Elvis, Be My Psychopomp | p. 3 |
Merry Hell | p. 8 |
Doughboy's Bitch | p. 11 |
Dogs Who Are Poets and Movie Stars | p. 14 |
Terrible Swift Sword | p. 17 |
The Only Good Question | p. 22 |
All Earthly Hues | p. 27 |
Mopery With Intent to Creep | p. 32 |
The Measurator | p. 34 |
Die Meistersinger | p. 37 |
Hello, I Must Be Going | p. 40 |
The Temple Gate Called Beautiful | p. 47 |
The Knowledge | p. 53 |
The Secret Room | p. 58 |
Letter Home on My Birthday, November 29, 2002 | p. 61 |
Mountain With Dead People and Dogs | p. 64 |
Sex and Candy | p. 71 |
The Mysteries | p. 73 |
Note From Underground | p. 78 |
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From “Hello, I Must Be Going”:
. . . when it was time for her to go, she didn’t grumble;
she just left. And I, who shared her indifference
to any hope for an afterlife yet feared I might start shouting
for a confessor when my own time comes, I said to myself,
yes, that’s it, that’s what you do. I said to myself,
this is the real knowledge: that there’s no knowledge.