. 26 |
Teaching Feminist Film Theory; or, Women and Film | p. 40 |
Teaching African American Film: Race, Politics, and Aesthetics | p. 51 |
Teaching Queer Cinema with Independent Media | p. 63 |
Teaching Film and Disability Studies | p. 74 |
Geographies of Cinema | |
Introduction | p. 89 |
Teaching Indian Cinema | p. 92 |
Teaching Latin American and Caribbean Cinema | p. 101 |
Teaching Accented Cinema as a Global Cinema | p. 112 |
Reconsidering New German Cinema | p. 119 |
Teaching the Ends of Eastern European Cinema | p. 126 |
Teaching Japanese Cinema | p. 134 |
Teaching World Cinema | p. 145 |
Interdisciplinarities | |
Introduction | p. 161 |
Literature and Film-Not Literature on Flim | p. 164 |
Teaching Cinema across Languages | p. 177 |
Teaching Film and Trauma | p. 187 |
Teaching Film Historiography | p. 197 |
Teaching Film Law and Policy | p. 209 |
Genre and Mode | |
Introduction | p. 221 |
Teaching Film Genre(s) | p. 224 |
Teaching Futurist Dystopian Cinema | p. 233 |
Teaching the Documentary Film | p. 242 |
Teaching Animation | p. 253 |
Teaching the Avant-Garde Film | p. 261 |
Style and Craft | |
Introduction | p. 275 |
Teaching Film Music | p. 278 |
Teaching Film Sound | p. 288 |
Teaching Film and Mise-en-Scène | p. 299 |
Teaching Film through Stardom | p. 311 |
Teaching Film Studies in a Production Context | p. 323 |
Teaching Screenwriting as Criticism | p. 337 |
Film and Media in the Digital Age | |
Introduction | p. 347 |
Teaching Media Specificity in an Age of Convergence | p. 349 |
Teaching Film in the Age of Digital Transformation | p. 357 |
Teaching with DVD Add-Ons | p. 364 |
Teaching US Television in an Era of Convergence | p. 376 |
Teaching Film and the Internet | p. 384 |
Notes on Contributors | p. 397 |
Index | p. 403 |
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